Black History
Community Leaders Heartened by Portland Response to Proud Boys Rally
NNPA NEWSWIRE — “My read of the situation is that we wanted these White nationalists and alt-right leaders out of our community. And the police gave them the quickest and most expedient way to get out of our city, and I feel comfortable with that,” Eric K. Ward, executive director of Western States Center, told The Skanner. “We saw a five-hour rally that lasted for less than an hour, and then (protestors) requested to be escorted across the bridge by law enforcement. We have groups who were trying to create the conditions for another Charlottesville…”
Proud Boys outnumbered by counter-demonstrators in largely peaceful event
By Saundra Sorensen, The Skanner News
Black community leaders found reason to celebrate in the aftermath of Saturday’s gathering of right-wing extremists in Portland.
“My read of the situation is that we wanted these White nationalists and alt-right leaders out of our community. And the police gave them the quickest and most expedient way to get out of our city, and I feel comfortable with that,” Eric K. Ward, executive director of Western States Center, told The Skanner. “We saw a five-hour rally that lasted for less than an hour, and then (protestors) requested to be escorted across the bridge by law enforcement. We have groups who were trying to create the conditions for another Charlottesville. They started coming here looking for fights, and this time they didn’t really get that. And then most couldn’t find their way back to their car. I think that really described the day,” he said.
Members of the Southern Poverty Law Center-designated hate group Proud Boys organized the unpermitted rally at downtown Portland’s waterfront, with the stated purpose of getting antifascist demonstrators in the city denounced as a monolithic domestic terrorist organization by officials.
Police estimates total attendance at the protest and counter-protest at about 1,200, with members of alt-right groups numbering about 500. Local media estimates placed the number of Proud Boys at 200 to 300 and the number of counter-protesters at 1000 to 1,200. Law enforcement officials kept both groups apart, allowing Proud Boys members and supporters to exit east on Hawthorne Bridge after a brief demonstration.
Police said they arrested 13 people during the demonstration, most on charges of disorderly conduct, and seized a small number of weapons including bear spray. Alexander G. Dial, 37, was charged with attempted assault in the second degree and unlawful use of a weapon, and Brandon Howard, 33, was charged with assault in the fourth degree and disorderly conduct in the second degree.
“I think the community came out strong,” Kayse Jama, executive director of Unite Oregon, told The Skanner. “It really became more of a festival celebration mood than a rally. The community outnumbered the White supremacists in large numbers,” he said.
Ward and Jama said they were satisfied with the police response to the rally, and praised city leadership overall. Such commendations did not come easily.
Last week, Mayor Ted Wheeler held a press conference at Pioneer Square in anticipation of the Proud Boy rally, warning of a zero-tolerance policy for violence. The event featured a more than 80-member coalition of supporting agencies, nonprofits and individuals in the community, with brief speeches by legislators and community leaders. Both Ward and Jama spoke, and both took exception to what they saw as “false equivalences” from city officials that White supremacist demonstrators and counter-protestors posed an equal threat of violence.
“Let me speak first to our law enforcement community: There is no neutral ground,” Jama said at Wednesday’s conference, pointing out that White nationalist groups planning to attend the rally “are well-trained, armed militia.”
At the scheduled start time of the rally Saturday, a handful of White nationalist protesters in paramilitary gear milled around the esplanade of Tom McCall Waterfront Park south of Morrison Bridge, where they were outnumbered by photographers and other members of local and national press. North of the bridge, a larger group of counter-protestors assembled for an adapted Shabbat service led by Rabbi Debra Kolodny in front of the Battleship Oregon Memorial. At one point, Kolodny, of Portland United Against Hate, showed the crowd where she’d written the number of the National Lawyers Guild on her forearm.
“My great aunts and uncles had numbers of death written on their arms, and I have numbers of solidarity and support written on mine,” Kolodny said. “While many of us might have our epigenetic trauma triggered by what’s happening right now, I want to assure everyone that what happened before is not going to happen again.”
Portland NAACP President Rev. E.D. Mondainé followed, telling the crowd, “It is time to rally our allies and quickly recruit them as accomplices that will stand with the disenfranchised and those who are marginalized in our cities across America in our fight for freedom.”
Kolodny told The Skanner that the event was part of The Spectacle, Portland Popular Mobilization’s counter-protest, which aimed to distract from White supremacist demonstrators.
“I went to an organizing meeting of Pop Mob, and I learned of their desire to create a counter presence that they called ‘The Spectacle’ that would be filled with song and dance and music and juggling and satire and humor, to create a unifying community experience that was joyful and connecting, and just counterbalancing,” Kolodny said.
Groups involved in The Spectacle included NAACP Portland, Portland Jobs with Justice, Rose City Antifa, Portland Democratic Socialists of America, the Interfaith Clergy Resistance, Portland Industrial Workers of the World, the Buddhist Peace Fellowship, and the Queer Liberation Front.
In practice, The Spectacle encouraged a gathering of not just masked protestors often associated with the Antifa movement, but also colorfully dressed and costumed demonstrators.
Ward praised Pop Mob’s “commitment to providing alternatives to toxic masculinity” in the protest.
“It was really overshadowing of the White nationalist movement,” Ward said. “Pop Mob has really engaged in a new set of tactics that were creative and celebratory, and I want to acknowledge that, and acknowledge that leadership.”
“They might come back,” Ward said in response to Proud Boys organizer Joe Biggs’ threat that his group would return for monthly rallies. “Every dollar spent when they come back that continues to strengthen the unity of Portlanders, is a dollar well spent. And if they want to give us the opportunity to do so again, we should be joyful about the opportunity to celebrate Portland.”
Ward added, “I’ve been in many a protest. I’ve been in some amazing community mobilizations against bigotry. I’ve not in my 30 years seen such an organic alignment, that was so celebratory, as Saturday. People felt empowered and not disempowered. And the fact that Joey Gibson and Joe Biggs are spending Monday working so hard to convince media and their followers that they were successful tells me how much they’re scrambling. They’ve never had to scramble to declare a win before. They ran out of gas in Portland. And I think it’s significant and I think other cities should take note of it.”
Art
Peter Magubane: a Camera Against Apartheid
THE POSITIVE COMMUNITY — Peter Magubane, a pioneering South African photographer, dedicated his life to documenting the realities of apartheid. Born in 1932, Magubane began his career at Drum magazine in 1954, initially as a driver before becoming a photographer.
Peter Magubane was more than a photographer. He was a witness, storyteller, historian and courageous chronicler of one of the most turbulent periods in South African history. Born on January 18, 1932, in Vrededorp, Johannesburg, and raised in Sophiatown, Magubane discovered photography as a young boy after receiving a Kodak Brownie camera. That simple camera would eventually become his instrument for documenting the lives, struggles and determination of Black South Africans. He died on January 1, 2024, at the age of 91, leaving behind one of the most important photographic archives of South Africa’s apartheid era.
Magubane’s professional journey began at Drum magazine in 1954. He initially worked as a driver and messenger, but his ambition was to become a photographer. Under the mentorship of Drum’s legendary chief photographer Jürgen Schadeberg, Magubane developed his skills and began photographing major political and social events. His first significant assignment involved covering the 1955 African National Congress convention. From that point forward, photography became his way of documenting a country undergoing enormous change.
The South Africa that Magubane photographed was governed by apartheid, a system that legally enforced racial segregation and discrimination. For Black South Africans, everyday life was shaped by restrictions on where they could live, work and travel. Magubane did not limit himself to photographing politicians or famous leaders. He photographed ordinary people—children, workers, families and communities—giving the outside world a visual record of what apartheid meant in everyday life.
One of the defining moments of Magubane’s career came in 1960, when he photographed the aftermath of the Sharpeville Massacre. His photographs helped bring international attention to the violence surrounding resistance to apartheid. He also photographed the 1956 women’s anti-pass march, the Rivonia Trial involving Nelson Mandela and other activists, and numerous other events that became part of South Africa’s historical record.
Magubane paid an enormous personal price for his work. In 1969, he was arrested while photographing protesters outside Pretoria Central Prison. He was subsequently held in solitary confinement for 586 days. After his release, the apartheid government placed him under a banning order that severely restricted his ability to work and move freely. Yet the restrictions did not convince him to abandon photography. Instead, they demonstrated just how powerful the authorities believed his photographs could be.
In 1976, Magubane documented the Soweto Uprising, when thousands of Black students protested against the apartheid government’s education policies. His photographs captured young people confronting police violence and became some of the most internationally recognized images of the uprising. Despite the danger, Magubane continued photographing what was happening around him. His work transformed individual moments of protest into permanent historical evidence that could not easily be erased.
His creativity was matched by his determination to get the picture. Because authorities restricted photographers and attempted to prevent journalists from documenting certain events, Magubane sometimes concealed his camera in unusual places, including a hollowed-out Bible, bread and other objects. These methods allowed him to continue working when openly carrying a camera could attract police attention. His photographs demonstrated that documentary photography sometimes requires not only technical ability but extraordinary courage and resourcefulness.
After Nelson Mandela was released from prison in 1990, Magubane entered another important chapter of his career. He became Mandela’s official photographer and documented the transition toward democracy, including significant moments surrounding South Africa’s first democratic election and the Truth and Reconciliation Commission. The photographer who had spent decades documenting resistance now had the opportunity to photograph a country moving toward a new political era.
Magubane’s legacy extends far beyond the individual photographs he made. He published numerous books, exhibited internationally and received major honors, including an honorary Doctor of Literature from the University of Cape Town in 2010. His photographs remain part of the historical record because they show not only the brutality of apartheid but also the humanity, resilience and determination of the people who lived through it.
Peter Magubane ultimately demonstrated the extraordinary power of photography. He understood that a photograph can preserve a moment long after the people who witnessed it are gone. His camera recorded injustice, resistance, suffering, courage and eventually freedom. For photographers today, his life offers an enduring lesson: photography is not simply about making beautiful pictures—it can also be about seeing clearly, standing close to history and making sure that important stories are never forgotten. Magubane’s photographs gave South Africa a visual memory, and his life’s work reminds every photographer that sometimes the most important picture is the one that history needs someone brave enough to make.
Based on reporting by The Positive Community.
Black History
HBCU Leaders, Corporate Partners Convene in D.C. to Strengthen Support for Black Colleges’ Athletic Programs
COLUMBUS TIMES — HBCU athletic conference commissioners, university presidents, and corporate leaders gathered in Washington on Tuesday, September 15, for the Salute to HBCU Sports Leadership Reception. This invitation-only event, hosted at Gensler’s K Street office, aimed to deepen investment in historically Black colleges and universities.
Commissioners from HBCU athletic conferences joined university presidents and corporate leaders in Washington on Tuesday, Sept. 15, for the Salute to HBCU Sports Leadership Reception — an invitation-only gathering aimed at deepening investment in historically Black colleges and universities.
Hosted at Gensler’s K Street office, the evening brought together conference commissioners, campus presidents, and executives from sports, media and design organizations under the theme “Building Partnerships. Celebrating Excellence. Advancing HBCUs.” Gensler highlighted its partnership with Paxton Baker on the event in a post on Instagram, showcasing the room full of HBCU presidents and conference leaders.
Five Conferences, One Room
Commissioners from four NCAA conferences and one NAIA conference were on hand, representing institutions that compete across Division I, Division II and the NAIA:
Anthony Holloman — Southern Intercollegiate Athletic Conference Charles McClelland — Southwestern Athletic Conference Jacqie McWilliams Parker — Central Intercollegiate Athletic Association Sonja Stills — Mid-Eastern Athletic Conference Kiki Baker Barnes — HBCU Athletic Conference
Their presence linked leadership from across the HBCU athletics landscape with campus administrators and organizations working in event management, design and media.
Presidents and Black Press Leadership in the Room
Among the university presidents in attendance were Prairie View A&M’s Tomikia P. LeGrande and Bowie State’s Aminta H. Breaux.
LeGrande’s appearance came just days after the Thurgood Marshall College Fund named her the recipient of its Educational Leadership Award, as announced by Prairie View A&M. She was honored at TMCF’s 39th Anniversary Gala on Sept. 12 in Washington. LeGrande has served as Prairie View A&M’s ninth president since June 2023.
Breaux, who has led Bowie State since July 2017, previously chaired the CIAA’s board of directors, according to her university biography.
Benjamin F. Chavis Jr., president and CEO of the National Newspaper Publishers Association, also attended — fitting, given the NNPA’s role as one of the reception’s presenting partners. Chavis and HBCU GO’s Lawrencia Moten conducted two 30-minute interview sessions with the conference commissioners, covering topics ranging from the NIL era to conference growth and the experience of leading HBCU athletics, according to HBCU GO President Curtis Symonds, who spoke with HBCU Legends about the sessions.
Corporate and Institutional Partners
Five organizations presented the reception together:
Gensler — the architecture and design firm that hosted the event Events DC — the District’s convention and sports authority USA Track & Field — the sport’s national governing body National Newspaper Publishers Association — representing Black newspaper publishers HBCU GO — the network dedicated to HBCU sports and culture
That mix of partners pointed to a range of possible collaborations ahead, from athletic facilities and event operations to sports programming and media coverage.
Building Beyond the Scoreboard
What stood out most was the mix of people in the room — conference commissioners setting strategy for their leagues, university presidents shaping institutional priorities, and corporate partners bringing resources and expertise from multiple industries.
With college athletics undergoing rapid change, particularly for HBCUs navigating the NIL era and shifting conference dynamics, the reception offered a venue for candid conversation and relationship-building. Its underlying purpose went beyond athletics: using sports as an entry point to broader opportunities in education, workforce development and economic growth for HBCUs.
Based on reporting by Columbus Times.
Black History
At CBCF Conference, a Panel Asks What Black Public Figures Owe the People Who Follow Them
COLUMBUS TIMES — The Congressional Black Caucus Foundation’s Annual Legislative Conference featured a panel titled “Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach.” Actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét, and rapper Yung Joc discussed how public figures can translate influence into real-world change.
WASHINGTON — Among the more than 100 policy forums and brain trusts at this year’s Congressional Black Caucus Foundation Annual Legislative Conference was a conversation about influence itself: who has it, and what they do with it.
"Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach" brought together actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét and rapper and radio host Yung Joc. The session looked at how entertainers, creators and elected officials can turn public attention into real-world change.
The panel took place at the 55th Annual Legislative Conference, a five-day event in Washington that began Wednesday. This year’s theme is "Rooted, Ready & Rising," and the conference coincides with the CBC Foundation’s 50th anniversary. CBCF President and CEO Nicole Austin-Hillery has said the gathering is meant to "combine celebration with purpose," while taking up issues including voting rights, economic opportunity, education, health disparities and criminal justice.
That mix of celebrity and policy is a long-running feature of the conference, which brings lawmakers, advocates, entrepreneurs, students and entertainers into the same rooms. The panel’s premise reflects a broader question as creators reach audiences that rival traditional media.
A career built on both stage and street
Sampson is a natural fit for that conversation. The Houston native is known for television and film work, including HBO’s Insecure, and for his activism off screen. He co-founded BLD PWR, a 501(c)(3) nonprofit that combines entertainment, education and activism.
The organization says its mission is to "reimagine and realize the liberated future we know our people deserve." It works to mobilize entertainment-industry figures and organize communities around racial, gender, immigration, economic and environmental justice, mental health and wellness, and opposition to state violence. BLD PWR emphasizes storytelling and community healing, and it centers the voices of Black, Indigenous and other marginalized communities.
What to watch
The conference runs through Sunday at the Walter E. Washington Convention Center. Details on sessions and registration are available through the CBC Foundation.
Based on reporting by Columbus Times.
Black History
The Youngest American Killed in the Vietnam War
THE CAROLINIAN — Dan Bullock, a Goldsboro native, was 15 years old when he was killed in Vietnam on June 7, 1969, making him the youngest American service member to die in the conflict. Born in 1953, Bullock moved to Brooklyn after his mother’s death and sought a path forward, considering careers such as a pilot, police officer, firefighter, or Marine.
By Jordan Meadows, Staff Writer
Dan Bullock was 15 years old when he was killed in Vietnam on June 7, 1969, making the Goldsboro native the youngest American service member to die in the war.
Bullock was born Dec. 21, 1953, in Goldsboro and lived in North Carolina until he was about 12, when his mother died, and he moved to Brooklyn to live with his father.
Family members later said he’d talked about wanting to become a pilot, a police officer, a firefighter or a Marine. Unsatisfied with his living situation in New York and discouraged by the lack of opportunity he saw around him, Bullock went looking for a faster path forward—and told his father that enlisting seemed like the quickest way to get an education.
In September 1968, at 14 years old, Bullock walked into the Marine Corps recruiting station at Albee Square in downtown Brooklyn. At 5-foot-9 and roughly 160 pounds, he was big enough to pass for 18, and he had altered the year on his birth certificate from 1953 to 1949.
Recruiters never questioned it. He enlisted on Sept. 18, 1968, and his family found out only when he came home with the signed paperwork in his hand.
Bullock reported to Parris Island, South Carolina, assigned to Platoon 3039, and struggled through parts of the 13-week training regimen before fellow recruits helped pull him through. He graduated from boot camp on Dec. 10, 1968, eleven days before his 15th birthday.
Private First Class Bullock arrived in South Vietnam on May 18, 1969, assigned as a rifleman in 2nd Squad, 2nd Platoon, Fox Company, 2nd Battalion, 5th Marines, 1st Marine Division. His posting was An Hoa Combat Base in Quang Nam Province, a forward hub surrounded by some of the most contested terrain in the country. Bullock kept largely to himself, and while his fellow Marines didn’t know his real age, several sensed something was different about him.
On the evening of June 6, Bullock had been assigned cleaning duty, but took another Marine’s place on the night watch near the airstrip after that Marine was wounded. Shortly after midnight, North Vietnamese Army sappers breached the perimeter wire and launched a coordinated assault with rockets, mortars, and small arms. Accounts of exactly what happened next differ.
Fox Company accounts hold that sappers crawled beneath the wire and hurled a satchel charge through the firing slot of Bullock’s bunker, an explosion that killed Bullock; other accounts describe Bullock being killed by small arms fire on the perimeter.
Bullock’s company commander, Capt. Robert Kingrey, described the young Marine’s actions during the attack in a letter home.
“Dan immediately realized that the attack was stronger than usual and that the ammunition supply was becoming depleted,” Kingrey wrote. “He rushed to get more ammunition for his unit. He constantly exposed himself to enemy fire in order to keep the company supplied with the ammunition needed to hold off the attack.”
Bullock had been in Vietnam for 21 days.
A week after his death, the New York Times broke the story of his real age, and the Defense Department subsequently confirmed Bullock was the youngest of the roughly 58,000 Americans killed during the war.
His remains were returned to Goldsboro and buried at Elmwood Cemetery with full military honors, but no headstone marked the grave. It stayed that way for 31 years, until television talk show host Sally Jessy Raphael learned of the unmarked plot in 2000 and purchased a headstone. NYPD officers, state troopers from four states, and two veteran motorcycle groups escorted a 600-mile caravan from Brooklyn to Goldsboro for the dedication ceremony.
In 2003, the New York City Council renamed a stretch of Lee Avenue in Brooklyn—the street where Bullock had lived—as PFC Dan Bullock Way.
North Carolina dedicated a state highway historical marker near his childhood home on West Ash Street in Goldsboro, and the entrance to Elmwood Cemetery in southwest Goldsboro was also named PFC Dan Bullock Way.
His name is inscribed on Panel 23W, Line 96 of the Vietnam Veterans Memorial Wall in Washington.
Based on reporting by The Carolinian.
Black History
Passing for White, Fighting for Black America: The Courage of Walter White
White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”
Walter Francis White was one of the most important civil rights leaders of the first half of the 20th century. For more than three decades, he helped transform the National Association for the Advancement of Colored People (NAACP) into one of the nation’s most powerful organizations fighting racial discrimination, segregation, and violence against African Americans.
Walter White was born in Atlanta, Georgia, in 1893 and grew up in a middle-class African American family. His parents, George and Madeline White, had been born into slavery. Although Walter had blond hair, blue eyes, very light skin and could easily have passed as white, he firmly identified as Black. As a teenager, he witnessed the Atlanta Race Massacre of 1906, when white mobs attacked African Americans throughout the city. The experience strengthened his determination to fight racial hatred and injustice.
After graduating from Atlanta University in 1916, White worked in insurance and became active in the Atlanta branch of the NAACP. His abilities caught the attention of NAACP leader James Weldon Johnson, who recruited him to the organization’s national staff in 1918.
He soon became known for his extraordinarily dangerous investigations of lynchings. Because many white Southerners assumed he was white, he was able to enter communities where Black investigators would have faced immediate danger. He spoke with witnesses, law enforcement officials, and even members of lynch mobs, often pretending to share their racial attitudes so they would reveal information.
White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”
By the early 1930s, Walter had risen to the NAACP’s top administrative position. As executive secretary, he helped build the organization into a major national political and legal force. Under his leadership, the NAACP challenged discrimination in voting, employment, education, transportation, the military, and other areas of American life.
White also recruited attorney Charles Hamilton Houston to lead the NAACP’s legal strategy. Houston and his protégé, Thurgood Marshall, developed the courtroom campaign that eventually helped produce the Supreme Court’s historic 1954 decision in Brown v. Board of Education, declaring racial segregation in public schools unconstitutional.
White used his relationships with national political leaders as another weapon against discrimination. He worked with First Lady Eleanor Roosevelt, President Franklin D. Roosevelt, and President Harry S. Truman. He supported efforts to end employment discrimination and encouraged Truman to establish the President’s Committee on Civil Rights.
Walter White remained an NAACP leader until his death in 1955. His courage, political skill, investigative work, and relentless commitment to equality helped establish the foundation upon which the modern Civil Rights Movement would build.
Black History
Tradition Comes to the Streets in 11th Annual Black-Eyed Pea Festival at the Freedom Farmers Market
Mayor Barbara Lee stops by to support vendors, Winky Dinky Dogs owner Tyranny Allen
A streamlined Oakland Black-Eyed Pea Festival took place on Sat. Sept. 12 in the lower Temescal neighborhood on the blocked off street that connect Shattuck and Telegraph avenues.
An early start brought together vendor regulars from festival partner, the Freedom Farmers’ Market, and vendors who have supported the festival at its previous location at Marston Campbell Park.
Wanda Ravernell, the festival producer/director was on the verge of cancelling the festival because of funding limitations in May before reaching out to Elaine Smith, president of Farms to grow, Inc., which supervisors the market.
From its start in 2014, the festival has focused on the traditions of African American culture through music, food and art. That emphasis included fresh food vendors, particularly growers of African American legacy crops like black-eyed peas, yams, watermelon, collard greens and okra, which all originate in Africa.
To Fresno farmer Will Scott of Scott Family Farms, the Freedom Farmers’ Market allows him to bring those crops to the inner city – and support the nutrition of African Americans.
Shortly after the festival opened Saturday morning with prayers and salutes to the ancestors by Wakan Wiya Two-Spirit Drum and Awon Ohun Omnira, led M. Zamora and Otobaji Stewart respectively, 86-year-old Scott, the son of a sharecropper, announced that he will put other endeavors aside to dedicate the rest of his life to raise those foods.
Smith shared that Farms to Grow assists Black farmers in helping them overcome one of their main impediments to success – distribution – while creating alliances to help Black people maintain farmland and make it prosperous for younger generations to keep farming and farmland in the family.
As the morning progressed to afternoon, a steady stream of visitors drifted from booth to booth, chatting with vendors and each other.
Scott noted that a market day like this was what he was accustomed to in his youth, where the market was not just about buying things but also a place for valuable social exchange.
The social aspect became even pronounced shortly after midday when Oakland Mayor Barbara Lee stopped by to shop and visit with some of the vendors, including Ellen Bimpeh of Sankofa, and Ravernell who was selling T-shirts designed by Stewart.
Lee is also a fan of Winky Dinky Dogs, an eatery owned by Tyranny Allen whose second brick-and-mortar venture further anchors a hub of businesses at that corner.
As he has in previous years, Andre Thierry of Accordion Soul, closed the festival with a 90-minute set that brought young and the young-at-heart on their feet to dance in a line or as impromptu couples.
And, surprisingly, the man Allen refers to as the mayor of 45th Street, came out on cane and chair to sit by the curb in the sun and listen to music reminiscent of his Louisiana roots. His appearance seemed to echo Scott’s observance about the market: to bring people together.
The Freedom Farmers’ Market is located at 4521 Telegraph Avenue in Oakland and is open on the second and fourth Saturdays of each month until Nov. 14. For more information and to apply to be a vendor, go to https://www.farmstogrow.org/freedomfarmersmarket
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