Black History
COMMENTARY: Reality TV — The Respectable and the Ratchet
NNPA NEWSWIRE — “These shows draw large audiences because some showcase professional Black women and the triumphs and struggles we all experience daily. They highlight the iconic ‘Black Girl Magic’ that makes the whole world interested in what we are doing. The cat fighting and mean girl behavior definitely add to the entertainment value. I also love the way Black family life is highlighted on both of these shows (RHOA and Married to Medicine),” says Reality show viewer Miranda Solomon.
By Nsenga K. Burton, Ph.D., NNPA Newswire Entertainment and Culture Editor
Much to the chagrin of some media critics, scholars and television fans, reality television is here to say. Colloquially referred to as “ratchet tv,” reality television is loved and loathed often by the same fan base who like or detest the genre for the same reasons.
Some of the reality shows, particularly those with all-women and all-black casts, have become synonymous with promoting the worst of women’s behavior with constant bickering, physical fighting, back stabbing, pettiness, anger and mean-spiritedness put on full display.
Many believe the shows highlight the most stereotypical behavior of women in general and black women in particular. Others enjoy the genre as an escape from the reality of their everyday lives and appreciate the entrepreneurial endeavors of the women on the shows, sometimes resulting in spin-offs like Vanderpump Rules and retail businesses owned by members of the casts of RHOA, RHONY, RHOP and Love and Hip-Hop Atlanta.
Whether network or cable television programs, reality television shows garner some of the highest ratings in broadcast and cable television.
Season 12 of The Real Housewives of Atlanta (RHOA) returns to television Sunday, November 3 and Real Housewives of Beverly Hills made history by adding actress Garcelle Beauvais to the cast, making the former model the first Black woman on that particular franchise.
Married to Medicine’s programming day has been changed multiple times; yet and still their fans continue to find them and bring new fans with them along the way.
There’s an old adage that says you should never discuss politics or religion in polite company. Perhaps another category should be added? Reality television.
If you want to hear a heated debate, then bring up reality television in any number of settings and a range of responses and emotions will surface. Some live for the genre, while others despise the television category which is broad enough to include Cops, The Bachelor, The Masked Singer, Dog The Bounty Hunter, 90 Day Fiancé, Say Yes to the Dress, House Hunters, RHOA, Chopped and a host of other reality shows.
Reality shows continuously rank high on ratings lists; reality shows featuring women casts and all black casts continuously rank high on cable ratings lists.
Not only are the shows popular on television, they spawn other streams of revenue for reality show stars. Cookbooks, restaurants, clothing stores, fitness videos, weight-loss products, ear buds and the like are being hawked by cast members of these shows.
Real Housewives of New York’s Bethenny Frankel built a multi-million-dollar empire with her Skinnygirl lifestyle brand. RHOP stars Gizelle Bryant and Karen Huger launched a make-up line and fragrance over the last three seasons. While RHOA’s Kandi Burress, who was already successful in music prior to being cast on RHOA, has morphed into a successful entrepreneur in online retail and restaurants.
RHOA’s NeNe Leakes has jettisoned to mainstream popularity, having starred on two network television series, other reality shows, performed on Broadway and is currently pursuing a career in stand-up comedy, among other businesses.
Model turned RHOA reality star Cynthia Bailey opened a modeling company and lunched a sunglass line. Cardi B launched herself musically into the stratosphere from her journey on Love and Hip-Hop New York to the 2017 cover of Rolling Stone Magazine, relegating rock legend Fats Domino to a corner mention, en route to becoming rap music royalty.
It’s not just the women on these shows who are winning financially, but also the men. The Apprentice’s Bill Rancic sold his cigar company for millions to Synergy Brands, remained on the board of directors and continues to broker million-dollar deals.
Recently, Love and Hip-Hop Hollywood’s Ray J closed a $31 million deal securing the launch of his new electronics transportation brand Raycon.
Reality stars like K. Michelle, Huger (RHOP), Leakes, Shooter Gates (LHHA) also use their platforms to highlight important issues like domestic violence, rape and gun control. While reality television shows featuring primarily all-women casts are problematic, it is difficult to dismiss them and the genre itself with their consistent ratings, successful brands and businesses.
In fact, reality television shows, became so popular with women audiences in the early 2000s, they displaced legendary soap operas like All My Children and One Life to Live, both of which had been on-air for more than forty years each at the time of cancellation (2011).
Reality television mimicked the narrative and stylistic elements of soap operas, but with far less production costs. For example, even though 90 Day Fiancé is a popular reality show on TLC, reportedly, each couple gets $1000 to $1500 per episode, with some cast members starting GoFundMe pages to ask for help with bills.
The Bachelorette (ABC) earns $250,000 per season, while some Teen Mom’s (MTV) like Catelyn Lowell earn $500,000 per season. As for the Real Housewives franchise (BRAVO), the beginning salary per season started off at $7,250 for the entire season of season 1 of Real Housewives of New York.
New reports claim Bethany Frankel made upwards of $1.5 million per season for her last turn on RHON, while Lisa Vanderpump (The Real Housewives of Beverly Hills) and Nene Leaks (RHOA) make up to $2.7 million per season. It is estimated that Kim Kardashian rakes in $7 million per season for Keeping Up the Kardashians.
While it is easy to assume that reality stars are making that kind of money, the vast majority are not, particularly on women cast shows whose re-runs dominate daytime television programming and new episodes strike ratings gold for primetime audiences.
Most reality shows of this type – women cast housewives shows – are filmed with three to five crew members on location, unlike soap operas which were historically filmed on set, with scores of crew members and star salaries that were in the millions of dollars.
The lower production costs of reality shows including crew and star salaries coupled with the rise of social media giants Facebook and Twitter brought the reign of daytime soap operas to a screeching halt.
While many want to get rid of what some call “Trash TV,” reality television is here to stay, if for nothing else – high return on investment in the form of advertising and viewership relative to the low cost of production and distribution.
Reality show executive producers Andy Cohen, Mona Scott Young and Carlos King understand the business model and know it is good business to produce problematic reality shows. Despite the outcry on social media about the danger of reality television, the popularity of reality shows with audiences challenges the presumption that ratchet television is bad for the culture.
Dr. Mark Cunningham, Professor of Black Popular Culture at Austin Community College, thinks the critique is wrapped in respectability politics. “What we see on these shows falls under everything we discuss in other contexts as stereotyping: self- absorption, hypersexuality, over-indulgence, superficiality, hyper masculinity and so forth, he offers. I don’t buy into these critiques of the shows being worthless although I do recognize that there is some truth to the critiques in terms of the stereotypical behaviors of those on the shows. People need to understand this is just one example of black life. This is not all of black life.”
The reality shows with black women casts do represent the worst of what folks have to say about black people, but they also fill the desire for black people in general and black women specifically to be seen on television.
Dr. Alfred L. Martin, Jr. Assistant Professor of media studies in the departments of Communication Studies and African American Studies at the University of Iowa states, “These shows emerged at a time when black women were pretty non-existent within mainstream media. So, on one hand, they were feeding an unsatiated appetite for black female representation. On the other hand, these representations emerge in a post-network environment where networks are seeking modes of differentiation in an ever more crowded television landscape,” Martin offers.
“At the same time, these representations are complicated in the ways they mix the respectable and the ratchet. So, in a way, they break from ‘Saint’ Claire Huxtable who did not have a ‘negative’ bone in her representational body. These black female reality TV characters — and they are characters versus necessarily being their “real” selves –are far more complex,” Dr. Martin adds.
It is impossible to dismiss the large audiences in general and women of color they draw despite the chorus of naysayers who believe the stereotypes bring more harm than good by playing into the “angry woman” stereotype among others.
Reality show viewer Miranda Solomon has diverse reasons for watching the shows. “Specifically, I watch Love and Listings because I sell real estate and am interested in seeing a show that is entirely focused on people of color doing what I do for a living. I also watch Basketball Wives, Love and Hip Hop (all cities), Real Housewives of ATL and Married to Medicine. I watch each of these shows as a mindless indulgence. Each of these shows provides just the right about of reality escape for me,” says Solomon who also sees the reality in the show despite the cattiness.
“These shows draw large audiences because some showcase professional Black women and the triumphs and struggles we all experience daily. They highlight the iconic ‘Black Girl Magic’ that makes the whole world interested in what we are doing. The cat fighting and mean girl behavior definitely add to the entertainment value. I also love the way Black family life is highlighted on both of these shows (RHOA and Married to Medicine).”
When asked about the negative images perpetuated by both shows and the criticism the show receives because of these images, Solomon offers, “If you’re only watching the cattiness and the fighting, then it is easy to have that opinion. I actually follow the story lines of the characters. I find the characters’ family lives intriguing and, in many cases, endearing. I wonder if the critique is the same for White reality shows like The Bachelor and The Bachelorette?”
Dr. Martin speaks to Solomon’s concerns. “At base, that sort of critique is rooted in a racialized and racist understanding of blackness. White folks get to consume all sorts of garbage and their consumption is often bound within ‘ironic’ stances toward the ‘bad object’ or general notions of kitsch and camp. When black folks consume ‘bad objects’ it is understood as endemic of our lack of taste, class and education. Of course, that goes back to Stuart Hall’s conceptualization of the function of the stereotype: to fix, essentialize, reduce and naturalize blackness as inherently inferior and ‘othered.’”
Therein lies the rub. Why is it that in a reality genre that is teeming with shows ranging from tow truck operators to police officers to college kids sharing a house together to dance teams and the lives of little people, are so many bothered by the black cast reality shows? It is possible to realize that much of what you are watching is problematic and find some sense of pleasure in the show despite the problematic images? Is Rachel Lindsay, the first black Bachelorette, any worse than the twenty “Bachelorettes” that came before her?
Some television viewers like Donna White, who rarely watches black cast reality television shows because of the problematic images of black people, understands why people want to see these images and believes the cast members should have the opportunity to use their platform to develop and grow their businesses.
However, White, who jokingly refers to herself as a “bean bag culture critic” is still bothered by the representation of black people on these shows. “Reality shows often perpetuate and reinforce stereotypes about black love, relationships, and how black people act and what is important to us. Black folks are dynamic and multidimensional people, but that is rarely captured on most reality shows,” she says.
When asked what it take for her to watch more black reality shows, White states “I would have to see the formula change. I don’t want to see black women always fighting each other. I don’t want to see black men with problematic lives juggling multiple women,” she says.
When asked what type of show she would like to see, White offers, “I’d like to see something with travel and adventure. What I want to see won’t sell and won’t garner the large audiences,” she says making a sobering observation of the realities of black cast reality television shows.
Is there room for more diverse representations of blacks on reality television shows? More importantly, if the formula changed as White would prefer, will audiences watch these new types of reality shows with the same fervor as “ratchet” reality shows? Does it have to come down to the respectable and the ratchet or is there something in between?
This article was written by Nsenga K. Burton, Ph.D., entertainment and culture editor for NNPA/Black Press USA. Nsenga is also founder & editor-in-chief of the award-winning news blog The Burton Wire, which covers news of the African Diaspora. Follow her on Twitter @Ntellectual.
Black History
Doulas Are Helping Black California Moms Navigate Pregnancy–Even as High Mortality Rates Persist
In California, Black women experience the highest pregnancy-related mortality rate — about four times greater than other women, according to statistics. From 2021 to 2023, the leading causes of pregnancy-related deaths included cardiovascular disease, COVID-19, hemorrhage, sepsis, amniotic fluid embolism, and pulmonary embolism.
After losing twins, Long Beach resident Cassandra Carter approached the birth of her daughter, Nyomi, last November with anxiety. She wanted support for herself and her husband, Adewole, that extended beyond routine medical care.
“Getting pregnant as a Black woman, I wanted a team around me that made me feel safe,” she said. “I know all about the mishaps that Black women experience.”
Carter, a therapist and self-described hippie, hired Yvette Perry, a doula and co-founder of Divine Birthing Services LLC in Lancaster. Perry helped Cassandra craft a detailed birth plan.
“I was worried about postpartum depression. Mrs. Yvette knows a lot about how postpartum affects men as well,” Carter explained.
Perry was present the day Nyomi was born. She held the baby when Carter or her husband needed a moment and even set up candles in the birthing suite.
“Whatever I needed for my comfort, she was there,” Carter said of Perry. “She was there as an advocate and voice. I had a really serene birthing experience because I had someone extra who wasn’t tied to me as my family.”
Perry, a doula for nearly six years, said preexisting conditions, poor communication and dismissive hospital care heighten health risks for Black mothers.
“Sometimes, Black mommies are not being heard. They don’t know they have rights. They don’t know they can say, ‘no,’” Perry explained. “Doulas empower them. We are there to educate them.”
Perry’s concerns reflect a broader public health crisis. According to the Centers for Disease Control and Prevention’s 2024 maternal mortality report, non-Hispanic Black women in the U.S. died from pregnancy-related causes at a rate of 44.8 deaths per 100,000 live births.
In California, Black women experience the highest pregnancy-related mortality rate — about four times greater than other women, according to statistics. From 2021 to 2023, the leading causes of pregnancy-related deaths included cardiovascular disease, COVID-19, hemorrhage, sepsis, amniotic fluid embolism, and pulmonary embolism.
The Centering Black Mothers in California report found that structural racism — including barriers to high-quality health care, and chronic stress— disproportionately harms Black women.
In a statement to California Black Media (CBM), the California Department of Public Health (CDPH) said maternal mortality disparities stem from multiple factors. The department said addressing structural racism, listening to Black women’s experiences and reducing provider bias are key to closing the gap.
California began covering doula care as a Medi-Cal benefit in 2023, providing eligible patients with support during pregnancy, childbirth and the postpartum period, according to CDPH.
Whitney Dotson of Inglewood wanted an expert on pregnancy, labor, and delivery to guide her and her husband, Anthony, through the birth of their son, Anthony III. So, she hired Perry for doula support.
“It’s always more comfortable when you can have a second opinion,” she said. “Knowing she was better versed in what the options were, made me more comfortable.”
Dotson, 39, had a healthy pregnancy but faced recommendations common for expectant mothers over 35. Her doctor advised inducing labor at 39 weeks, but she hoped to carry to full term.
“I wasn’t comfortable with that,” she admitted.
Perry provided Dotson with information about induction guidelines and alternatives, helping her understand her options and communicate her preferences.
Then, Dotson returned to her doctor.
“I said, ‘I don’t want to — and this is why,’” she recalled. “He agreed and pushed the induction date back a week.”
Perry also advised Anthony on how he could support his wife during and after the pregnancy and during Anthony III’s birth. She also reminded Dotson to change birthing positions — from her back to her hands and knees.
Before Saveneh Martinez became a doula with Fierce Advocates in Contra Costa County, she was a new mom, uneducated on aspects of birth, which led to her first child, Colton, being placed in a Neonatal Intensive Care Unit.
“I didn’t know my choices,” she said.
Martinez called it “lifesaving” for expecting moms to have a doula.
“It should be a medical right,” she said.
California Perinatal Quality Care Collaborative (CPQCC) Senior Associate Medical Director Kimberly D. Gregory said research suggests that doulas decrease the pre-term birth rate and the likelihood of a C-section.
“Having a doula is a proactive thing to do,” she said.
Efforts are being made across the state to reduce maternal deaths.
CDPH’s Title V Action Plan aims to reduce pregnancy-related deaths among Black birthing mothers from 49.7 to 42.3 per 100,000 live births by 2030 through improvements in patient-centered care, expanding community-based perinatal teams, and addressing the social factors that contribute to poor maternal health outcomes.
CDPH’s Black Infant Health (BIH) Program and Perinatal Equity Initiative (PEI) have already begun to make headway.
“BIH’s prenatal group model improves key intermediate outcomes for participants, including increased social support and empowerment, better stress management, reduced depressive symptoms and gains in health knowledge and behaviors such as safe sleep practices and reduced smoking,” the CDPH told CBM.
“PEI’s early implementation results show progress across several participant-reported areas, such as improved birth experiences, breastfeeding initiation, and coparenting skills among fathers and partners,” the CDPH statement continued.
Gregory said the California Pregnancy Associated Review Committee examines maternal deaths and develops guidelines to help hospitals improve care. One of its main recommendations focuses on how hospitals respond to hemorrhaging, a leading cause of pregnancy-related deaths.
Gregory said CMQCC also created standard clinic care practices for cardiovascular disease and sepsis, two more drivers of maternal mortality, but widespread implementation across the state is pending.
She noted that although there are 800 maternal deaths a year in the U.S., there are also 3.6 million births.
“Most people will do well,” she said. “But you should know about complications like preterm birth. You should know about complications like diabetes, preeclampsia and postpartum depression.”
Martinez said doulas help to make birthing the transformative experience that it is, instead of a routine clinical transaction.
“Being able to feel heard, seen, safe, respected, and just being able to create spaces for them to be held as well,” she said.
Supported by the California Health Care Foundation (CHCF), which works to ensure that people have access to the care they need, when they need it, at a price they can afford. Visit www.chcf.org to learn more.
Art
Peter Magubane: a Camera Against Apartheid
THE POSITIVE COMMUNITY — Peter Magubane, a pioneering South African photographer, dedicated his life to documenting the realities of apartheid. Born in 1932, Magubane began his career at Drum magazine in 1954, initially as a driver before becoming a photographer.
Peter Magubane was more than a photographer. He was a witness, storyteller, historian and courageous chronicler of one of the most turbulent periods in South African history. Born on January 18, 1932, in Vrededorp, Johannesburg, and raised in Sophiatown, Magubane discovered photography as a young boy after receiving a Kodak Brownie camera. That simple camera would eventually become his instrument for documenting the lives, struggles and determination of Black South Africans. He died on January 1, 2024, at the age of 91, leaving behind one of the most important photographic archives of South Africa’s apartheid era.
Magubane’s professional journey began at Drum magazine in 1954. He initially worked as a driver and messenger, but his ambition was to become a photographer. Under the mentorship of Drum’s legendary chief photographer Jürgen Schadeberg, Magubane developed his skills and began photographing major political and social events. His first significant assignment involved covering the 1955 African National Congress convention. From that point forward, photography became his way of documenting a country undergoing enormous change.
The South Africa that Magubane photographed was governed by apartheid, a system that legally enforced racial segregation and discrimination. For Black South Africans, everyday life was shaped by restrictions on where they could live, work and travel. Magubane did not limit himself to photographing politicians or famous leaders. He photographed ordinary people—children, workers, families and communities—giving the outside world a visual record of what apartheid meant in everyday life.
One of the defining moments of Magubane’s career came in 1960, when he photographed the aftermath of the Sharpeville Massacre. His photographs helped bring international attention to the violence surrounding resistance to apartheid. He also photographed the 1956 women’s anti-pass march, the Rivonia Trial involving Nelson Mandela and other activists, and numerous other events that became part of South Africa’s historical record.
Magubane paid an enormous personal price for his work. In 1969, he was arrested while photographing protesters outside Pretoria Central Prison. He was subsequently held in solitary confinement for 586 days. After his release, the apartheid government placed him under a banning order that severely restricted his ability to work and move freely. Yet the restrictions did not convince him to abandon photography. Instead, they demonstrated just how powerful the authorities believed his photographs could be.
In 1976, Magubane documented the Soweto Uprising, when thousands of Black students protested against the apartheid government’s education policies. His photographs captured young people confronting police violence and became some of the most internationally recognized images of the uprising. Despite the danger, Magubane continued photographing what was happening around him. His work transformed individual moments of protest into permanent historical evidence that could not easily be erased.
His creativity was matched by his determination to get the picture. Because authorities restricted photographers and attempted to prevent journalists from documenting certain events, Magubane sometimes concealed his camera in unusual places, including a hollowed-out Bible, bread and other objects. These methods allowed him to continue working when openly carrying a camera could attract police attention. His photographs demonstrated that documentary photography sometimes requires not only technical ability but extraordinary courage and resourcefulness.
After Nelson Mandela was released from prison in 1990, Magubane entered another important chapter of his career. He became Mandela’s official photographer and documented the transition toward democracy, including significant moments surrounding South Africa’s first democratic election and the Truth and Reconciliation Commission. The photographer who had spent decades documenting resistance now had the opportunity to photograph a country moving toward a new political era.
Magubane’s legacy extends far beyond the individual photographs he made. He published numerous books, exhibited internationally and received major honors, including an honorary Doctor of Literature from the University of Cape Town in 2010. His photographs remain part of the historical record because they show not only the brutality of apartheid but also the humanity, resilience and determination of the people who lived through it.
Peter Magubane ultimately demonstrated the extraordinary power of photography. He understood that a photograph can preserve a moment long after the people who witnessed it are gone. His camera recorded injustice, resistance, suffering, courage and eventually freedom. For photographers today, his life offers an enduring lesson: photography is not simply about making beautiful pictures—it can also be about seeing clearly, standing close to history and making sure that important stories are never forgotten. Magubane’s photographs gave South Africa a visual memory, and his life’s work reminds every photographer that sometimes the most important picture is the one that history needs someone brave enough to make.
Based on reporting by The Positive Community.
Black History
HBCU Leaders, Corporate Partners Convene in D.C. to Strengthen Support for Black Colleges’ Athletic Programs
COLUMBUS TIMES — HBCU athletic conference commissioners, university presidents, and corporate leaders gathered in Washington on Tuesday, September 15, for the Salute to HBCU Sports Leadership Reception. This invitation-only event, hosted at Gensler’s K Street office, aimed to deepen investment in historically Black colleges and universities.
Commissioners from HBCU athletic conferences joined university presidents and corporate leaders in Washington on Tuesday, Sept. 15, for the Salute to HBCU Sports Leadership Reception — an invitation-only gathering aimed at deepening investment in historically Black colleges and universities.
Hosted at Gensler’s K Street office, the evening brought together conference commissioners, campus presidents, and executives from sports, media and design organizations under the theme “Building Partnerships. Celebrating Excellence. Advancing HBCUs.” Gensler highlighted its partnership with Paxton Baker on the event in a post on Instagram, showcasing the room full of HBCU presidents and conference leaders.
Five Conferences, One Room
Commissioners from four NCAA conferences and one NAIA conference were on hand, representing institutions that compete across Division I, Division II and the NAIA:
Anthony Holloman — Southern Intercollegiate Athletic Conference Charles McClelland — Southwestern Athletic Conference Jacqie McWilliams Parker — Central Intercollegiate Athletic Association Sonja Stills — Mid-Eastern Athletic Conference Kiki Baker Barnes — HBCU Athletic Conference
Their presence linked leadership from across the HBCU athletics landscape with campus administrators and organizations working in event management, design and media.
Presidents and Black Press Leadership in the Room
Among the university presidents in attendance were Prairie View A&M’s Tomikia P. LeGrande and Bowie State’s Aminta H. Breaux.
LeGrande’s appearance came just days after the Thurgood Marshall College Fund named her the recipient of its Educational Leadership Award, as announced by Prairie View A&M. She was honored at TMCF’s 39th Anniversary Gala on Sept. 12 in Washington. LeGrande has served as Prairie View A&M’s ninth president since June 2023.
Breaux, who has led Bowie State since July 2017, previously chaired the CIAA’s board of directors, according to her university biography.
Benjamin F. Chavis Jr., president and CEO of the National Newspaper Publishers Association, also attended — fitting, given the NNPA’s role as one of the reception’s presenting partners. Chavis and HBCU GO’s Lawrencia Moten conducted two 30-minute interview sessions with the conference commissioners, covering topics ranging from the NIL era to conference growth and the experience of leading HBCU athletics, according to HBCU GO President Curtis Symonds, who spoke with HBCU Legends about the sessions.
Corporate and Institutional Partners
Five organizations presented the reception together:
Gensler — the architecture and design firm that hosted the event Events DC — the District’s convention and sports authority USA Track & Field — the sport’s national governing body National Newspaper Publishers Association — representing Black newspaper publishers HBCU GO — the network dedicated to HBCU sports and culture
That mix of partners pointed to a range of possible collaborations ahead, from athletic facilities and event operations to sports programming and media coverage.
Building Beyond the Scoreboard
What stood out most was the mix of people in the room — conference commissioners setting strategy for their leagues, university presidents shaping institutional priorities, and corporate partners bringing resources and expertise from multiple industries.
With college athletics undergoing rapid change, particularly for HBCUs navigating the NIL era and shifting conference dynamics, the reception offered a venue for candid conversation and relationship-building. Its underlying purpose went beyond athletics: using sports as an entry point to broader opportunities in education, workforce development and economic growth for HBCUs.
Based on reporting by Columbus Times.
Black History
At CBCF Conference, a Panel Asks What Black Public Figures Owe the People Who Follow Them
COLUMBUS TIMES — The Congressional Black Caucus Foundation’s Annual Legislative Conference featured a panel titled “Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach.” Actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét, and rapper Yung Joc discussed how public figures can translate influence into real-world change.
WASHINGTON — Among the more than 100 policy forums and brain trusts at this year’s Congressional Black Caucus Foundation Annual Legislative Conference was a conversation about influence itself: who has it, and what they do with it.
"Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach" brought together actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét and rapper and radio host Yung Joc. The session looked at how entertainers, creators and elected officials can turn public attention into real-world change.
The panel took place at the 55th Annual Legislative Conference, a five-day event in Washington that began Wednesday. This year’s theme is "Rooted, Ready & Rising," and the conference coincides with the CBC Foundation’s 50th anniversary. CBCF President and CEO Nicole Austin-Hillery has said the gathering is meant to "combine celebration with purpose," while taking up issues including voting rights, economic opportunity, education, health disparities and criminal justice.
That mix of celebrity and policy is a long-running feature of the conference, which brings lawmakers, advocates, entrepreneurs, students and entertainers into the same rooms. The panel’s premise reflects a broader question as creators reach audiences that rival traditional media.
A career built on both stage and street
Sampson is a natural fit for that conversation. The Houston native is known for television and film work, including HBO’s Insecure, and for his activism off screen. He co-founded BLD PWR, a 501(c)(3) nonprofit that combines entertainment, education and activism.
The organization says its mission is to "reimagine and realize the liberated future we know our people deserve." It works to mobilize entertainment-industry figures and organize communities around racial, gender, immigration, economic and environmental justice, mental health and wellness, and opposition to state violence. BLD PWR emphasizes storytelling and community healing, and it centers the voices of Black, Indigenous and other marginalized communities.
What to watch
The conference runs through Sunday at the Walter E. Washington Convention Center. Details on sessions and registration are available through the CBC Foundation.
Based on reporting by Columbus Times.
Black History
The Youngest American Killed in the Vietnam War
THE CAROLINIAN — Dan Bullock, a Goldsboro native, was 15 years old when he was killed in Vietnam on June 7, 1969, making him the youngest American service member to die in the conflict. Born in 1953, Bullock moved to Brooklyn after his mother’s death and sought a path forward, considering careers such as a pilot, police officer, firefighter, or Marine.
By Jordan Meadows, Staff Writer
Dan Bullock was 15 years old when he was killed in Vietnam on June 7, 1969, making the Goldsboro native the youngest American service member to die in the war.
Bullock was born Dec. 21, 1953, in Goldsboro and lived in North Carolina until he was about 12, when his mother died, and he moved to Brooklyn to live with his father.
Family members later said he’d talked about wanting to become a pilot, a police officer, a firefighter or a Marine. Unsatisfied with his living situation in New York and discouraged by the lack of opportunity he saw around him, Bullock went looking for a faster path forward—and told his father that enlisting seemed like the quickest way to get an education.
In September 1968, at 14 years old, Bullock walked into the Marine Corps recruiting station at Albee Square in downtown Brooklyn. At 5-foot-9 and roughly 160 pounds, he was big enough to pass for 18, and he had altered the year on his birth certificate from 1953 to 1949.
Recruiters never questioned it. He enlisted on Sept. 18, 1968, and his family found out only when he came home with the signed paperwork in his hand.
Bullock reported to Parris Island, South Carolina, assigned to Platoon 3039, and struggled through parts of the 13-week training regimen before fellow recruits helped pull him through. He graduated from boot camp on Dec. 10, 1968, eleven days before his 15th birthday.
Private First Class Bullock arrived in South Vietnam on May 18, 1969, assigned as a rifleman in 2nd Squad, 2nd Platoon, Fox Company, 2nd Battalion, 5th Marines, 1st Marine Division. His posting was An Hoa Combat Base in Quang Nam Province, a forward hub surrounded by some of the most contested terrain in the country. Bullock kept largely to himself, and while his fellow Marines didn’t know his real age, several sensed something was different about him.
On the evening of June 6, Bullock had been assigned cleaning duty, but took another Marine’s place on the night watch near the airstrip after that Marine was wounded. Shortly after midnight, North Vietnamese Army sappers breached the perimeter wire and launched a coordinated assault with rockets, mortars, and small arms. Accounts of exactly what happened next differ.
Fox Company accounts hold that sappers crawled beneath the wire and hurled a satchel charge through the firing slot of Bullock’s bunker, an explosion that killed Bullock; other accounts describe Bullock being killed by small arms fire on the perimeter.
Bullock’s company commander, Capt. Robert Kingrey, described the young Marine’s actions during the attack in a letter home.
“Dan immediately realized that the attack was stronger than usual and that the ammunition supply was becoming depleted,” Kingrey wrote. “He rushed to get more ammunition for his unit. He constantly exposed himself to enemy fire in order to keep the company supplied with the ammunition needed to hold off the attack.”
Bullock had been in Vietnam for 21 days.
A week after his death, the New York Times broke the story of his real age, and the Defense Department subsequently confirmed Bullock was the youngest of the roughly 58,000 Americans killed during the war.
His remains were returned to Goldsboro and buried at Elmwood Cemetery with full military honors, but no headstone marked the grave. It stayed that way for 31 years, until television talk show host Sally Jessy Raphael learned of the unmarked plot in 2000 and purchased a headstone. NYPD officers, state troopers from four states, and two veteran motorcycle groups escorted a 600-mile caravan from Brooklyn to Goldsboro for the dedication ceremony.
In 2003, the New York City Council renamed a stretch of Lee Avenue in Brooklyn—the street where Bullock had lived—as PFC Dan Bullock Way.
North Carolina dedicated a state highway historical marker near his childhood home on West Ash Street in Goldsboro, and the entrance to Elmwood Cemetery in southwest Goldsboro was also named PFC Dan Bullock Way.
His name is inscribed on Panel 23W, Line 96 of the Vietnam Veterans Memorial Wall in Washington.
Based on reporting by The Carolinian.
Black History
Passing for White, Fighting for Black America: The Courage of Walter White
White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”
Walter Francis White was one of the most important civil rights leaders of the first half of the 20th century. For more than three decades, he helped transform the National Association for the Advancement of Colored People (NAACP) into one of the nation’s most powerful organizations fighting racial discrimination, segregation, and violence against African Americans.
Walter White was born in Atlanta, Georgia, in 1893 and grew up in a middle-class African American family. His parents, George and Madeline White, had been born into slavery. Although Walter had blond hair, blue eyes, very light skin and could easily have passed as white, he firmly identified as Black. As a teenager, he witnessed the Atlanta Race Massacre of 1906, when white mobs attacked African Americans throughout the city. The experience strengthened his determination to fight racial hatred and injustice.
After graduating from Atlanta University in 1916, White worked in insurance and became active in the Atlanta branch of the NAACP. His abilities caught the attention of NAACP leader James Weldon Johnson, who recruited him to the organization’s national staff in 1918.
He soon became known for his extraordinarily dangerous investigations of lynchings. Because many white Southerners assumed he was white, he was able to enter communities where Black investigators would have faced immediate danger. He spoke with witnesses, law enforcement officials, and even members of lynch mobs, often pretending to share their racial attitudes so they would reveal information.
White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”
By the early 1930s, Walter had risen to the NAACP’s top administrative position. As executive secretary, he helped build the organization into a major national political and legal force. Under his leadership, the NAACP challenged discrimination in voting, employment, education, transportation, the military, and other areas of American life.
White also recruited attorney Charles Hamilton Houston to lead the NAACP’s legal strategy. Houston and his protégé, Thurgood Marshall, developed the courtroom campaign that eventually helped produce the Supreme Court’s historic 1954 decision in Brown v. Board of Education, declaring racial segregation in public schools unconstitutional.
White used his relationships with national political leaders as another weapon against discrimination. He worked with First Lady Eleanor Roosevelt, President Franklin D. Roosevelt, and President Harry S. Truman. He supported efforts to end employment discrimination and encouraged Truman to establish the President’s Committee on Civil Rights.
Walter White remained an NAACP leader until his death in 1955. His courage, political skill, investigative work, and relentless commitment to equality helped establish the foundation upon which the modern Civil Rights Movement would build.
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