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Correy Bell is Chaos and Comedic Genius

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For Mother’s Day weekend, the Chicago Defender shares stories of dynamic Black women thriving in their careers and providing loving guidance for their families.

Correy Bell is organized chaos. 

It’s the sum and substance of who she is. It’s the energy she comes with when she ascends upon a stage. It may also represent the Chicago comedy landscape, where the rooms differ racially, depending on what side of town you’re on, but it’s a scene she has mastered, by the way.    

“Organized Chaos” is the title of her recently released comedy album, recorded during the pandemic. 

“What I did was record an old school comedy album, like vinyl, like Red Foxx, like Richard Pryor. And it was what it was; it was organized chaos,” she said. “It was about the pandemic; it was about my children. It was about me being an adult, me being a grandmother. It’s about a little bit of everything that everybody can relate to.”  

Correy Bell, Organized Chaos Album Cover

Correy Bell’s brand of organized chaos is also being dressed to the nines to perform and remaining as real and damn funny as your big sister or favorite aunt without even trying. 

In a recent interview, Bell talked about growing up on the South Side near 95th and Vincennes, that one time she performed at a Harold’s Chicken, and why Chicago has the best comedy scene in the country. 

We also discussed how she and Mo’Nique remain “thick as thieves.” 

Chicago Defender: So I read an article somewhere where you said that you got into comedy about nine years ago, right?

Correy Bell: November will be my ninth year, what we call a comedy-versary. And I literally started comedy on a dare from a good friend of mine. I just met her at the legendary “Jokes and Notes” comedy club. And she was telling me about a room. I was like, “Oh, I love comedy.” And one day, she was like, “Listen, if you come next week, I’m putting you on stage.” And I was like, “Girl, no, you are not putting me on stage, no you will not.” I kept saying, “Well, I’m funny. One day, I’m gonna try it.” And she basically was like, “I dare you.” 

So the next week I came, the comics went up. And she went up there and called my name. And I was like, “the nerve of her.” 

But at this point it’s like sink or swim. And I went up there. I told one of the worst jokes that I could have ever created when I think about it, and a couple of people laughed. And I was like, let me try it one more time. Something else really silly. And people laughed. 

And literally, from that moment, I had been bit by the bug.

CD: Do you remember the joke? The one that made you say, “I’ve got this.”

Correy Bell: Yes. As a matter of fact, I recently found a clip of it, way dusted in the archives, and I posted it on Instagram. It was basically about my friends trying to be uppity and they didn’t know how. And we were in a restaurant. And they told the waiter that they only drank bottled water, but then asked for a glass of ice. And I’m like, “what you think the ice come from?”

Like you’re trying to be bougie you don’t even know how to do it. But it worked then and it worked because it was relatable. Because there’s so many people in there. Like, “I don’t drink faucet water.”

We grew up on faucet water, the outside hose water. That’s what we grew up on. That’s why our immune system is so strong. 

“You’ve got to be fearless before you’re funny in Chicago.”

CD: [Chuckles] That’s right, we can survive anything after that. So when people get into comedy, there’s like this inkling, right? “I’m funny. My friends think I’m funny.” Did you have any inkling of that as you were growing up?

Correy Bell: So I’ve always been funny to everyone else. I never considered myself funny. I just thought that I said what people were thinking, but too politically correct to say out of their mouth. Like they were not risk takers. Me on the other hand, it was like a vending machine and to go in my head, it’s going to come out my mouth. 

My sister would always say stuff like, “You’ve missed your calling. You are supposed to be on stage. You are a clown and you missed your calling.” And it really was my oldest sister Kim, who basically was like, “You’ve got to get on stage.”

And then the cards just aligned. You know, I’m funny. Everybody tells me I’m funny. And I’m like, “I’m not funny, I’m just real. And you guys are just scared to be who you are. So let me be your representative.” 

And that’s kind of how that happened.

CD: You from Chicago? Correct?

Correy Bell: Southside baby, born and raised! 

CD: What streets?

Correy Bell: Listen, I am from 93rd in Ada. I’m right off 95th and Vincennes. Right before Beverly.

CD: Okay. Talk about growing up in that area. What was that like for you?

Correy Bell: Oh, my God, growing up on the Southside of Chicago. I look at my children now. And I look at them and I’m like, “y’all don’t know what real kid fun is.” Like these kids are so into their phones. 

We didn’t have phones. I grew up in the village that raised the children. So, the people on my block knew the people next door on the other block, and knew the people behind us. So, when we went outside, it was safe, because everybody watched out for everybody. So, when we played ding-dong-ditch, if you got caught, they knew where you lived. So you cannot be the slow one. You got to be able to run.

We had the community. We had the village. I could walk from my house to Evergreen Plaza and see the movies or go to Montgomery Wards. We did that at 87th Street, where we would go to the carnival, or the drive-in or go kart racing out on Halsted. My growing up years is where we developed real friendships. It was like if you had two people and one pair of skates, then we each had one skate. It’s ten people and eight bikes is ten people on the bikes, because you rode with your friends. 

I miss that community feel, that village feel. Our children miss that. I’m like, “y’all don’t know fun.” 

You don’t know about sleepovers and making mud pies in the backyard. Like, I’m that old. I’m mud pie old. Don’t make this face fool you here, baby. I am mud pie in the backyard, ding-dong-ditch, running bases old. So I missed that for our children. But my childhood was dope. 

“I knew that if I wanted to be world renowned…I had to be able to play to the North Side and the South Side.”

CD: What do you think sets you apart from everybody else in the comedy landscape?

Correy Bell: One of the things that sets me apart, is when I step on stage, other comedians would consider it being over the top. I consider it wearing what’s comfortable for me. It would give like [the comedian] Sommore. And Sommore would come out, and baby, she is dressed.

It’s like when I put my stuff on, I feel good. I talk about my family. I talk about my experiences. I don’t necessarily have to do a stock joke. That’s why my album Organized Chaos is what it is, because it’s who I am, what I’ve lived. 

Because my house alone — let me tell you something — my house by itself is a complete comedy set every day. There’s a joke every single day. What sets me apart is that nobody can tell my story like me. And it’s unique, it’s relatable. Even though it’s my story, you got mothers and friends and cousins, and people out there that’s going, “Listen, I’m over 40 and I understand why we got to take a nap.” 

You know, I tried to stray away from what they already expect for black female comedians to talk about. I don’t really talk about dating. They expect dating, sex, weight loss or weight gain and kids. That’s normally what they expect. And even though I talk about those things, there’s a whole world outside of that that I choose to talk about. So that you’re not getting what you expect that you thought you’d get. I’m gonna give you all of it.

Correy Bell performs on stage.

CD: What was life like before comedy? You used to work at Groupon, is that right?

Correy Bell: Listen, I was the queen of customer service, okay.  I’ve done all of the jobs, all of the customer service jobs. I did a lot of HR. Groupon was the last job that I worked before I became a full-time comic. And when I say it was by far one of the most fun jobs I’ve ever had, like, it was the most entertaining. We literally got paid to play because the CEO was only 28 at the time when he opened the company. So, he was the kid, and so were we. 

And even in having what I would have considered, one of the most fun or one of the best jobs, when I started doing comedy, I strayed away from it. It was almost like I was serving two masters.

CD: So you were working rooms while you were working at Groupon?

Correy Bell: I was doing open mics and stuff like that. So if I’m out doing two or three rooms. Because, let me tell you, Chicago comedy has the best comedy scene in the country. I’m okay with arguing that with people from other places, but the monsters come from Chicago. 

We do comedy in places that people don’t want comedy. We are in the bars. We are in the lounges. We done snuck up in libraries. I did comedy in a Harold’s chicken restaurant. 

CD: Which one? 

Correy Bell: 14th and Wabash. Black owned. Yeah, I did comedy in the Harold’s chicken, okay. So you have to build your character, and you got to get the tiger stripes. You’ve got to be fearless before you’re funny in Chicago. That’s why, when we go to New York and we go to LA and we go to Atlanta, stepping on the stage we are fearless. And then we slap you around with a little bit of funny. So because I had to go and fight in these rooms, when I would get up in the morning to go to Groupon, I liked it a little bit less every time because I was growing the love for what was happening over here. 

And one day, December 1, I got a message that I no longer was an employee of Groupon. Quit, got fired, don’t matter. I didn’t work anymore. And I sat down and I talked to my husband and my husband said, “Listen, I want you to take six months, and I want you to do nothing but comedy. I got the bills, I have everything. And if in six months, it’s working, you keep going. But if, in six months, it don’t work. Baby girl, you work.” 

So it just so happens, I was about a year in, and I landed my first TV gig with [producer] Bob Sumner and truTV. Flown out to LA within the first 14 months of me doing comedy. 

CD: Was that Laff Tracks?

Correy Bell: Yes, Laff Mobb’s Laff Tracks. So I love Groupon for everything that it gave me, but it was time to go.

CD: I did read somewhere where you talked about the difference between a South Side room and a North Side room and having the ability to navigate those rooms? Can you talk a little bit about that?

Correy Bell: Absolutely. There’s a big difference between the North Side and the South Side. We already know that Chicago — I didn’t really learn this until I went to New York and other places — how segregated Chicago is. So when we do comedy, if you are on the South Side, the majority of those rooms are black. Anything north of 22nd Street, when you go North Side, those are the majority of white rooms.

And when I say rooms, I mean the clubs, the open mics, wherever they decide to do it. And what I tell people all the time is you will go to the South Side for the money. That’s where the money was. The North Side, you went for opportunity. And I say that because we don’t have any black comedy clubs in Chicago. “Jokes and Notes” is what we had, and we don’t have it anymore. So, we don’t have a place to call home. So when the Just for Laughs, ABC or NBC, any of the bigger names, they’re coming to Chicago in order to search for opportunity or whatever, they’re going to the North Side. 

So what I decided to do was, I worked the South Side because that’s why I built my stripes. That’s where I get the punches. Because I’m in a bar with somebody sitting and they trying to watch the game. They ain’t got no interest in comedy. They trying to buy the girl a drink at a bar, it’s somebody’s birthday, and they was drunk when we got there. And now I got to stop this party and get them to pay attention to me and to laugh. That’s what you get on the South Side.

So when you go to the North Side, because the clubs are there, which I love. I’m so grateful for all of them. When you go to Laugh Factory, Comedy Bar, Zanies, like all of these clubs on the North Side, they’re designed for comedy. So the audiences are structured. 

I knew that if I wanted to be world renowned, if I wanted to make sure that my jokes translate and I can go anywhere. I had to do both sides. I had to be able to play to the North Side and the South Side. If you want to make it in Chicago, you’ve got to do both sides.

CD: Now, I saw that you had tweeted, Mo’Nique, and that’s how that relationship began. Is that right? And what made you get up the nerve to do that? 

Correy Bell: Well, what ended up happening was I went to a Jill Scott concert. And after Jill Scott’s first song, we heard a big boom. The power goes out. They tried to fix it for about 30-40 minutes. They could not get it fixed. There’s no Jill Scott. On the way out, they had all of the posters of people who had performed there in the past. We were at the Horseshoe Casino. And there was a picture of Mo’Nique and I took a picture. And I was like, “You know what, one day I’ll have a picture right next to hers.” Because that’s who I looked up to. 

And not too long after that, I saw that she was coming to Chicago. And something in me was like, you know, “try it.” So I sent out an Instagram message. And I said, “Hey, guys, I need all my friends to tag Mo’Nique and tell her to let me open up for her at the Chicago Improv. 

And people started tagging her. And maybe about five minutes later, she responded. She said, like you always hear her say, “Hey, my sweet baby, you know, meet me at the Improv.” And I was like, “Nah, this can’t be real.” 

And the crazy thing was, I never got an inbox or any of that. I inboxed her. There was no meet me at this time, on this day, ask for this person.

It was like, “How bad do you want it? You going to have to figure this out yourself.” And I had already seen in my mind, I’m like, yo, if I can’t get in…Do you remember the episode of Martin when he went on The Varnell Hill Show and showed up with K-Ci and JoJo? I was going to bum rush the stage because I am going. 

Well, the morning of the first show on that Friday, she did an interview with WGCI. And the radio personality was basically saying, “Hey, you know, I see that Mo’Nique you’re here in Chicago, and you have Correy Bell opening up for you.” And she said, “Hey, I don’t know who this Correy Bell is, but the second that I responded to her Instagram, people were going crazy about it. So I’m excited to meet her.” 

So at this point, now, it’s on because she knows and she remembered. Like, it is on. So I showed up and it was almost like we had never not known each other. We hugged and we talked and we embraced. And I said, “Is there anything that you don’t want me to talk about?” And she basically said, “You have seven minutes.”

CD: Oh. 

Correy Bell: She said, “everybody out there bought a ticket to see me. I want you to go out there and make them want to come back and see you. So don’t keep nothing. Leave it all out on the stage and have a good time.” Cool! So that’s what I did. I’m at home. This is Chicago. So, I did what I do.

I went out, and I did my seven minutes and I came back in. And when I came into the back, she was crying. And I was like, “What did I do? What did I say?” Like, “how did I mess this up?” 

And she said, “I’ve been looking for you. And I’ve been looking for somebody that I can pour my knowledge about comedy and this business into, and I know that that’s you. And we literally have been thick as thieves since then. 

Right after that, I finished the weekend with her. I went out on the road with her. I did her Vegas residency, all nine months in Vegas with her. And then, she invited me to do Showtime’s Mo’Nique & Friends with her. It was amazing. And just recently, even with all the touring that we did, I opened for her Netflix special.

So, it has been a crazy, wild ride with her. I appreciate every second that we spend together —  every conversation, every teachable moment, every interview that I’ve been able to sit in with her, every stage that we’ve shared. So to be able to sit with somebody who has more than 30 years into this business, and as fearless as she is, it’s an honor.

CD: What’s next for Correy Bell? 

Correy Bell: Everything! I want all of it. You have people in comedy for different reasons. I am going for my yellow jacket. Like I’m, I’m going for it. So, I will always end up on that stage. Because that stage is where my superpowers lie. 

But TV, movies, commercials, maybe a talk show. But touring is what I love because it’s something about that instant gratification that you get when people are really quiet because they’re paying attention or they’re falling out of their seat because they thought it was hilarious. 

That, for me, is my comfort zone. It’s my safe place. When I get on stage, nothing else matters. So the stage, TV, anything. It’s limitless. The possibilities are open. I’m open to what’s for me, whatever that entails. But I’m gonna make sure that the people know my name.

This interview has been edited and condensed for clarity.

 

The post Correy Bell is Chaos and Comedic Genius appeared first on Chicago Defender.

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Black History

Hundreds of Black Christian Leaders Arriving in Israel for Martin Luther King-Inspired Mission

Hundreds of African American and African Christian leaders are visiting Israel for the ‘Unfinished Business Pilgrimage,’ inspired by Dr. Martin Luther King’s plans for a pilgrimage in 1967 that was canceled due to the Six Day War. The event aims to promote pro-Israel sentiments amidst rising antisemitism and will expand to thousands of participants in 2027. Pastor Dumisani Washington emphasizes the importance of Black Americans recognizing their role in supporting Israel. Pilgrimage leaders are also delivering gifts to victims of recent violence, reiterating the historical bond between Jewish and Black communities in advocating for justice. Pastor Michael A. Stevens highlights the need for education against antisemitism while suggesting that Israel should be more attuned to issues affecting Black lives.

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Pastor Michael A. Stevens, Sr. speaks in Jerusalem ahead of the Unfinished Business Pilgrimage, November 4, 2026. (Lazar Berman/The Times of Israel)
Pastor Michael A. Stevens, Sr. speaks in Jerusalem ahead of the Unfinished Business Pilgrimage, November 4, 2026. (Lazar Berman/The Times of Israel)

As support for Israel declines precipitously in the US, hundreds of African-American and African pastors and Christian leaders are arriving in Israel this week for a mission inspired by the slain US civil rights leader Rev. Dr. Martin Luther King.

King planned to bring thousands of pilgrims to Israel and Jordan in 1967, but that trip was postponed because of the Six Day War and the political implications of such a trip. He said he would look into coming the next year, but was assassinated in April 1968.

“There were no mass pilgrimages” back then, says Pastor Dumisani Washington, a pro-Israel activist, at a press conference in Jerusalem. “We as Black Americans recognize that Black Americans were about to start something that no one else was doing.”

The “Unfinished Business Pilgrimage” will expand to thousands of participants next year, say organizers, to mark 60 years since King’s planned visit.

“We felt a burden in our heart,” Washington continues. “We see the rising antisemitism on the right and on the left.”

There is a “mountain of support rising from the Black church,” says Pastor Michael A. Stevens, Sr.

The leaders of the pilgrimage present gifts to victims of the Hamas-led October 7, 2023, massacre, including freed hostage Elkana Bohbot; Hila Abir, whose brother Lotan was murdered at the Nova music festival; and Daniel Lischinsky, whose son Yaron was murdered alongside his fiancée Sarah Milgrim at an Israeli embassy event in Washington, DC.

Ther rest of the participants arrive tomorrow, and will visit biblical sites across the country, as well as the site of the Nova massacre.

Steven says that Jewish and Black Americans had a tradition of coming together to “establish what was right, and to set the tone for the nation and for the world.”

“If anyone should stand with our Jewish brothers and sisters, it ought to be African-Americans, it ought to be Africans,” he continues.

Though rates of antisemitism have risen among people of color, Stevens tells The Times of Israel, “I still think we are the lowest-hanging fruit to educate and to learn.” He says, “The African-American Church is still the most influential institution in all of America, in fact, at least in the Black community.”

Stevens says one of the objectives of the mission is to spread awareness that “we cannot have antisemitism in our culture, period.”

At the same time, he says that Israel could improve its approach to Black America: “I believe Israel could be more attentive to the fact that a lot of the loss of lives that we see looks like us. Whether it’s in Gaza, whether it’s Ethiopians and racism.”

 Reverend Dr. Benjamin F. Chavis. Jr. is on this delegation representing the Black Press of America and Spill the Honey  as a present-day fulfillment of the dream and prior plan of Reverend Dr. Martin Luther King, Jr in 1967 to lead a 5000 Black Clergy Pilgrimage to Israel.  

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Black History

Christianity’s Racial History

THE POSITIVE COMMUNITY — Historian and author Jemar Tisby is challenging the traditional narratives of American religious history through his acclaimed work, The Color of Compromise. His research provides a comprehensive examination of how Christian institutions have historically participated in, accommodated, or resisted racial injustice from the colonial era to the present day.

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Jemar Tisby is a historian, author, and public speaker whose work examines the relationship between Christianity, racism, and American history. Through
Jemar Tisby is a historian, author, and public speaker whose work examines the relationship between Christianity, racism, and American history. Through

Jemar Tisby is a historian, author, and public speaker whose work examines the relationship between Christianity, racism, and American history. Through his writing, he challenges readers to reconsider the role religious institutions have played in shaping racial attitudes and social structures. His widely recognized book, The Color of Compromise: The Truth About the American Church’s Complicity in Racism, explores how Christian churches have participated in, accommodated, and sometimes resisted racial injustice throughout American history. Tisby’s work encourages readers to examine the past honestly and consider what meaningful change requires today.

One of the central arguments in The Color of Compromise is that racism in America cannot be understood without examining the influence of religious institutions. Christianity has often been associated with messages of love, justice, compassion, and equality. Yet churches and Christian leaders have sometimes supported systems that denied African Americans their freedom and dignity. Tisby examines this contradiction, demonstrating how religious beliefs and institutions could be used to justify racial oppression rather than challenge it.

The book takes readers back to the era of European colonization and slavery, when religious arguments were frequently used to defend the enslavement of Africans. Some Christian leaders claimed that slavery was compatible with biblical teachings, while others used Christianity to encourage resistance to the institution. Enslaved Africans developed their own spiritual traditions, drawing strength from their faith while enduring violence, separation from family, and the denial of basic human rights. Tisby highlights the importance of understanding how Christianity became intertwined with the development of American slavery.

Tisby also explores the role of churches during the Civil War and Reconstruction. Although emancipation ended legal slavery, it did not eliminate racial prejudice or the struggle for equal citizenship. Some religious communities supported efforts to educate formerly enslaved people and establish independent Black institutions. Others tolerated or defended segregation and white supremacy. The period demonstrates how Christian institutions faced a choice between challenging racial injustice and preserving existing social arrangements.

Another important subject in the book is the relationship between Christianity and Jim Crow segregation. During the late nineteenth and early twentieth centuries, racial segregation became deeply embedded in American society. Many churches reflected the same divisions, maintaining separate congregations and unequal opportunities for worship and leadership. Tisby argues that compromise occurred not only when Christians openly defended racism but also when they remained silent or accepted discriminatory practices to avoid conflict. This distinction is essential to understanding the book’s central message.

The civil rights movement provides another significant chapter in this history. Black churches played a vital role in organizing demonstrations, supporting community leadership, and providing spiritual encouragement to people fighting racial discrimination. Figures such as the Reverend Dr. Martin Luther King Jr. drew upon Christian teachings to challenge segregation and demand equal rights. However, not all white Christian congregations supported the movement. Tisby examines the difference between those who actively opposed racism and those who hesitated to challenge the racial status quo.

A major strength of Tisby’s writing is his attention to the difference between individual prejudice and institutional racism. A person may believe in treating others fairly while participating in organizations or traditions that produce unequal outcomes. Similarly, a church may preach love and acceptance while failing to confront discriminatory practices within its own community. Tisby encourages Christians to look beyond personal intentions and examine the consequences of their actions, their institutional policies, and their willingness to address injustice.

The book also challenges contemporary Christians to consider how the legacy of racial compromise continues to affect American religious life. Questions about church leadership, worship communities, racial representation, education, and public policy remain important. Tisby argues that acknowledging historical wrongdoing is not about assigning personal guilt to every modern Christian. Rather, it is about understanding how past decisions shaped the present and recognizing the responsibility to pursue greater fairness, accountability, and inclusion.

Tisby’s work has become an important contribution to conversations about race and religion because it asks readers to move beyond comfortable narratives about American Christianity. His historical approach encourages people to examine uncomfortable evidence, listen to the experiences of African Americans, and recognize the difference between professing moral principles and practicing them. The book also raises questions about what genuine reconciliation requires, emphasizing that meaningful progress involves more than expressions of goodwill. It requires a willingness to confront injustice and make changes that reflect the values Christians claim to uphold.

Ultimately, The Color of Compromise is a call for historical honesty, moral reflection, and meaningful action. Jemar Tisby challenges churches and individual believers to understand how Christianity has been used both to support oppression and to inspire resistance against it. His message is especially relevant in a society still wrestling with racial inequality and the consequences of its history. By examining the past with courage and integrity, readers can better understand the responsibilities of faith in the present. The book reminds us that the true test of religious conviction is not simply what people profess to believe, but whether their actions reflect justice, compassion, and respect for the dignity of every human being.

Based on reporting by The Positive Community.



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Black History

Learn Black History and Win Your Next Game Night

INDIANAPOLIS RECORDER — Dr. Maxine Bryant, a culture keeper and professor, is combatting book bans and historical inaccuracies through the launch of GriotSpeaks: The Game. The new board game is designed to celebrate the African diaspora by incorporating elements of geography, literature, music, and the Gullah Geechee culture.

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Learn Black History and Win Your Next Game Night

Maxine Bryant, Ph.D., creator and founder GriotSpeaks, is sharing the history of the African diaspora through her new board game.

Bryant often quotes the African proverb: “Until the lion tells the story, the hunter will always be the hero.” She said for the hunter has been telling the story of the African diaspora for “far too long.”

The game is based in African culture. The spaces on the board feature the countries of the African diaspora and it uses gold bars and cowrie shells as currency while special game spaces showcase symbols such as the Sankofa bird, a pyramid and an Ankh.

Bryant, a culture keeper and educator, created the game to add a bit of fun to her ongoing mission of dispelling myths and sharing accurate history. She used the history lessons she taught over the years as the foundation for the game’s trivia questions. Bryant said she is even more motivated to correct the inaccurate narratives due to recent book bans and efforts to minimize or omit the contributions of Black people.

“We can’t tell our story if we don’t know our story,” Bryant said.

History buffs may start the game with a slight advantage, but even players with limited knowledge have a chance to win with some strategic play. During one game demonstration, she said, an 11-year-old beat her with the clever use of one of the game’s wild cards.

Bryant’s goal is for people to learn new information while having a good time with one another. She sat down with the Recorder to share her inspiration for the game and how she hopes it will influence the culture.

This interview has been edited for length and clarity.

What was the inspiration for creating a game?

Maxine Bryant, Ph.D.

Maxine Bryant: In all honesty, God gave me the vision for the game.

I put that board game together the way God showed me in in this vision, if you will, it was to be educational, informative, and entertaining. And so, I knew I wanted it to encompass all of the diaspora and with the educational part of it. Since I am a professor, it needed to encompass the critical areas of our history.

So, it’s geography; it’s the resistance, the protest — all of that. It’s … literature, music, the Gullah Geechee culture, storytelling, the whole gamut, and then Black people.

What are some of the things people are surprised to finally learn while playing the game?

Bryant: The genius of Black people.

Many people know Madam C.J. Walker, although I’m finding out that not everybody does. But one of the questions (asks about) who invented the hot comb? Everybody thinks Madam C.J. Walker, but no, that was not her thing. Her thing was hair care and strengthening hair. It was a man (Walter H. Sammons) who created the hot comb. So, people are amazed at what they’re learning.

How do you hope that this new knowledge helps people see the world?

Bryant: So, what I hope people learn is our true history, the history of our struggle, and our resistance, the history of our greatness, and information about our culture. That positions us then to be able to stand tall in knowledge of self.

One of the things I wholeheartedly believe in is that little Black boys and little Black girls who grow up with the message that you are nothing because you are Black … it’s easy for me to take you out. But if I look at you and I know that you’re great and I’m great, I may just have a different kind of level of respect for you.

I think that having a sense of self can impact how I look at myself and how I look at people who look like me.

Is there anything else you want to share?

Bryant: In my mind, this game is a must-have. It is so unique. Now, within the culture, we have trivia games and usually they’re trivia about sports or about entertainment and some about history, right? And usually, it pertains to people in the United States or events in the United States, culture in the United States.

This game contains movement around a physical board like Monopoly, but it also encompasses the entire African diaspora so it’s not just the United States. People who played this game tell me … they’ve never seen anything like it.

GriotSpeaks: The Game is best suited for players 17 and older. The game is available for purchase through Amazon or at the GriotSpeaks website.

Contact Editor-in-Chief Camike Jones at 317-762-7850.

The post Learn Black history and win your next game night appeared first on Indianapolis Recorder.

Based on reporting by Indianapolis Recorder.



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Black Press

DOJ Fights to Keep Rep. Ilhan Omar’s Search Warrant Sealed: Report

GARLAND JOURNAL — Federal prosecutors are petitioning a U.S. District Court to maintain the seal on a search warrant and related records following an FBI search of Rep. Ilhan Omar’s Washington, D.C., home.

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DOJ Fights to Keep Rep. Ilhan Omar’s Search Warrant Sealed: Report

Federal prosecutors are trying to keep sealed the search warrant and related records from and FBI search of Rep. Ilhan Omar’s Washington, D.C., home earlier this month.

According to The Washington Post, a coalition of more than a dozen media organizations, including the Post, is seeking access to the warrant and related records. U.S. District Judge James Boasberg, an appointee of former President Barack Obama, is overseeing the dispute.

In a Tuesday (October 27) court filing, U.S. Attorney Jeanine Pirro argued that the request was premature because investigators are still reviewing evidence seized during the October 12 search and have not decided whether to file charges or whom to charge.

“This request sounds rash because it is rash,” Pirro wrote, according to The Hill. She argued that releasing the records could expose investigative sources and compromise the probe.

“Unsealing everything now imperils the investigation,” the Justice Department wrote, according to the Post.

The media organizations argue that the warrant application and supporting affidavit could reveal the investigation’s targets, the evidence investigators have gathered, and how the probe began, according to the Post.

The October 12 search was part of a federal investigation into allegations that Omar or members of her family misrepresented information on immigration paperwork. The congresswoman has denied wrongdoing and accused the Trump administration of politically targeting her.

As BIN previously reported, the Trump administration has also explored whether Omar could be stripped of her U.S. citizenship.

During an MS NOW interview on Wednesday (October 21), Omar announced plans to move out of her Washington residence, citing safety concerns after the search made her address public.

According to The Washington Post, prosecutors said in the filing that they may not oppose releasing some warrant records, with appropriate redactions, once the warrant has been fully executed and a public charging decision has been announced.

The Black Information Network is your source for Black News! Get the latest news 24/7 on The Black Information Network. Listen now on theiHeartRadio appor clickHEREto tune in live. In this article:DOJ Fights To Keep Rep. Ilhan Omar’s Search Warrant Sealed, U.S. District Judge James Boasberg

Based on reporting by Garland Journal.



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Black History

Five Hospitals Said No! Who Will Help Annette Henry Recover?

Annette Henry, a 67-year-old Oakland woman, is struggling to access essential medical care after a devastating stroke left her with a rare neuropathic pain syndrome. Despite medical documentation confirming her need for inpatient rehabilitation, five different Bay Area hospitals have denied her admission, often citing her inability to meet rigid therapy thresholds. Her family’s efforts to seek intervention from state and federal lawmakers have yielded no results, leaving Henry at home without a clear path to recovery. To see how these systemic failures are impacting her health, read more.

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Annette Henry. Photo by Mario Decuir.
Annette Henry. Photo by Mario Decuir.

A tangle of red tape and contradictions between health providers and Medicare rules have impeded an Oakland woman’s ability to recover from a stroke she had last year.

Her family – who are her caretakers – have reached out to various professionals and state and federal lawmakers for help to no avail.

At 67, Annette Henry needs inpatient stroke rehabilitation after a devastating stroke in May 2025. Since then, multiple Bay Area hospitals have denied it. She was accepted into a rehabilitation facility in June 2025 but discharged prematurely in July, in essentially the same condition.

Three hospitals where she was a patient pushed skilled nursing over inpatient rehabilitation. Two more declined referrals.

Now at home, Henry is caught in a system that measures her need for treatment against the limitations treatment should address.

Medical professionals have documented her need for a higher level of care.

In August 2025, a Medicare Quality Improvement Organization (QIO) overturned Henry’s discharge from an inpatient rehabilitation facility (IRF).

The QIO’s independent physician reviewer found she had not received the “intensive therapy program outlined on admission,” according to the Aug. 30, 2025, determination letter. Yet the decision did not secure her readmission or guarantee continued rehabilitation.

Henry has central post-stroke pain, a rare neuropathic pain syndrome that can make movement and touch intensely painful. Her pain specialist recommended inpatient rehabilitation alongside pain management.

Nevertheless, facilities have cited her inability to tolerate three hours of daily therapy as a reason to deny inpatient rehabilitation.

That practice raises questions about Medicare coverage policy. In Hooper v. Sullivan, No. H-80-99 (D. Conn. 1989), the court recorded the parties’ agreement that denials based on numerical utilization screens, diagnostic screens, treatment norms, the “three-hour rule,” or other “rules of thumb” were not appropriate.

CMS subsequently cited Hooper in its Aug. 7, 2009, final rule (74 Fed. Reg. 39762, 39794). The policy is also addressed in the Medicare Benefit Policy Manual, Chapter 1, Section 110, and CMS’s June 1 Review Choice Demonstration for IRF Services: Operational Guide.

These authorities underscore the need for individualized assessments rather than rigid numerical thresholds.

The central contradiction is stark: the pain and disability that make rehabilitation necessary have been cited as reasons to deny it. UCSF Stanyan’s April 7 discharge summary for Henry states that acute rehabilitation unit (ARU) placement was declined for “inability to tolerate three hours of therapy daily.” Without appropriate treatment, Henry risks further decline.

Her records document complications associated with prolonged immobility.

Orthopedics documented flexion contractures of the small and ring fingers on March 19.

Chest imaging on April 1 showed bibasilar dependent atelectasis, a condition involving reduced inflation of the lower portions of both lungs. These concerns can be examined through her medical records and photographs.

“What does a ‘not reasonable’ discharge look like?” her family asks. For them, it looks like an appeal decision recognizing a problem without ensuring a remedy: repeated referrals, denials and a patient still without the rehabilitation her treating professionals have recommended.

The family has sought help from the California Department of Public Health and the federal Office for Civil Rights to no avail. They contacted U.S. Rep. Lateefah Simon in June 2025, while Henry was in rehabilitation; Senator Alex Padilla in May 2026; and Senator Adam Schiff in September 2026.

DeCuir says the family received no meaningful assistance and was redirected to the QIO or advised working with a social worker after Henry had already been discharged.

The consequences extend beyond rehabilitation. The family reports that Henry has struggled to attend in-person specialist or any appointments and needs in-person evaluation and treatment for complications, recommended evaluations, health screenings and preventive care.

Her mobility limitations have become barriers to broader medical care.  Every office tells her their office is not set up to accommodate her.  This has happened with specialty care, out-patient services, screenings and physical therapy.

Henry is a Black woman on Medicare, and her family believes her experience raises concerns about unequal access to intensive rehabilitation. Research has documented disparities in discharge to inpatient rehabilitation rather than skilled nursing, underscoring the importance of individualized review.

CMS, state regulators and healthcare providers should examine Henry’s records, assess her needs on their clinical merits and explain how the applicable coverage standards were applied, and whether they are being enforced.

Rehabilitation is not a reward for patients who can already tolerate treatment. It is care intended to help people recover function. Henry’s case asks whether a system designed to support recovery can leave a patient without a path to it.

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Black Press

Oakland NAACP, BWOPA Speak Out Against Alleged Harassment of Black Women Political Leaders

The Oakland NAACP and the Oakland/Berkeley chapter of Black Women Organized for Political Action have issued a joint statement condemning a pattern of harassment, intimidation, and discrimination directed at Black women in politics. Leadership from both organizations noted that these concerns reflect a rise in online hostility and political attacks against public servants. The allegations emerged amid a contentious race for the Oakland Unified School District Board of Education, prompting a public debate over accountability and political conduct. Read more to learn how the involved parties have responded.

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Danielle Motley-Lewis, president of BWOPA’s Oakland/Berkeley chapter.
Danielle Motley-Lewis, president of BWOPA’s Oakland/Berkeley chapter.

The Oakland branch of the NAACP and the Oakland/Berkeley chapter of Black Women Organized for Political Action (BWOPA) have issued a joint statement condemning what they describe as harassment, intimidation and discrimination targeting Black women in politics.

Founded in 1968, BWOPA is a California-based nonprofit advocacy and membership organization that is focused on increasing Black women’s participation and influence in the political process.

Danielle Motley-Lewis, president of BWOPA’s Oakland/Berkeley chapter, told California Black Media (CBM) that the statement reflects growing concerns about online hostility and political attacks directed at Black women candidates, elected officials and public servants.

“These allegations deserve serious attention and should not be dismissed as ordinary political disagreements,” the organizations said in their statement.

The concerns have surfaced amid a contentious race for the Oakland Unified School District (OUSD) Board of Education’s District 6 seat, where candidate LeAna Powell has reported experiencing harassment during her campaign.

Powell is running against Alexandra Williams and incumbent Valarie Bachelor, the school board’s vice president. All three candidates are Black women.

Motley-Lewis said the organizations’ statement addresses concerns extending beyond the school board contest, although Powell’s experiences helped bring the issue into focus.

“I could only speak to what I witnessed on social media. There were various types of harassment online,” Motley-Lewis said of the back-and-forth about the candidates online. 

 “It was unnerving.”

Powell, a former aide to former Oakland Mayor Sheng Thao, previously filed an informal complaint with the Oakland Public Ethics Commission alleging that Thao, then a City Council member, pressured city employees to work on her mayoral campaign.

Thao was recalled in November 2024 and left office Dec. 17 of that year. She subsequently faced federal charges related to an alleged bribery scheme. The criminal proceedings are separate from the dispute involving Powell’s school board campaign.

Powell also filed a complaint with the NAACP concerning what she described as harassment during her campaign.

Among those publicly criticizing Powell is Brandon Harami, a former Oakland mayoral staffer and LGBTQ+ advocate who said he previously worked with Powell in Thao’s office.

In a Sept. 27 Facebook post, Harami questioned Powell’s qualifications, judgment and political associations.

“District 6 candidate for School Board LeAna Powell does not have the maturity nor spine required to be on the school board,” Harami wrote.

Motley-Lewis said the organizations had documented or witnessed conduct they considered troubling, although she emphasized that their concerns were not limited to Harami or Powell.

Harami has denied the allegations and accused the organizations of misrepresenting his conduct.

In an Oct. 11 Instagram post, he called the joint statement a political smear and demanded that BWOPA and the Oakland NAACP retract it.

He argued that the organizations’ characterization of his actions unfairly portrayed him as having a history of harassment and discrimination. He also contended that the allegations were being used to silence LGBTQ+ voices.

Motley-Lewis said she declined Harami’s request for a retraction because the statement addressed a broader pattern of conduct affecting Black women in politics.

“I was open to brokering that conversation. However, (Harami) was unwilling,” Motley-Lewis said. “He did reach out to BWOP to retract our statement, and I advised him that I would not be doing that. The statement that he was included in (addressed) a broader problem that is experienced by various women.”

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