Connect with us

Business

Keisha Drammeh: The art of redesigning vintage clothes

THE BIRMINGHAM TIMES — Keisha Drammeh’s eye for history comes in handy, especially with her line of vintage clothing.

Published

on

Keisha Drammeh (birminghamtimes.com)

By Ameera Steward

Keisha Drammeh’s eye for history comes in handy, especially with her line of vintage clothing. Based on what she buys from thrift stores and estate and garage sales, she can always tell what was going on in the world when a certain item was in style. She researches the year and the era to make sure the attire is “authentically vintage.”

“There is a lot of copycat stuff out here,” she said. “You can look at zippers, buttons, and stitching to see if [an item] is truly vintage or not.

“Art is in everything, and fashion is an art form. So, anything I see can be used for fashion. I’ve always been taught to appreciate everything because you can see nature in it all. Patterns, fabrics, designs all have naturally occurring aesthetics [that] can be turned into artwork.”

It’s Poppin!

Drammeh creates artwork from used clothing she finds and recycles, and she sells those creations through her business, It’s Poppin! Vintage. Her “sustainable” vintage clothing store, which opened in 1994, features trendy, urban, vintage items while sustaining the environment and minimizing carbon footprints. She chose the name “It’s Poppin” because it’s long been one of her favorite phrases.

“I was saying that before it got trendy,” she said. “Now everybody is like ‘It’s poppin!’ It’s been poppin’ for me.”

A self-professed fashion activist, Drammeh doesn’t feel there’s a limit to what a person can wear, where they can wear it, and how they can wear it.

“I like gender-neutral items,” she said. “I’m not super-girly, but I’m not super-tomboy, [either]. I like to mix men’s pieces with women’s pieces. … There’s … no limit to fashion. It runs the gamut.”

In addition to telling the story of the clothes, she uses the word “sustainability” in what she does because “that’s what [my parents and I have] always done, being sustainable, … recycling and reusing, trying to reduce the amount of money [we would] spend on stuff,” she said.

Black History Month

February is a big month for Drammeh. On February 1 she was part of a fashion show presented by Golden Hour Productions and Unity Culture. And on February 10, she will host a Sip and Shop at the current It’s Poppin! Vintage, location, 1904 2nd Ave. N., inside the Paisley Pig in Bessemer; tickets are $10, and those attending should bring five items and have about three minutes to shop.

“[It] kind of gives it like a little exhilarating rush,” Drammeh said, explaining that any clothing that isn’t sold during the event will be donated to Olivia’s House, a transitional house for women and children.

“I hope I can be a part of that whole movement [to change fashion],” she said. “If it’s trendy to shop at a thrift store, please be trendy. You’ll save so much money, and you’ll have your own unique look.”

Beyond fashion and business, Drammeh is part of the National Hook Up of Black Women, an organization that started in Chicago, “because this sister felt like black women didn’t have a place to meet or hook up and be resourceful with each other,” she said, adding that the group is resourceful to the point that they have become her team for whatever she needs when it comes to her programs.

Drammeh also has established an art and culture program. Because it’s Black History Month, the topic of discussion will likely be about Africa, and participants will make three-dimensional masks.

“The event is for kids,” she said. “It’s a [two-day] youth program … in conjunction with the Hook Up, … which is the type of organization that [will provide support for] whatever you want to do.”

“Spirit of Birmingham”

Drammeh, a 44-year-old mother of three, was born in Chicago, Ill. When she was 14, her family moved to Detroit, Mich., where they lived for the next 20 years. She then moved to Atlanta, Ga., where she lived until August 2018, when her husband received a better job opportunity that brought their family to Birmingham.

Drammeh loves the Magic City, but for her there’s no place like the Motor City.

“I love Detroit, and I see some similarities between Detroit and Birmingham,” she said. “I like the spirit of Birmingham. I’ve been able to connect with some really creative people here, and I like how the creative community is tight knit. It seems like a small, big city. I like that feel versus coming from a place that was on steroids.”

Artistic Beginnings

Drammeh was an only child, and her parents were activists.

“My parents always [bought black]. We’ve been buying black since I was little,” she said. “[We] lived a real African-centered lifestyle, so we put black before anything.”

Her mother was an account executive who sold commercial time for major television networks, and her father was an artist.

“[My dad was always] digging, … pulling up, and putting stuff in the back of the car that people were trying to throw away,” she said. “He didn’t believe in wasting.”

Drammeh’s family didn’t go to church, so Sundays were the creative days in their household.

“Jazz, Miles Davis playing. Painting. … Just doing stuff in the house. … That’s the type of vibe my parents were on,” she said. “Looking back on how I grew up, I think a lot of black people could have benefitted from coming from such an African-centered household. … I don’t think a lot of black families were having the type of conversations that took place in our home and letting their kids be part of them.”

Growing up in such a creative household helped Drammeh develop her own style—and not care what others thought about it.

“I was one of those kids putting graffiti on and holes in their clothes before [designers] started selling [clothes like that],” she said. “You know, that was tacky for some people, especially your parents. I feel like that [style] was kind of inspired by [my] generation.”

Growing up in the Motor City also influenced Drammeh’s sense of style.

“In Detroit, you’ve gotta be ready for whatever at all times,” she said. “I look at [rapper] Kash Doll, [singer, rapper, and songwriter] Dej Loaf, and other Detroit artists and say they are basically still Detroit girls.”

Community Work

Drammeh earned a bachelor’s degrees in mortuary science and community development from Detroit’s Wayne State University, but she has always been an educator at heart.

“I ended up in art education because I love art and I love community,” she said. “I’ve always worked with after-school programs and had my own after-school programs for youth.”

Drammeh has been in the education and youth-development fields for years, both with her own cultural art programs and with the Boys and Girls Club in Atlanta, where she served as the cultural art director. She left that job in 2014 to devote time to It’s Poppin! Vintage.

In Atlanta, Drammeh found several nice thrift stores, where she would often shop for her friends. She also would add fabrics or patchwork to pieces to create different looks.

“For my friends and myself, … if I saw something cute [at a thrift store], I would buy it because it was cheap,” she said. “One day, I woke up and realized I had about 50 pieces that I didn’t give away. I couldn’t fit [any of the items], so invited people over for a big sale at my house. After that, I just kept shopping, [and] I never stopped.”

Drammeh recalled the number of people who showed up to her sale, and she has since turned her hobby into a hustle. Most of her customers are people who like to thrift: women and some men between the ages of 24 and 50. She also has seen her customer base grow among the lesbian, gay, bisexual, transgender, and questioning and/or queer (LGBTQ) community.

Drammeh feels she offers her customers hope, as well as a sense of unorthodox style. The selections available at It’s Poppin! Vintage blends patterns, colors, and textures, but it’s about more than just selling clothes.

“It’s selling style, personality and character all in one,” she said, adding that her ultimate goal is to reduce the amount of money people spend on stuff.

“You spend money on a T-shirt that was made in a sweatshop by someone who was paid maybe 3 cents and can’t even feed their family. [Manufacturers] use gallons and gallons of water to make the cotton,” Drammeh said. “It’s just stupid when you can get something that has stood the test of time and is still great.”

When it comes to pricing, Drammeh doesn’t try to match other retailers. She takes a few things into consideration: her time, the clothing selection, and the era in which the clothing was made.

Visit www.itspoppinvintage.com to not only shop but also check out Drammeh’s blog, which includes the history of some her pieces.

This article originally appeared in The Birmingham Times

Continue Reading
Advertisement
Comments

Black Press

Oakland Mayor Reads to Children at Bookout Block Party at Marcus Books Store

Booths lined the street with arts and crafts, and children participated in hands-on art projects. A large display of books was on display and each child chose his/her free book to take home. Food and snacks were available, and free water was encouraged to keep all hydrated.

Published

on

(L.to R.) Cherysse Calhoun and Blanche Richardson of Marcus Books join Oakland Mayor Barbara Lee with Indya McGuffin and Bean Tupou of Storyland Collective inside the store on Sept. 12. Courtesy photo.
(L.to R.) Cherysse Calhoun and Blanche Richardson of Marcus Books join Oakland Mayor Barbara Lee with Indya McGuffin and Bean Tupou of Storyland Collective inside the store on Sept. 12. Courtesy photo.

Floating bubbles greeted families on arrival at the Bookout Block Party held on Sat. Sept. 12 at 39th and MLK Blvd. in Oakland.

Sponsored by Marcus Books and Storyland Collective, a wonderland of activity for children stretched to Longfellow School while live music filled the air, courtesy of KWC Complex Jazz Group.

Booths lined the street with arts and crafts, and children participated in hands-on art projects. A large display of books was on display and each child chose his/her free book to take home. Food and snacks were available, and free water was encouraged to keep all hydrated.

A large area of turf was filled with huge bean bags for jumping, rolling, and sitting to listen as families crowded close to listen to Oakland Mayor Barbara Mayor Barbara Lee read a book out loud.

Of the numerous booths present were, “Claim Your Scholarship,” a program for Oakland Public School students and “VOLUNTEER NOW,” a program encouraging volunteers to help boost reading proficiency. Individuals sold their art and products. Free gifts were at many tables and a raffle was held.

The event with Marcus books culminated a summer-long program organized by Storyland Collective, a literacy arts organization bringing children’s ‘storytime,’ local authors, and art activities to Bay Area neighborhoods. Marcus Books is the oldest, independent Black-owned book store in the U.S., featuring books by and about Black people here and abroad.

Continue Reading

Black History

Tradition Comes to the Streets in 11th Annual Black-Eyed Pea Festival at the Freedom Farmers Market

Published

on

(L. to R.) Black-Eyed Pea Festival Director Wanda Ravernell with Barbara Lee and Winky Binky Dogs owner, Tyranny. Courtesy photo.
(L. to R.) Black-Eyed Pea Festival Director Wanda Ravernell with Barbara Lee and Winky Binky Dogs owner, Tyranny. Courtesy photo.

Mayor Barbara Lee stops by to support vendors, Winky Dinky Dogs owner Tyranny Allen

A streamlined Oakland Black-Eyed Pea Festival took place on Sat. Sept. 12 in the lower Temescal neighborhood on the blocked off street that connect Shattuck and Telegraph avenues.

An early start brought together vendor regulars from festival partner, the Freedom Farmers’ Market, and vendors who have supported the festival at its previous location at Marston Campbell Park.

Wanda Ravernell, the festival producer/director was on the verge of cancelling the festival because of funding limitations in May before reaching out to Elaine Smith, president of Farms to grow, Inc., which supervisors the market.

From its start in 2014, the festival has focused on the traditions of African American culture through music, food and art. That emphasis included fresh food vendors, particularly growers of African American legacy crops like black-eyed peas, yams, watermelon, collard greens and okra, which all originate in Africa.

To Fresno farmer Will Scott of Scott Family Farms, the Freedom Farmers’ Market allows him to bring those crops to the inner city – and support the nutrition of African Americans.

Shortly after the festival opened Saturday morning with prayers and salutes to the ancestors by Wakan Wiya Two-Spirit Drum and Awon Ohun Omnira, led M. Zamora and Otobaji Stewart respectively, 86-year-old Scott, the son of a sharecropper, announced that he will put other endeavors aside to dedicate the rest of his life to raise those foods.

Smith shared that Farms to Grow assists Black farmers in helping them overcome one of their main impediments to success – distribution – while creating alliances to help Black people maintain farmland and make it prosperous for younger generations to keep farming and farmland in the family.

As the morning progressed to afternoon, a steady stream of visitors drifted from booth to booth, chatting with vendors and each other.

Scott noted that a market day like this was what he was accustomed to in his youth, where the market was not just about buying things but also a place for valuable social exchange.

The social aspect became even pronounced shortly after midday when Oakland Mayor Barbara Lee stopped by to shop and visit with some of the vendors, including Ellen Bimpeh of Sankofa, and Ravernell who was selling T-shirts designed by Stewart.

Lee is also a fan of Winky Dinky Dogs, an eatery owned by Tyranny Allen whose second brick-and-mortar venture further anchors a hub of businesses at that corner.

As he has in previous years, Andre Thierry of Accordion Soul, closed the festival with a 90-minute set that brought young and the young-at-heart on their feet to dance in a line or as impromptu couples.

And, surprisingly, the man Allen refers to as the mayor of 45th Street, came out on cane and chair to sit by the curb in the sun and listen to music reminiscent of his Louisiana roots. His appearance seemed to echo Scott’s observance about the market: to bring people together.

The Freedom Farmers’ Market is located at 4521 Telegraph Avenue in Oakland and is open on the second and fourth Saturdays of each month until Nov. 14. For more information and to apply to be a vendor, go to https://www.farmstogrow.org/freedomfarmersmarket

Continue Reading

Black Press

Attorney General Rob Bonta Continues Opposition to President Trump’s Tariff Regime

“President Trump is so intent on raising the cost of living for Americans that he is willing to break law after law to continue his tariff regime,” said Bonta.

Published

on

Calif. Attorney General Rob Bonta. Courtesy photo.
Calif. Attorney General Rob Bonta. Courtesy photo.

California Attorney General Rob Bonta, as part of a coalition of 25 states, filed an amicus brief in the Court of International Trade in Learning Resources v. Trump, a case challenging President Trump’s latest “unlawful” attempt to tax the states and American consumers through illegal tariffs, according to a media release issued by the California Department of Justice.

In the brief, Bonta argues the latest round of tariffs levied under Section 301 of the Trade Act of 1974 are pretextual and are not targeted to address the purported harms of forced labor, as that statute requires, but instead are designed to re-create the tariffs already declared illegal by various courts.

Last month, Bonta and the coalition filed a lawsuit challenging the administration’s decision to impose these tariffs on over 80 countries that together account for 99.4% of all U.S. imports — costs that will be passed along to Americans already struggling with affordability.

“President Trump is so intent on raising the cost of living for Americans that he is willing to break law after law to continue his tariff regime,” said Bonta.

“Imposing these tariffs under Section 301 has nothing to do with forced labor and everything to do with continuing the President’s failed economic policy and reimposing the global tariffs that the Supreme Court invalidated,” he continued.

“We urge the Court of International Trade to declare the president’s tariffs under Section 301 illegal. Tariffs are taxes, and the American people cannot and should not shoulder the extra costs that come from the president’s illegal tariffs.” 

Continue Reading

Black Press

Oakland Launches Aerbits Program to Identify, Report Abandoned Trash

“Aerbits, which was approved by the Privacy Advisory Commission, uses modern technology and best practices to help our crews clear trash faster and more efficiently, while our targeted outreach and enforcement strategies address the root causes of dumping. Together, we are going to get the job done.”

Published

on

Aerbits founder Brian Johnson(left) and OaklandMayor Barbara Lee launch Aerbits in Oakland.
Aerbits founder Brian Johnson(left) and OaklandMayor Barbara Lee launch Aerbits in Oakland.

On Tuesday, the City of Oakland launched Aerbits, an innovative new program that deploys AI-assisted aerial imaging technology to proactively detect and report abandoned trash on streets and sidewalks – to support timely and effective removal of illegal dumping.

By shifting from a reactive, complaint-based system to data-driven proactive detection, the City can deploy cleanup resources faster, more efficiently, and more equitably to the areas in greatest need. 

Approved by both the Privacy Advisory Commission and the Oakland City Council, Aerbits is the latest addition to Oakland’s comprehensive strategy to eliminate illegal dumping from the Town.

“Oakland residents and businesses deserve clean streets and today we are one step closer to a safer, cleaner, and greener Oakland,” said Mayor Barbara Lee. “Our strategy strengthens eradication, education, and enforcement efforts across every neighborhood.

“Aerbits, which was approved by the Privacy Advisory Commission, uses modern technology and best practices to help our crews clear trash faster and more efficiently, while our targeted outreach and enforcement strategies address the root causes of dumping. Together, we are going to get the job done.”

The impacts of illegal dumping on Oakland are profound, disproportionately burdening historically disinvested communities while threatening public health, safety, and economic vitality.

The City is united in taking action to remedy it – with the mayor, Council, administration, Public Works Department, community groups and more coming together to make change.

In May, the City Council approved the Illegal Dumping Expenditures Action Plan, which approves and funds multiple actions – including Aerbits – to help remedy illegal dumping.

This past June, Oakland secured $9.2 million from the Crankstart Foundation to scale up operations like Aerbits and break the cycle of illegal dumping across Oakland.

The Aerbits aerial imaging system photographs public rights-of-way to pinpoint exact locations, estimate waste volumes, and classify types of debris. This enables City dispatchers to understand the problem and efficiently deploy the appropriate crew and equipment to each site.

Built with privacy at its core, the technology contains no facial recognition, no license plate readers, and uses no personally identifying information. Aerbits takes pictures of trash – not of people.

“I founded Aerbits because I saw a major gap in the data that was available to City crews on the streets, and I wanted our children to have a cleaner environment” said Aerbits Founder Brian Johnson.

“Aerbits enables cleanups to be timelier, more effective, and more equitable. By providing real-time comprehensive data, automating the creation of work orders, and improving closure of cleared tickets, we are removing the problems that occur when relying primarily on a complaint-based system,” he said.

Aerbits is the latest milestone in the series of actions the City is taking to implement the City Council-approved Illegal Dumping Expenditures Action Plan. Recent actions taken by the City include:

  • Stricter Enforcement: Enacted a new Illegal Dumping Enforcement Ordinance increasing penalties and holding vehicle owners responsible; hired additional Environmental Enforcement Officers equipped with updated citation technology; and worked alongside State Senator Jesse Arreguin on legislation that allows the City to boot vehicles tied to repeat dumping offences. 
  • Community Resources: Reinstated the popular “Bulky Block Parties” offering residents free, convenient ways to get rid of bulky waste, alongside expanded public education campaigns.  
  • Expanded Fleet Equipment: Obtained new heavy-duty Lightning Loader trucks that allow us to clean up more volumes of debris faster than ever before. 

Rebecca Kaplan is a former City Councilmember-at-large for the City of Oakland.

Continue Reading

Black Press

Mayor Lee Announces $1 Million Kaiser Permanente Grant for Pilot Program to Address Homelessness, Clean Up Public Spaces throughout Oakland

Achieving these goals requires unified City operations backed by new philanthropic and private sector investments. With Kaiser Permanente’s support, this project brings together the Mayor’s office, City Administrator’s office, Office of Homelessness Solutions, Housing and Community Development, Human Services, and Economic and Workforce Development.

Published

on

iStockphoto / NNPA.

Innovative initiative combines employment, housing support, job training, and case management to create permanent pathways out of homelessness

Mayor Barbara Lee announced on Tuesday a $1 million grant from a Kaiser Permanente fund at the East Bay Community Foundation to launch the Workforce Development and Interim Housing Pilot Project. The initiative combines low-barrier employment with housing support to strengthen Oakland’s homelessness response while cleaning public spaces throughout the city.

Grant funding provides recipients with:

  • Part-time paid work focused on citywide sanitation and trash clean up, with pathways to permanent, full-time employment
  • One year of interim housing support
  • Comprehensive job training and wrap-around supportive services
  • Tailored case management designed to transition participants into permanent housing

“This pilot program gives us an essential tool to drive change for all of our neighbors affected by homelessness, including our Black and African American population who are disproportionately impacted,” said Lee.

Data show that having a job is critical to housing stability and preventing homelessness. This pilot provides unhoused residents with job opportunities that keep public spaces throughout the City clean, directly supporting the mayor’s goal to reduce unsheltered homelessness in Oakland by 50%.

Achieving these goals requires unified City operations backed by new philanthropic and private sector investments. With Kaiser Permanente’s support, this project brings together the Mayor’s office, City Administrator’s office, Office of Homelessness Solutions, Housing and Community Development, Human Services, and Economic and Workforce Development.

The pilot is modeled after a similar program in Portland, Oregon, that offers low-barrier employment in sanitation services and housing support to people experiencing homelessness. Program results include a high percentage of participants moving to temporary or permanent housing and cleaner public spaces.

“We’re proud to support this innovative project because it creates meaningful opportunities for people experiencing homelessness while strengthening the health and vitality of the entire Oakland community,” said Yvette Radford, vice president of external and community affairs for Kaiser Permanente Northern California. “By providing job training, paid employment, supportive services, and a pathway to stable housing, this program offers people the tools to move forward with dignity and hope—while creating cleaner, safer, and healthier public spaces for everyone.”

The Communications Department of the Oakland Mayor’s office is the source of this report.

Continue Reading

Black Press

Event Preview: ‘Fashion v. Fascism’ – A Runway Revolution Is Coming to the Bay Area

“Fashion v. Fascism” (FVF) is an upcoming visually immersive event combining fashion, music, and political theater to expose the rise of fascism in the U.S. and advocate for resistance. Described as a live “runway revolution,” FVF premieres October 3 at The Rotunda in downtown Oakland. The event will feature five runway collections spotlighting elements of contemporary fascist politics, accompanied by political theater and live music, culminating in a call to action. Organizers state that culture is a potent defense when democracy is under siege. Read more to learn about this unique event.

Published

on

Designer Rickie Lee. Courtesy image.
Designer Rickie Lee. Courtesy image.

“Fashion vs. Fascism” (FVF) is a visually immersive evening of fashion, music and political theater exposing the rise of fascism in the U.S. and the need to resist. Democracy is under siege, and culture is one of our most potent defenses, organizers say.

Called a live “runway revolution,” FvF premieres Oct. 3 at The Rotunda, 300 Frank Ogawa Plaza in downtown Oakland.

A play that is part fashion show, part protest, part performance art, FvF stages five runway collections spotlighting the pillars of contemporary fascist politics and the urgent need to resist: the myth of a “glorious past,” the manufactured emergencies used to justify surveillance and crackdowns, and the oligarchs and grifters profiting from it all. Runway fashion shares the stage with political theater and live music, with a closing call to action.

“We need lawsuits, ballots and mass protests, but none of it lands if we’re not also fighting for people’s imagination,” says Linda Burnham, co-producer of the show. “People are exhausted and scared. FvF will expose the absurdities of fascist mythology and ideology in ways a news headline cannot and spark new ideas about how to resist.”

“Fascism doesn’t win by policy alone. It wins by telling a story. A myth about a ‘Golden Age.’ A permanent emergency that makes cruelty seem necessary. That’s not an accident, it’s a strategy, and it works on the same terrain as culture: image, spectacle, emotion,” says Aya De León, the show’s playwright.

“Every piece on this runway translates what is happening under fascism into a feeling,” explains Erica Furlong, the FVF creative director. “One designer’s trench coat is covered in pockets stamped ‘TRUTH,’ ‘MEMORY,’ ‘HOPE,’ ‘VOTE,’ ‘FUTURE,’ because that’s literally what gets seized first, pocket by pocket, under fascist decline. Fashion can hold grief and hope in the same silhouette, and that tension is exactly what this moment needs.”

At its best, fashion is about creativity, diversity, innovation, experimentation and the free exchange of ideas. Fascism, by contrast, demands conformity and control, while suppressing dissent.

FVF was created, organizers say, because democracy should always be in style.

Featured designers include Erica Varize, Rickie Lee, Tianna Charity, Julie Wong, and Maria Flores. The evening features a script by lead playwright Aya De León, musical performances by Mindeullae Project and DJ Emancipation, and other special guests.

FvF is designed to travel. Following the Oakland premiere, FvF will extend its reach through a documentary short, a curriculum on contemporary fascism in the U.S., and a full replication playbook — design templates, script, and curriculum — so organizers in other cities can stage their own version of the show.

Get more details at www.fashionvfascism.org.

Continue Reading

SIGN UP TO RECEIVE NEWS UPDATES IN YOUR INBOX

Subscribe

* indicates required

Like BlackPressUSA on Facebook

Advertisement

Advertise on BlackPressUSA

advertise with blackpressusa.com

Latest News