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Correy Bell is Chaos and Comedic Genius

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For Mother’s Day weekend, the Chicago Defender shares stories of dynamic Black women thriving in their careers and providing loving guidance for their families.

Correy Bell is organized chaos. 

It’s the sum and substance of who she is. It’s the energy she comes with when she ascends upon a stage. It may also represent the Chicago comedy landscape, where the rooms differ racially, depending on what side of town you’re on, but it’s a scene she has mastered, by the way.    

“Organized Chaos” is the title of her recently released comedy album, recorded during the pandemic. 

“What I did was record an old school comedy album, like vinyl, like Red Foxx, like Richard Pryor. And it was what it was; it was organized chaos,” she said. “It was about the pandemic; it was about my children. It was about me being an adult, me being a grandmother. It’s about a little bit of everything that everybody can relate to.”  

Correy Bell, Organized Chaos Album Cover

Correy Bell’s brand of organized chaos is also being dressed to the nines to perform and remaining as real and damn funny as your big sister or favorite aunt without even trying. 

In a recent interview, Bell talked about growing up on the South Side near 95th and Vincennes, that one time she performed at a Harold’s Chicken, and why Chicago has the best comedy scene in the country. 

We also discussed how she and Mo’Nique remain “thick as thieves.” 

Chicago Defender: So I read an article somewhere where you said that you got into comedy about nine years ago, right?

Correy Bell: November will be my ninth year, what we call a comedy-versary. And I literally started comedy on a dare from a good friend of mine. I just met her at the legendary “Jokes and Notes” comedy club. And she was telling me about a room. I was like, “Oh, I love comedy.” And one day, she was like, “Listen, if you come next week, I’m putting you on stage.” And I was like, “Girl, no, you are not putting me on stage, no you will not.” I kept saying, “Well, I’m funny. One day, I’m gonna try it.” And she basically was like, “I dare you.” 

So the next week I came, the comics went up. And she went up there and called my name. And I was like, “the nerve of her.” 

But at this point it’s like sink or swim. And I went up there. I told one of the worst jokes that I could have ever created when I think about it, and a couple of people laughed. And I was like, let me try it one more time. Something else really silly. And people laughed. 

And literally, from that moment, I had been bit by the bug.

CD: Do you remember the joke? The one that made you say, “I’ve got this.”

Correy Bell: Yes. As a matter of fact, I recently found a clip of it, way dusted in the archives, and I posted it on Instagram. It was basically about my friends trying to be uppity and they didn’t know how. And we were in a restaurant. And they told the waiter that they only drank bottled water, but then asked for a glass of ice. And I’m like, “what you think the ice come from?”

Like you’re trying to be bougie you don’t even know how to do it. But it worked then and it worked because it was relatable. Because there’s so many people in there. Like, “I don’t drink faucet water.”

We grew up on faucet water, the outside hose water. That’s what we grew up on. That’s why our immune system is so strong. 

“You’ve got to be fearless before you’re funny in Chicago.”

CD: [Chuckles] That’s right, we can survive anything after that. So when people get into comedy, there’s like this inkling, right? “I’m funny. My friends think I’m funny.” Did you have any inkling of that as you were growing up?

Correy Bell: So I’ve always been funny to everyone else. I never considered myself funny. I just thought that I said what people were thinking, but too politically correct to say out of their mouth. Like they were not risk takers. Me on the other hand, it was like a vending machine and to go in my head, it’s going to come out my mouth. 

My sister would always say stuff like, “You’ve missed your calling. You are supposed to be on stage. You are a clown and you missed your calling.” And it really was my oldest sister Kim, who basically was like, “You’ve got to get on stage.”

And then the cards just aligned. You know, I’m funny. Everybody tells me I’m funny. And I’m like, “I’m not funny, I’m just real. And you guys are just scared to be who you are. So let me be your representative.” 

And that’s kind of how that happened.

CD: You from Chicago? Correct?

Correy Bell: Southside baby, born and raised! 

CD: What streets?

Correy Bell: Listen, I am from 93rd in Ada. I’m right off 95th and Vincennes. Right before Beverly.

CD: Okay. Talk about growing up in that area. What was that like for you?

Correy Bell: Oh, my God, growing up on the Southside of Chicago. I look at my children now. And I look at them and I’m like, “y’all don’t know what real kid fun is.” Like these kids are so into their phones. 

We didn’t have phones. I grew up in the village that raised the children. So, the people on my block knew the people next door on the other block, and knew the people behind us. So, when we went outside, it was safe, because everybody watched out for everybody. So, when we played ding-dong-ditch, if you got caught, they knew where you lived. So you cannot be the slow one. You got to be able to run.

We had the community. We had the village. I could walk from my house to Evergreen Plaza and see the movies or go to Montgomery Wards. We did that at 87th Street, where we would go to the carnival, or the drive-in or go kart racing out on Halsted. My growing up years is where we developed real friendships. It was like if you had two people and one pair of skates, then we each had one skate. It’s ten people and eight bikes is ten people on the bikes, because you rode with your friends. 

I miss that community feel, that village feel. Our children miss that. I’m like, “y’all don’t know fun.” 

You don’t know about sleepovers and making mud pies in the backyard. Like, I’m that old. I’m mud pie old. Don’t make this face fool you here, baby. I am mud pie in the backyard, ding-dong-ditch, running bases old. So I missed that for our children. But my childhood was dope. 

“I knew that if I wanted to be world renowned…I had to be able to play to the North Side and the South Side.”

CD: What do you think sets you apart from everybody else in the comedy landscape?

Correy Bell: One of the things that sets me apart, is when I step on stage, other comedians would consider it being over the top. I consider it wearing what’s comfortable for me. It would give like [the comedian] Sommore. And Sommore would come out, and baby, she is dressed.

It’s like when I put my stuff on, I feel good. I talk about my family. I talk about my experiences. I don’t necessarily have to do a stock joke. That’s why my album Organized Chaos is what it is, because it’s who I am, what I’ve lived. 

Because my house alone — let me tell you something — my house by itself is a complete comedy set every day. There’s a joke every single day. What sets me apart is that nobody can tell my story like me. And it’s unique, it’s relatable. Even though it’s my story, you got mothers and friends and cousins, and people out there that’s going, “Listen, I’m over 40 and I understand why we got to take a nap.” 

You know, I tried to stray away from what they already expect for black female comedians to talk about. I don’t really talk about dating. They expect dating, sex, weight loss or weight gain and kids. That’s normally what they expect. And even though I talk about those things, there’s a whole world outside of that that I choose to talk about. So that you’re not getting what you expect that you thought you’d get. I’m gonna give you all of it.

Correy Bell performs on stage.

CD: What was life like before comedy? You used to work at Groupon, is that right?

Correy Bell: Listen, I was the queen of customer service, okay.  I’ve done all of the jobs, all of the customer service jobs. I did a lot of HR. Groupon was the last job that I worked before I became a full-time comic. And when I say it was by far one of the most fun jobs I’ve ever had, like, it was the most entertaining. We literally got paid to play because the CEO was only 28 at the time when he opened the company. So, he was the kid, and so were we. 

And even in having what I would have considered, one of the most fun or one of the best jobs, when I started doing comedy, I strayed away from it. It was almost like I was serving two masters.

CD: So you were working rooms while you were working at Groupon?

Correy Bell: I was doing open mics and stuff like that. So if I’m out doing two or three rooms. Because, let me tell you, Chicago comedy has the best comedy scene in the country. I’m okay with arguing that with people from other places, but the monsters come from Chicago. 

We do comedy in places that people don’t want comedy. We are in the bars. We are in the lounges. We done snuck up in libraries. I did comedy in a Harold’s chicken restaurant. 

CD: Which one? 

Correy Bell: 14th and Wabash. Black owned. Yeah, I did comedy in the Harold’s chicken, okay. So you have to build your character, and you got to get the tiger stripes. You’ve got to be fearless before you’re funny in Chicago. That’s why, when we go to New York and we go to LA and we go to Atlanta, stepping on the stage we are fearless. And then we slap you around with a little bit of funny. So because I had to go and fight in these rooms, when I would get up in the morning to go to Groupon, I liked it a little bit less every time because I was growing the love for what was happening over here. 

And one day, December 1, I got a message that I no longer was an employee of Groupon. Quit, got fired, don’t matter. I didn’t work anymore. And I sat down and I talked to my husband and my husband said, “Listen, I want you to take six months, and I want you to do nothing but comedy. I got the bills, I have everything. And if in six months, it’s working, you keep going. But if, in six months, it don’t work. Baby girl, you work.” 

So it just so happens, I was about a year in, and I landed my first TV gig with [producer] Bob Sumner and truTV. Flown out to LA within the first 14 months of me doing comedy. 

CD: Was that Laff Tracks?

Correy Bell: Yes, Laff Mobb’s Laff Tracks. So I love Groupon for everything that it gave me, but it was time to go.

CD: I did read somewhere where you talked about the difference between a South Side room and a North Side room and having the ability to navigate those rooms? Can you talk a little bit about that?

Correy Bell: Absolutely. There’s a big difference between the North Side and the South Side. We already know that Chicago — I didn’t really learn this until I went to New York and other places — how segregated Chicago is. So when we do comedy, if you are on the South Side, the majority of those rooms are black. Anything north of 22nd Street, when you go North Side, those are the majority of white rooms.

And when I say rooms, I mean the clubs, the open mics, wherever they decide to do it. And what I tell people all the time is you will go to the South Side for the money. That’s where the money was. The North Side, you went for opportunity. And I say that because we don’t have any black comedy clubs in Chicago. “Jokes and Notes” is what we had, and we don’t have it anymore. So, we don’t have a place to call home. So when the Just for Laughs, ABC or NBC, any of the bigger names, they’re coming to Chicago in order to search for opportunity or whatever, they’re going to the North Side. 

So what I decided to do was, I worked the South Side because that’s why I built my stripes. That’s where I get the punches. Because I’m in a bar with somebody sitting and they trying to watch the game. They ain’t got no interest in comedy. They trying to buy the girl a drink at a bar, it’s somebody’s birthday, and they was drunk when we got there. And now I got to stop this party and get them to pay attention to me and to laugh. That’s what you get on the South Side.

So when you go to the North Side, because the clubs are there, which I love. I’m so grateful for all of them. When you go to Laugh Factory, Comedy Bar, Zanies, like all of these clubs on the North Side, they’re designed for comedy. So the audiences are structured. 

I knew that if I wanted to be world renowned, if I wanted to make sure that my jokes translate and I can go anywhere. I had to do both sides. I had to be able to play to the North Side and the South Side. If you want to make it in Chicago, you’ve got to do both sides.

CD: Now, I saw that you had tweeted, Mo’Nique, and that’s how that relationship began. Is that right? And what made you get up the nerve to do that? 

Correy Bell: Well, what ended up happening was I went to a Jill Scott concert. And after Jill Scott’s first song, we heard a big boom. The power goes out. They tried to fix it for about 30-40 minutes. They could not get it fixed. There’s no Jill Scott. On the way out, they had all of the posters of people who had performed there in the past. We were at the Horseshoe Casino. And there was a picture of Mo’Nique and I took a picture. And I was like, “You know what, one day I’ll have a picture right next to hers.” Because that’s who I looked up to. 

And not too long after that, I saw that she was coming to Chicago. And something in me was like, you know, “try it.” So I sent out an Instagram message. And I said, “Hey, guys, I need all my friends to tag Mo’Nique and tell her to let me open up for her at the Chicago Improv. 

And people started tagging her. And maybe about five minutes later, she responded. She said, like you always hear her say, “Hey, my sweet baby, you know, meet me at the Improv.” And I was like, “Nah, this can’t be real.” 

And the crazy thing was, I never got an inbox or any of that. I inboxed her. There was no meet me at this time, on this day, ask for this person.

It was like, “How bad do you want it? You going to have to figure this out yourself.” And I had already seen in my mind, I’m like, yo, if I can’t get in…Do you remember the episode of Martin when he went on The Varnell Hill Show and showed up with K-Ci and JoJo? I was going to bum rush the stage because I am going. 

Well, the morning of the first show on that Friday, she did an interview with WGCI. And the radio personality was basically saying, “Hey, you know, I see that Mo’Nique you’re here in Chicago, and you have Correy Bell opening up for you.” And she said, “Hey, I don’t know who this Correy Bell is, but the second that I responded to her Instagram, people were going crazy about it. So I’m excited to meet her.” 

So at this point, now, it’s on because she knows and she remembered. Like, it is on. So I showed up and it was almost like we had never not known each other. We hugged and we talked and we embraced. And I said, “Is there anything that you don’t want me to talk about?” And she basically said, “You have seven minutes.”

CD: Oh. 

Correy Bell: She said, “everybody out there bought a ticket to see me. I want you to go out there and make them want to come back and see you. So don’t keep nothing. Leave it all out on the stage and have a good time.” Cool! So that’s what I did. I’m at home. This is Chicago. So, I did what I do.

I went out, and I did my seven minutes and I came back in. And when I came into the back, she was crying. And I was like, “What did I do? What did I say?” Like, “how did I mess this up?” 

And she said, “I’ve been looking for you. And I’ve been looking for somebody that I can pour my knowledge about comedy and this business into, and I know that that’s you. And we literally have been thick as thieves since then. 

Right after that, I finished the weekend with her. I went out on the road with her. I did her Vegas residency, all nine months in Vegas with her. And then, she invited me to do Showtime’s Mo’Nique & Friends with her. It was amazing. And just recently, even with all the touring that we did, I opened for her Netflix special.

So, it has been a crazy, wild ride with her. I appreciate every second that we spend together —  every conversation, every teachable moment, every interview that I’ve been able to sit in with her, every stage that we’ve shared. So to be able to sit with somebody who has more than 30 years into this business, and as fearless as she is, it’s an honor.

CD: What’s next for Correy Bell? 

Correy Bell: Everything! I want all of it. You have people in comedy for different reasons. I am going for my yellow jacket. Like I’m, I’m going for it. So, I will always end up on that stage. Because that stage is where my superpowers lie. 

But TV, movies, commercials, maybe a talk show. But touring is what I love because it’s something about that instant gratification that you get when people are really quiet because they’re paying attention or they’re falling out of their seat because they thought it was hilarious. 

That, for me, is my comfort zone. It’s my safe place. When I get on stage, nothing else matters. So the stage, TV, anything. It’s limitless. The possibilities are open. I’m open to what’s for me, whatever that entails. But I’m gonna make sure that the people know my name.

This interview has been edited and condensed for clarity.

 

The post Correy Bell is Chaos and Comedic Genius appeared first on Chicago Defender.

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Black History

Doulas Are Helping Black California Moms Navigate Pregnancy–Even as High Mortality Rates Persist

In California, Black women experience the highest pregnancy-related mortality rate — about four times greater than other women, according to statistics. From 2021 to 2023, the leading causes of pregnancy-related deaths included cardiovascular disease, COVID-19, hemorrhage, sepsis, amniotic fluid embolism, and pulmonary embolism.

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Long Beach resident Cassandra Carter approached the birth of her daughter, Nyomi (pictured), last November with anxiety after losing twins. She is pictured here with her husband.
Long Beach resident Cassandra Carter approached the birth of her daughter, Nyomi (pictured), last November with anxiety after losing twins. She is pictured here with her husband.

After losing twins, Long Beach resident Cassandra Carter approached the birth of her daughter, Nyomi, last November with anxiety. She wanted support for herself and her husband, Adewole, that extended beyond routine medical care. 

“Getting pregnant as a Black woman, I wanted a team around me that made me feel safe,” she said. “I know all about the mishaps that Black women experience.”  

Carter, a therapist and self-described hippie, hired Yvette Perry, a doula and co-founder of Divine Birthing Services LLC in Lancaster. Perry helped Cassandra craft a detailed birth plan. 

“I was worried about postpartum depression. Mrs. Yvette knows a lot about how postpartum affects men as well,” Carter explained. 

Perry was present the day Nyomi was born. She held the baby when Carter or her husband needed a moment and even set up candles in the birthing suite.  

“Whatever I needed for my comfort, she was there,” Carter said of Perry. “She was there as an advocate and voice. I had a really serene birthing experience because I had someone extra who wasn’t tied to me as my family.”  

Perry, a doula for nearly six years, said preexisting conditions, poor communication and dismissive hospital care heighten health risks for Black mothers. 

“Sometimes, Black mommies are not being heard. They don’t know they have rights. They don’t know they can say, ‘no,’” Perry explained. “Doulas empower them. We are there to educate them.” 

Perry’s concerns reflect a broader public health crisis. According to the Centers for Disease Control and Prevention’s 2024 maternal mortality report, non-Hispanic Black women in the U.S. died from pregnancy-related causes at a rate of 44.8 deaths per 100,000 live births. 

In California, Black women experience the highest pregnancy-related mortality rate — about four times greater than other women, according to statistics. From 2021 to 2023, the leading causes of pregnancy-related deaths included cardiovascular disease, COVID-19, hemorrhage, sepsis, amniotic fluid embolism, and pulmonary embolism. 

The Centering Black Mothers in California report found that structural racism — including barriers to high-quality health care, and chronic stress— disproportionately harms Black women. 

In a statement to California Black Media (CBM), the California Department of Public Health (CDPH) said maternal mortality disparities stem from multiple factors. The department said addressing structural racism, listening to Black women’s experiences and reducing provider bias are key to closing the gap. 

California began covering doula care as a Medi-Cal benefit in 2023, providing eligible patients with support during pregnancy, childbirth and the postpartum period, according to CDPH.  

Whitney Dotson of Inglewood wanted an expert on pregnancy, labor, and delivery to guide her and her husband, Anthony, through the birth of their son, Anthony III. So, she hired Perry for doula support. 

“It’s always more comfortable when you can have a second opinion,” she said. “Knowing she was better versed in what the options were, made me more comfortable.” 

Dotson, 39, had a healthy pregnancy but faced recommendations common for expectant mothers over 35. Her doctor advised inducing labor at 39 weeks, but she hoped to carry to full term. 

“I wasn’t comfortable with that,” she admitted. 

Perry provided Dotson with information about induction guidelines and alternatives, helping her understand her options and communicate her preferences.  

Then, Dotson returned to her doctor. 

“I said, ‘I don’t want to — and this is why,’” she recalled. “He agreed and pushed the induction date back a week.” 

Perry also advised Anthony on how he could support his wife during and after the pregnancy and during Anthony III’s birth. She also reminded Dotson to change birthing positions — from her back to her hands and knees.  

Before Saveneh Martinez became a doula with Fierce Advocates in Contra Costa County, she was a new mom, uneducated on aspects of birth, which led to her first child, Colton, being placed in a Neonatal Intensive Care Unit. 

“I didn’t know my choices,” she said.   

Martinez called it “lifesaving” for expecting moms to have a doula.  

“It should be a medical right,” she said.  

California Perinatal Quality Care Collaborative (CPQCC) Senior Associate Medical Director Kimberly D. Gregory said research suggests that doulas decrease the pre-term birth rate and the likelihood of a C-section.  

“Having a doula is a proactive thing to do,” she said.  

Efforts are being made across the state to reduce maternal deaths.  

CDPH’s Title V Action Plan aims to reduce pregnancy-related deaths among Black birthing mothers from 49.7 to 42.3 per 100,000 live births by 2030 through improvements in patient-centered care, expanding community-based perinatal teams, and addressing the social factors that contribute to poor maternal health outcomes. 

CDPH’s Black Infant Health (BIH) Program and Perinatal Equity Initiative (PEI) have already begun to make headway.  

“BIH’s prenatal group model improves key intermediate outcomes for participants, including increased social support and empowerment, better stress management, reduced depressive symptoms and gains in health knowledge and behaviors such as safe sleep practices and reduced smoking,” the CDPH told CBM.  

“PEI’s early implementation results show progress across several participant-reported areas, such as improved birth experiences, breastfeeding initiation, and coparenting skills among fathers and partners,” the CDPH statement continued.  

Gregory said the California Pregnancy Associated Review Committee examines maternal deaths and develops guidelines to help hospitals improve care. One of its main recommendations focuses on how hospitals respond to hemorrhaging, a leading cause of pregnancy-related deaths. 

Gregory said CMQCC also created standard clinic care practices for cardiovascular disease and sepsis, two more drivers of maternal mortality, but widespread implementation across the state is pending.  

She noted that although there are 800 maternal deaths a year in the U.S., there are also 3.6 million births.  

“Most people will do well,” she said. “But you should know about complications like preterm birth. You should know about complications like diabetes, preeclampsia and postpartum depression.” 

Martinez said doulas help to make birthing the transformative experience that it is, instead of a routine clinical transaction. 

“Being able to feel heard, seen, safe, respected, and just being able to create spaces for them to be held as well,” she said.  

Supported by the California Health Care Foundation (CHCF), which works to ensure that people have access to the care they need, when they need it, at a price they can afford. Visit www.chcf.org to learn more.

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Black Press

Statement from the President of the National Association of Black Journalists on Press Ban

TEXAS METRO NEWS — The National Association of Black Journalists (NABJ) condemned President Donald Trump’s decision to deny access to MS NOW journalists and his threats against CNN and Politico due to unfavorable coverage. The NABJ stated that journalists hold power accountable for the American people, and government officials cannot grant or withhold access based on reporting they like or dislike.

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Statement from the President of the National Association of Black Journalists on Press Ban

NABJ condemns President Donald Trump’s decision to deny access to MS NOW journalists and his threat to exclude CNN and Politico because of coverage he dislikes. The role of journalists is to hold power accountable on behalf of the American people. Government officials cannot reward reporting they find favorable with access, or withhold access as punishment for journalists who have scrutinized or criticized them. This retaliation is a threat not only to the news organizations being targeted, but to every journalist working to report independently and without fear of government reprisal. The White House belongs to the American people, and they have a right to know what their government is doing. Journalists must be free to ask difficult questions and report the answers. A free and independent press is not a privilege granted at the discretion of any president. It is a cornerstone to a healthy and functioning democracy. The First Amendment can never be optional.

Based on reporting by Texas Metro News.



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Black Press

America’s Reading Crisis Demands More Than Concern. It Demands Action.

JACKSON ADVOCATE — A national literacy crisis is emerging as reading achievement continues to decline across the United States. Nearly 40% of fourth graders read below the basic level, and roughly one-third of eighth graders are below basic, marking the highest share ever recorded.

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Photo: iStockphoto / NNPA.
Photo: iStockphoto / NNPA.

By Marc H. Morial

National Urban League President & CEO

New York City’s troubling decline in reading scores, despite one of the most ambitious literacy reform efforts in the nation, is a wakeup call for the entire nation.

Across the country, reading achievement continues to decline. Nearly 40 percent of fourth graders read below the basic level and roughly a third of eighth graders are reading below basic, the highest share ever recorded.

Taken together, these numbers reveal a national literacy crisis that threatens economic opportunity, educational equity, and our nation’s future competitiveness.

Reading is not merely another subject in school. Reading is the foundation upon which all learning rests. A child who struggles to read struggles to learn history, science, mathematics, and civics. A young person who cannot effectively read and analyze complex information faces barriers to college completion, workforce success, and informed participation in our democracy.

That is why the growing literacy crisis is fundamentally an opportunity crisis. Behind every percentage point is a child whose future opportunities hang in the balance. Persistent achievement gaps mean that Black and Latino students continue to bear a disproportionate share of the consequences when reading instruction falls short. If we are serious about economic mobility and educational justice, literacy must be at the center of the conversation.

For more than two decades, many schools embraced Balanced Literacy approaches that sought to cultivate a love of reading by putting books in students’ hands and encouraging independent reading. The approach was well-intentioned, but too often foundational skills instruction, particularly phonics and decoding, suffered.

The evidence is increasingly clear that explicit, systematic instruction helps more children become successful readers. States and school districts that are embracing these principles deserve credit for moving in the right direction. But millions of students are already in middle school, high school, and even college struggling to read complicated texts, analyze difficult arguments, and complete entire books.

What is our plan for them?

Too many students arrive in high school lacking the reading stamina necessary to engage deeply with literature, history, or complex informational texts. College professors increasingly describe students who struggle with lengthy assignments that previous generations navigated more comfortably.

To be clear, Balanced Literacy alone cannot explain these trends. Increased screen time, constant digital distractions, shortened attention spans, and the dominance of algorithm-driven content all influence students’ reading habits and learning experiences.

Yet recognizing these factors cannot become an excuse for inaction.

Instead, it should compel us to think more broadly about literacy.

The challenge before us is not simply helping children sound out words. It is helping them develop the capacity to wrestle with complex ideas, sustain attention, evaluate evidence, and build knowledge through reading. It is helping them become informed citizens and lifelong learners.

And that requires a comprehensive, systemic strategy.

We need high-quality literacy instruction beginning in early childhood settings and extending throughout elementary school. We need to strengthen early intervention so that struggling readers receive support before learning gaps become entrenched. We must carefully examine the quality and effectiveness of programs serving our youngest learners, including Head Start and other early childhood initiatives.

At the same time, we need a national commitment to literacy recovery for older students. Districts and states should be developing evidence-based strategies that help adolescents strengthen comprehension, vocabulary, knowledge-building, and engagement with complex texts. Students who fell behind during the pandemic and those who continue to struggle deserve intensive support, not lowered expectations.

We should also have serious conversations about the role of technology in children’s lives. Restricting unnecessary screen exposure, particularly in the early grades, should be part of a broader effort to rebuild reading habits and attention spans that support learning.

More concerning than the decline in reading scores is the absence of a clear, large-scale strategy to address the growing crisis. Every year that a struggling reader falls further behind increases the likelihood that they will face lifelong educational and economic disadvantages.

The recent reading results from New York City are a warning. The national NAEP results are an even louder one. Together, they tell us that incremental change is not enough.

We know more about how children learn to read than ever before. We know that literacy is the gateway to opportunity. What remains to be seen is whether we have the collective will to act with the urgency this moment demands.

Our children cannot afford for us to wait.

Based on reporting by Jackson Advocate.



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Art

Peter Magubane: a Camera Against Apartheid

THE POSITIVE COMMUNITY — Peter Magubane, a pioneering South African photographer, dedicated his life to documenting the realities of apartheid. Born in 1932, Magubane began his career at Drum magazine in 1954, initially as a driver before becoming a photographer.

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Peter Magubane: a Camera Against Apartheid

Peter Magubane was more than a photographer. He was a witness, storyteller, historian and courageous chronicler of one of the most turbulent periods in South African history. Born on January 18, 1932, in Vrededorp, Johannesburg, and raised in Sophiatown, Magubane discovered photography as a young boy after receiving a Kodak Brownie camera. That simple camera would eventually become his instrument for documenting the lives, struggles and determination of Black South Africans. He died on January 1, 2024, at the age of 91, leaving behind one of the most important photographic archives of South Africa’s apartheid era.

Magubane’s professional journey began at Drum magazine in 1954. He initially worked as a driver and messenger, but his ambition was to become a photographer. Under the mentorship of Drum’s legendary chief photographer Jürgen Schadeberg, Magubane developed his skills and began photographing major political and social events. His first significant assignment involved covering the 1955 African National Congress convention. From that point forward, photography became his way of documenting a country undergoing enormous change.

The South Africa that Magubane photographed was governed by apartheid, a system that legally enforced racial segregation and discrimination. For Black South Africans, everyday life was shaped by restrictions on where they could live, work and travel. Magubane did not limit himself to photographing politicians or famous leaders. He photographed ordinary people—children, workers, families and communities—giving the outside world a visual record of what apartheid meant in everyday life.

One of the defining moments of Magubane’s career came in 1960, when he photographed the aftermath of the Sharpeville Massacre. His photographs helped bring international attention to the violence surrounding resistance to apartheid. He also photographed the 1956 women’s anti-pass march, the Rivonia Trial involving Nelson Mandela and other activists, and numerous other events that became part of South Africa’s historical record.

Magubane paid an enormous personal price for his work. In 1969, he was arrested while photographing protesters outside Pretoria Central Prison. He was subsequently held in solitary confinement for 586 days. After his release, the apartheid government placed him under a banning order that severely restricted his ability to work and move freely. Yet the restrictions did not convince him to abandon photography. Instead, they demonstrated just how powerful the authorities believed his photographs could be.

In 1976, Magubane documented the Soweto Uprising, when thousands of Black students protested against the apartheid government’s education policies. His photographs captured young people confronting police violence and became some of the most internationally recognized images of the uprising. Despite the danger, Magubane continued photographing what was happening around him. His work transformed individual moments of protest into permanent historical evidence that could not easily be erased.

His creativity was matched by his determination to get the picture. Because authorities restricted photographers and attempted to prevent journalists from documenting certain events, Magubane sometimes concealed his camera in unusual places, including a hollowed-out Bible, bread and other objects. These methods allowed him to continue working when openly carrying a camera could attract police attention. His photographs demonstrated that documentary photography sometimes requires not only technical ability but extraordinary courage and resourcefulness.

After Nelson Mandela was released from prison in 1990, Magubane entered another important chapter of his career. He became Mandela’s official photographer and documented the transition toward democracy, including significant moments surrounding South Africa’s first democratic election and the Truth and Reconciliation Commission. The photographer who had spent decades documenting resistance now had the opportunity to photograph a country moving toward a new political era.

Magubane’s legacy extends far beyond the individual photographs he made. He published numerous books, exhibited internationally and received major honors, including an honorary Doctor of Literature from the University of Cape Town in 2010. His photographs remain part of the historical record because they show not only the brutality of apartheid but also the humanity, resilience and determination of the people who lived through it.

Peter Magubane ultimately demonstrated the extraordinary power of photography. He understood that a photograph can preserve a moment long after the people who witnessed it are gone. His camera recorded injustice, resistance, suffering, courage and eventually freedom. For photographers today, his life offers an enduring lesson: photography is not simply about making beautiful pictures—it can also be about seeing clearly, standing close to history and making sure that important stories are never forgotten. Magubane’s photographs gave South Africa a visual memory, and his life’s work reminds every photographer that sometimes the most important picture is the one that history needs someone brave enough to make.

Based on reporting by The Positive Community.



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Black History

HBCU Leaders, Corporate Partners Convene in D.C. to Strengthen Support for Black Colleges’ Athletic Programs

COLUMBUS TIMES — HBCU athletic conference commissioners, university presidents, and corporate leaders gathered in Washington on Tuesday, September 15, for the Salute to HBCU Sports Leadership Reception. This invitation-only event, hosted at Gensler’s K Street office, aimed to deepen investment in historically Black colleges and universities.

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Commissioners from HBCU athletic conferences joined university presidents and corporate leaders in Washington on Tuesday, Sept. 15, for the Salute to HBCU Sports Leadership Reception — an invitation-only gathering aimed at deepening investment in historically Black colleges and universities.

Hosted at Gensler’s K Street office, the evening brought together conference commissioners, campus presidents, and executives from sports, media and design organizations under the theme “Building Partnerships. Celebrating Excellence. Advancing HBCUs.” Gensler highlighted its partnership with Paxton Baker on the event in a post on Instagram, showcasing the room full of HBCU presidents and conference leaders.

Five Conferences, One Room

Commissioners from four NCAA conferences and one NAIA conference were on hand, representing institutions that compete across Division I, Division II and the NAIA:

Anthony Holloman — Southern Intercollegiate Athletic Conference Charles McClelland — Southwestern Athletic Conference Jacqie McWilliams Parker — Central Intercollegiate Athletic Association Sonja Stills — Mid-Eastern Athletic Conference Kiki Baker Barnes — HBCU Athletic Conference

Their presence linked leadership from across the HBCU athletics landscape with campus administrators and organizations working in event management, design and media.

Presidents and Black Press Leadership in the Room

Among the university presidents in attendance were Prairie View A&M’s Tomikia P. LeGrande and Bowie State’s Aminta H. Breaux.

LeGrande’s appearance came just days after the Thurgood Marshall College Fund named her the recipient of its Educational Leadership Award, as announced by Prairie View A&M. She was honored at TMCF’s 39th Anniversary Gala on Sept. 12 in Washington. LeGrande has served as Prairie View A&M’s ninth president since June 2023.

Breaux, who has led Bowie State since July 2017, previously chaired the CIAA’s board of directors, according to her university biography.

Benjamin F. Chavis Jr., president and CEO of the National Newspaper Publishers Association, also attended — fitting, given the NNPA’s role as one of the reception’s presenting partners. Chavis and HBCU GO’s Lawrencia Moten conducted two 30-minute interview sessions with the conference commissioners, covering topics ranging from the NIL era to conference growth and the experience of leading HBCU athletics, according to HBCU GO President Curtis Symonds, who spoke with HBCU Legends about the sessions.

Corporate and Institutional Partners

Five organizations presented the reception together:

Gensler — the architecture and design firm that hosted the event Events DC — the District’s convention and sports authority USA Track & Field — the sport’s national governing body National Newspaper Publishers Association — representing Black newspaper publishers HBCU GO — the network dedicated to HBCU sports and culture

That mix of partners pointed to a range of possible collaborations ahead, from athletic facilities and event operations to sports programming and media coverage.

Building Beyond the Scoreboard

What stood out most was the mix of people in the room — conference commissioners setting strategy for their leagues, university presidents shaping institutional priorities, and corporate partners bringing resources and expertise from multiple industries.

With college athletics undergoing rapid change, particularly for HBCUs navigating the NIL era and shifting conference dynamics, the reception offered a venue for candid conversation and relationship-building. Its underlying purpose went beyond athletics: using sports as an entry point to broader opportunities in education, workforce development and economic growth for HBCUs.

Based on reporting by Columbus Times.



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Black History

At CBCF Conference, a Panel Asks What Black Public Figures Owe the People Who Follow Them

COLUMBUS TIMES — The Congressional Black Caucus Foundation’s Annual Legislative Conference featured a panel titled “Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach.” Actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét, and rapper Yung Joc discussed how public figures can translate influence into real-world change.

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WASHINGTON — Among the more than 100 policy forums and brain trusts at this year’s Congressional Black Caucus Foundation Annual Legislative Conference was a conversation about influence itself: who has it, and what they do with it.

"Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach" brought together actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét and rapper and radio host Yung Joc. The session looked at how entertainers, creators and elected officials can turn public attention into real-world change.

The panel took place at the 55th Annual Legislative Conference, a five-day event in Washington that began Wednesday. This year’s theme is "Rooted, Ready & Rising," and the conference coincides with the CBC Foundation’s 50th anniversary. CBCF President and CEO Nicole Austin-Hillery has said the gathering is meant to "combine celebration with purpose," while taking up issues including voting rights, economic opportunity, education, health disparities and criminal justice.

That mix of celebrity and policy is a long-running feature of the conference, which brings lawmakers, advocates, entrepreneurs, students and entertainers into the same rooms. The panel’s premise reflects a broader question as creators reach audiences that rival traditional media.

A career built on both stage and street

Sampson is a natural fit for that conversation. The Houston native is known for television and film work, including HBO’s Insecure, and for his activism off screen. He co-founded BLD PWR, a 501(c)(3) nonprofit that combines entertainment, education and activism.

The organization says its mission is to "reimagine and realize the liberated future we know our people deserve." It works to mobilize entertainment-industry figures and organize communities around racial, gender, immigration, economic and environmental justice, mental health and wellness, and opposition to state violence. BLD PWR emphasizes storytelling and community healing, and it centers the voices of Black, Indigenous and other marginalized communities.

What to watch

The conference runs through Sunday at the Walter E. Washington Convention Center. Details on sessions and registration are available through the CBC Foundation.

Based on reporting by Columbus Times.



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