Black History
Three African-American Films Added to Library of Congress National Film Registry
CHARLESTON CHRONICLE — Librarian of Congress Carla Hayden recently announced the annual selection of 25 of America’s most influential motion pictures to be inducted into the National Film Registry of the Library of Congress.
By The Charleston Chronicle
Librarian of Congress Carla Hayden recently announced the annual selection of 25 of America’s most influential motion pictures to be inducted into the National Film Registry of the Library of Congress because of their cultural, historic and aesthetic importance to the nation’s film heritage. These films range from Stanley Kubrick’s “The Shining” and Paul Newman’s unforgettable “Hud” to the opulent musical “My Fair Lady” and the rocking sounds of “Monterey Pop.” Selection to the registry will help ensure that these films will be preserved for all time.
“The National Film Registry turns 30 this year and for those three decades, we have been recognizing, celebrating and preserving this distinctive medium,” Hayden said. “These cinematic treasures must be protected because they document our history, culture, hopes and dreams.”
A forbidden love affair, the ravages of alcoholism, an animated classic, a kiss that broke the color barrier and dinosaurs returned from extinction represent the diversity of the class of 2018. This year’s films span 107 years, from 1898 to 2005. They include blockbusters, documentaries, silent movies, animation and independent films. The 2018 selections bring the number of films in the registry to 750, which is a small fraction of the Library’s vast moving-image collection of more than 1.3 million. Also, select titles from 30 years of the National Film Registry are also freely available online in the National Screening Room.
Among this year’s selections are Alfred Hitchcock’s 1940 thriller “Rebecca”; film noir classics “Leave Her to Heaven” (1945) and “The Lady From Shanghai” (1947), which was directed by Orson Welles; Disney’s 1950 animation “Cinderella”; “Days of Wine and Roses,” Blake Edwards’ uncompromising commentary about alcoholism (1962); James L. Brooks’ 1987 treatise on the tumultuous world of television news, “Broadcast News” and Steven Spielberg’s groundbreaking 1993 tale about the rebirth of dinosaurs, “Jurassic Park.”
Two contemporary Western dramas headline this year’s list: the 1961 “One-Eyed Jacks,” Marlon Brando’s only directorial endeavor, and Ang Lee’s critically acclaimed “Brokeback Mountain.” Released in 2005, “Brokeback Mountain” also has the distinction of becoming the newest film on the registry while the 1891 “Newark Athlete” actuality is the oldest.
“I didn’t intend to make a statement with ‘Brokeback Mountain,’” Lee said. “I simply wanted to tell a purely Western love story between two cowboys. To my great surprise, the film ended up striking a deep chord with audiences; the movie became a part of the culture, a reflection of the darkness and light—of violent prejudice and enduring love—in the rocky landscape of the American heart. More than a decade has passed since ‘Brokeback Mountain’ was released, but I hope that this film, a small movie with wide open spaces, continues to express something both fresh and fundamental about my adopted country.”
Music is spotlighted in the popular 1949 musical “On the Town,” starring Gene Kelly, Frank Sinatra and Jules Munshin as three sailors on shore leave in New York City. Also included is the seminal music-festival film “Monterey Pop,” featuring some of the biggest names in music. It was directed by D.A. Pennebaker and produced by John Phillips and Lou Adler.
“I am extremely pleased and proud as I am sure John Phillips would be that ‘Monterey Pop’ has been selected for inclusion in the National Film Registry,” said Adler. “Pleased that the film brings recognition to the artists involved in a cultural explosion of music festivals and celebrates a generation in tune with music and love.
Proud to have collaborated with D.A. Pennebaker who crafted a film that perfectly documented the time, the music and introduced a genre of film making to be honored forever…long after June 16, 17 and 18, 1967 as proven by this selection.”
“It was for us a vast undertaking,” Pennebaker said. “We were using all five of our homemade cameras, some with twelve hundred foot reels we’d never tried before, praying they’d all work, and that it turned out as wonderful as it did I can still scarcely believe. But every camera was guided by an artist, some for the first time, looking for the poetry of the music and its artists as never before. It was an inspired crew and every member of it earned this selection into the National Film Registry. They were the best.”
Several films on the registry showcased the ethnic diversity of American cinema. Footage from the Dixon-Wanamaker expedition in 1908 provides glimpses into the lives and culture of various Native American tribes. This year’s list also includes a contemporary film showcasing Native Americans in “Smoke Signals” (1998). It was the first feature film to be written, directed and co-produced by American Indians.
The 1997 “Eve’s Bayou” was written and directed by black female director Kasi Lemmons and co-produced by Samuel L. Jackson, who stars in this family drama. “It’s such an honor to return from production on my fifth film, ‘Harriet,’ to find that my first, ‘Eve’s Bayou,’ is being included in the National Film Registry,” Lemmons said. “As a Black woman filmmaker it is particularly meaningful to me, and to future generations of filmmakers, that the Library of Congress values diversity of culture, perspective and expression in American cinema and recognizes ‘Eve’s Bayou’ as worthy of preservation. I’m thrilled that ‘Eve’s Bayou’ is being included in the class of 2018!”
The short animated film, “Hair Piece: A Film for Nappy-Headed People,” was produced by one of the first black female animators, Ayoka Chenzira. “For my independently produced animated experimental film to be included in the National Film Registry is quite an honor,” said Chenzira. “I never imagined that ‘Hair Piece’ would be considered to have cultural significance outside of its original intent, which was a conversation and a love letter to Black women (and some men) about identity, beauty and self-acceptance in the face of tremendous odds.”
African-Americans are also shown kissing in a 29-second silent film. Shot in 1898, it is the earliest known footage of black intimacy on screen. Other silent film titles include the 1917 “The Girl Without a Soul” and Buster Keaton’s 1924 “The Navigator.” In 2013, the Library of Congress released a report that conclusively determined that 70 percent of the nation’s silent feature films have been lost forever and only 14 percent exist in their original 35 mm format.
“The Informer,” the 1935 drama that takes place during the Irish Rebellion of 1922, becomes the 11thfilm directed by John Ford to be named to the registry, the most of any other director. Other titles on the registry include the 1953 “Pickup on South Street,” the 1955 “Bad Day at Black Rock” and the Academy Award-winning Vietnam documentary “Hearts and Minds” (1974), directed by Peter Davis.
Under the terms of the National Film Preservation Act, each year the Librarian of Congress names to the National Film Registry 25 motion pictures that are “culturally, historically or aesthetically” significant. The films must be at least 10 years old. More information about the National Film Registry can be found at loc.gov/film.
The Librarian makes the annual registry selections after conferring with the distinguished members of the National Film Preservation Board (NFPB) and a cadre of Library specialists. Also considered were more than 6,300 titles nominated by the public. Nominations for next year will be accepted through the fall at loc.gov/programs/national-film-preservation-board/film-registry/nominate/.
In addition to advising the Librarian of Congress on the annual selection titles to the National Film Registry, the NFPB also provides counsel on national preservation planning policy. In that capacity, it issued the following statement: “In addition to its preservation message, the NFPB encourages colleges and universities to enhance their focus on the history of cinema as an original and integrated art. Visual storytelling has grown from its early 20th-century origins to become a literary medium that needs more recognition.”
Many titles named to the registry have already been preserved by the copyright holders, filmmakers or other archives. In cases where a selected title has not already been preserved, the Library of Congress Packard Campus for Audio Visual Conservation works to ensure that the film will be preserved by some entity and available for future generations, either through the Library’s motion picture preservation program or through collaborative ventures with other archives, motion picture studios and independent filmmakers.
The Packard Campus is a state-of-the-art facility where the nation’s library acquires, preserves and provides access to the world’s largest and most comprehensive collection of films, television programs, radio broadcasts and sound recordings (loc.gov/avconservation/). It is home to more than 7 million collection items.
The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for U.S. federal legislative information at congress.gov; and register creative works of authorship at copyright.gov.
Eve’s Bayou (1997)
Written and directed by Kasi Lemmons and co-produced by co-star Samuel L. Jackson, “Eve’s Bayou” proved one of the indie surprises of the 1990s. The film tells a Southern gothic tale about a 10-year-old African-American girl who, during one long, hot Louisiana summer in 1962, discovers some harsh truths beneath her genteel family’s fragile façade. The film’s standout cast includes Jackson, Lynn Whitfield, Debbi Morgan, Diahann Carroll, Lisa Nicole Carson, Branford Marsalis and the remarkable Jurnee Smollett, who plays the lead. The tag line of this film was very apropos: “The secrets that hold us together can also tear us apart.”
Hair Piece: A Film for Nappy-Headed People (1984)
“Hair Piece” is an insightful and funny short animated film examining the problems that African-American women have with their hair. Generally considered the first black woman animator, director Ayoka Chenzira was a key figure in the development of African-American filmmakers in the 1980s through her own films and work to expand opportunities for others. Writing in the New York Times, critic Janet Maslin lauded this eccentric yet jubilant film. She notes the narrator “tells of everything from the difficulty of keeping a wig on straight to the way in which Vaseline could make a woman’s hair ”sound like the man in ‘The Fly’ saying ‘Help me!’
Something Good – Negro Kiss (1898)
According to scholars and archivists, this recently discovered 29-second film may represent the earliest example of African-American intimacy on-screen. American cinema was a few years old by 1898 and distributors struggled to entice audiences to this new medium. Among their gambits to find acceptable “risqué” fare, the era had a brief run of “kissing” films. Most famous is the 1896 Edison film “The Kiss,” which spawned a rash of mostly inferior imitators. However, in “Something Good,” the chemistry between vaudeville actors Saint Suttle and Gertie Brown was palpable. Also noteworthy is this film’s status as the earliest known surviving Selig Polyscope Company film. The Selig Company had a good run as a major American film producer from its founding in 1896 until its ending around 1918.“Something Good” exists in a 19th-century nitrate print from the University of Southern California Hugh Hefner Moving Image Archive. USC Archivist Dino Everett and Dr. Allyson Nadia Field of the University of Chicago discovered and brought this important film to the attention of scholars and the public. Field notes, “What makes this film so remarkable is the non-caricatured representation and naturalistic performance of the couple. As they playfully and repeatedly kiss, in a seemingly improvised performance, Suttle and Brown constitute a significant counter to the racist portrayal of African Americans otherwise seen in the cinema of its time. This film stands as a moving and powerful image of genuine affection, and is a landmark of early film history.”
This article originally appeared in the Charleston Chronicle.
Black History
Doulas Are Helping Black California Moms Navigate Pregnancy–Even as High Mortality Rates Persist
In California, Black women experience the highest pregnancy-related mortality rate — about four times greater than other women, according to statistics. From 2021 to 2023, the leading causes of pregnancy-related deaths included cardiovascular disease, COVID-19, hemorrhage, sepsis, amniotic fluid embolism, and pulmonary embolism.
After losing twins, Long Beach resident Cassandra Carter approached the birth of her daughter, Nyomi, last November with anxiety. She wanted support for herself and her husband, Adewole, that extended beyond routine medical care.
“Getting pregnant as a Black woman, I wanted a team around me that made me feel safe,” she said. “I know all about the mishaps that Black women experience.”
Carter, a therapist and self-described hippie, hired Yvette Perry, a doula and co-founder of Divine Birthing Services LLC in Lancaster. Perry helped Cassandra craft a detailed birth plan.
“I was worried about postpartum depression. Mrs. Yvette knows a lot about how postpartum affects men as well,” Carter explained.
Perry was present the day Nyomi was born. She held the baby when Carter or her husband needed a moment and even set up candles in the birthing suite.
“Whatever I needed for my comfort, she was there,” Carter said of Perry. “She was there as an advocate and voice. I had a really serene birthing experience because I had someone extra who wasn’t tied to me as my family.”
Perry, a doula for nearly six years, said preexisting conditions, poor communication and dismissive hospital care heighten health risks for Black mothers.
“Sometimes, Black mommies are not being heard. They don’t know they have rights. They don’t know they can say, ‘no,’” Perry explained. “Doulas empower them. We are there to educate them.”
Perry’s concerns reflect a broader public health crisis. According to the Centers for Disease Control and Prevention’s 2024 maternal mortality report, non-Hispanic Black women in the U.S. died from pregnancy-related causes at a rate of 44.8 deaths per 100,000 live births.
In California, Black women experience the highest pregnancy-related mortality rate — about four times greater than other women, according to statistics. From 2021 to 2023, the leading causes of pregnancy-related deaths included cardiovascular disease, COVID-19, hemorrhage, sepsis, amniotic fluid embolism, and pulmonary embolism.
The Centering Black Mothers in California report found that structural racism — including barriers to high-quality health care, and chronic stress— disproportionately harms Black women.
In a statement to California Black Media (CBM), the California Department of Public Health (CDPH) said maternal mortality disparities stem from multiple factors. The department said addressing structural racism, listening to Black women’s experiences and reducing provider bias are key to closing the gap.
California began covering doula care as a Medi-Cal benefit in 2023, providing eligible patients with support during pregnancy, childbirth and the postpartum period, according to CDPH.
Whitney Dotson of Inglewood wanted an expert on pregnancy, labor, and delivery to guide her and her husband, Anthony, through the birth of their son, Anthony III. So, she hired Perry for doula support.
“It’s always more comfortable when you can have a second opinion,” she said. “Knowing she was better versed in what the options were, made me more comfortable.”
Dotson, 39, had a healthy pregnancy but faced recommendations common for expectant mothers over 35. Her doctor advised inducing labor at 39 weeks, but she hoped to carry to full term.
“I wasn’t comfortable with that,” she admitted.
Perry provided Dotson with information about induction guidelines and alternatives, helping her understand her options and communicate her preferences.
Then, Dotson returned to her doctor.
“I said, ‘I don’t want to — and this is why,’” she recalled. “He agreed and pushed the induction date back a week.”
Perry also advised Anthony on how he could support his wife during and after the pregnancy and during Anthony III’s birth. She also reminded Dotson to change birthing positions — from her back to her hands and knees.
Before Saveneh Martinez became a doula with Fierce Advocates in Contra Costa County, she was a new mom, uneducated on aspects of birth, which led to her first child, Colton, being placed in a Neonatal Intensive Care Unit.
“I didn’t know my choices,” she said.
Martinez called it “lifesaving” for expecting moms to have a doula.
“It should be a medical right,” she said.
California Perinatal Quality Care Collaborative (CPQCC) Senior Associate Medical Director Kimberly D. Gregory said research suggests that doulas decrease the pre-term birth rate and the likelihood of a C-section.
“Having a doula is a proactive thing to do,” she said.
Efforts are being made across the state to reduce maternal deaths.
CDPH’s Title V Action Plan aims to reduce pregnancy-related deaths among Black birthing mothers from 49.7 to 42.3 per 100,000 live births by 2030 through improvements in patient-centered care, expanding community-based perinatal teams, and addressing the social factors that contribute to poor maternal health outcomes.
CDPH’s Black Infant Health (BIH) Program and Perinatal Equity Initiative (PEI) have already begun to make headway.
“BIH’s prenatal group model improves key intermediate outcomes for participants, including increased social support and empowerment, better stress management, reduced depressive symptoms and gains in health knowledge and behaviors such as safe sleep practices and reduced smoking,” the CDPH told CBM.
“PEI’s early implementation results show progress across several participant-reported areas, such as improved birth experiences, breastfeeding initiation, and coparenting skills among fathers and partners,” the CDPH statement continued.
Gregory said the California Pregnancy Associated Review Committee examines maternal deaths and develops guidelines to help hospitals improve care. One of its main recommendations focuses on how hospitals respond to hemorrhaging, a leading cause of pregnancy-related deaths.
Gregory said CMQCC also created standard clinic care practices for cardiovascular disease and sepsis, two more drivers of maternal mortality, but widespread implementation across the state is pending.
She noted that although there are 800 maternal deaths a year in the U.S., there are also 3.6 million births.
“Most people will do well,” she said. “But you should know about complications like preterm birth. You should know about complications like diabetes, preeclampsia and postpartum depression.”
Martinez said doulas help to make birthing the transformative experience that it is, instead of a routine clinical transaction.
“Being able to feel heard, seen, safe, respected, and just being able to create spaces for them to be held as well,” she said.
Supported by the California Health Care Foundation (CHCF), which works to ensure that people have access to the care they need, when they need it, at a price they can afford. Visit www.chcf.org to learn more.
Art
Peter Magubane: a Camera Against Apartheid
THE POSITIVE COMMUNITY — Peter Magubane, a pioneering South African photographer, dedicated his life to documenting the realities of apartheid. Born in 1932, Magubane began his career at Drum magazine in 1954, initially as a driver before becoming a photographer.
Peter Magubane was more than a photographer. He was a witness, storyteller, historian and courageous chronicler of one of the most turbulent periods in South African history. Born on January 18, 1932, in Vrededorp, Johannesburg, and raised in Sophiatown, Magubane discovered photography as a young boy after receiving a Kodak Brownie camera. That simple camera would eventually become his instrument for documenting the lives, struggles and determination of Black South Africans. He died on January 1, 2024, at the age of 91, leaving behind one of the most important photographic archives of South Africa’s apartheid era.
Magubane’s professional journey began at Drum magazine in 1954. He initially worked as a driver and messenger, but his ambition was to become a photographer. Under the mentorship of Drum’s legendary chief photographer Jürgen Schadeberg, Magubane developed his skills and began photographing major political and social events. His first significant assignment involved covering the 1955 African National Congress convention. From that point forward, photography became his way of documenting a country undergoing enormous change.
The South Africa that Magubane photographed was governed by apartheid, a system that legally enforced racial segregation and discrimination. For Black South Africans, everyday life was shaped by restrictions on where they could live, work and travel. Magubane did not limit himself to photographing politicians or famous leaders. He photographed ordinary people—children, workers, families and communities—giving the outside world a visual record of what apartheid meant in everyday life.
One of the defining moments of Magubane’s career came in 1960, when he photographed the aftermath of the Sharpeville Massacre. His photographs helped bring international attention to the violence surrounding resistance to apartheid. He also photographed the 1956 women’s anti-pass march, the Rivonia Trial involving Nelson Mandela and other activists, and numerous other events that became part of South Africa’s historical record.
Magubane paid an enormous personal price for his work. In 1969, he was arrested while photographing protesters outside Pretoria Central Prison. He was subsequently held in solitary confinement for 586 days. After his release, the apartheid government placed him under a banning order that severely restricted his ability to work and move freely. Yet the restrictions did not convince him to abandon photography. Instead, they demonstrated just how powerful the authorities believed his photographs could be.
In 1976, Magubane documented the Soweto Uprising, when thousands of Black students protested against the apartheid government’s education policies. His photographs captured young people confronting police violence and became some of the most internationally recognized images of the uprising. Despite the danger, Magubane continued photographing what was happening around him. His work transformed individual moments of protest into permanent historical evidence that could not easily be erased.
His creativity was matched by his determination to get the picture. Because authorities restricted photographers and attempted to prevent journalists from documenting certain events, Magubane sometimes concealed his camera in unusual places, including a hollowed-out Bible, bread and other objects. These methods allowed him to continue working when openly carrying a camera could attract police attention. His photographs demonstrated that documentary photography sometimes requires not only technical ability but extraordinary courage and resourcefulness.
After Nelson Mandela was released from prison in 1990, Magubane entered another important chapter of his career. He became Mandela’s official photographer and documented the transition toward democracy, including significant moments surrounding South Africa’s first democratic election and the Truth and Reconciliation Commission. The photographer who had spent decades documenting resistance now had the opportunity to photograph a country moving toward a new political era.
Magubane’s legacy extends far beyond the individual photographs he made. He published numerous books, exhibited internationally and received major honors, including an honorary Doctor of Literature from the University of Cape Town in 2010. His photographs remain part of the historical record because they show not only the brutality of apartheid but also the humanity, resilience and determination of the people who lived through it.
Peter Magubane ultimately demonstrated the extraordinary power of photography. He understood that a photograph can preserve a moment long after the people who witnessed it are gone. His camera recorded injustice, resistance, suffering, courage and eventually freedom. For photographers today, his life offers an enduring lesson: photography is not simply about making beautiful pictures—it can also be about seeing clearly, standing close to history and making sure that important stories are never forgotten. Magubane’s photographs gave South Africa a visual memory, and his life’s work reminds every photographer that sometimes the most important picture is the one that history needs someone brave enough to make.
Based on reporting by The Positive Community.
Black History
HBCU Leaders, Corporate Partners Convene in D.C. to Strengthen Support for Black Colleges’ Athletic Programs
COLUMBUS TIMES — HBCU athletic conference commissioners, university presidents, and corporate leaders gathered in Washington on Tuesday, September 15, for the Salute to HBCU Sports Leadership Reception. This invitation-only event, hosted at Gensler’s K Street office, aimed to deepen investment in historically Black colleges and universities.
Commissioners from HBCU athletic conferences joined university presidents and corporate leaders in Washington on Tuesday, Sept. 15, for the Salute to HBCU Sports Leadership Reception — an invitation-only gathering aimed at deepening investment in historically Black colleges and universities.
Hosted at Gensler’s K Street office, the evening brought together conference commissioners, campus presidents, and executives from sports, media and design organizations under the theme “Building Partnerships. Celebrating Excellence. Advancing HBCUs.” Gensler highlighted its partnership with Paxton Baker on the event in a post on Instagram, showcasing the room full of HBCU presidents and conference leaders.
Five Conferences, One Room
Commissioners from four NCAA conferences and one NAIA conference were on hand, representing institutions that compete across Division I, Division II and the NAIA:
Anthony Holloman — Southern Intercollegiate Athletic Conference Charles McClelland — Southwestern Athletic Conference Jacqie McWilliams Parker — Central Intercollegiate Athletic Association Sonja Stills — Mid-Eastern Athletic Conference Kiki Baker Barnes — HBCU Athletic Conference
Their presence linked leadership from across the HBCU athletics landscape with campus administrators and organizations working in event management, design and media.
Presidents and Black Press Leadership in the Room
Among the university presidents in attendance were Prairie View A&M’s Tomikia P. LeGrande and Bowie State’s Aminta H. Breaux.
LeGrande’s appearance came just days after the Thurgood Marshall College Fund named her the recipient of its Educational Leadership Award, as announced by Prairie View A&M. She was honored at TMCF’s 39th Anniversary Gala on Sept. 12 in Washington. LeGrande has served as Prairie View A&M’s ninth president since June 2023.
Breaux, who has led Bowie State since July 2017, previously chaired the CIAA’s board of directors, according to her university biography.
Benjamin F. Chavis Jr., president and CEO of the National Newspaper Publishers Association, also attended — fitting, given the NNPA’s role as one of the reception’s presenting partners. Chavis and HBCU GO’s Lawrencia Moten conducted two 30-minute interview sessions with the conference commissioners, covering topics ranging from the NIL era to conference growth and the experience of leading HBCU athletics, according to HBCU GO President Curtis Symonds, who spoke with HBCU Legends about the sessions.
Corporate and Institutional Partners
Five organizations presented the reception together:
Gensler — the architecture and design firm that hosted the event Events DC — the District’s convention and sports authority USA Track & Field — the sport’s national governing body National Newspaper Publishers Association — representing Black newspaper publishers HBCU GO — the network dedicated to HBCU sports and culture
That mix of partners pointed to a range of possible collaborations ahead, from athletic facilities and event operations to sports programming and media coverage.
Building Beyond the Scoreboard
What stood out most was the mix of people in the room — conference commissioners setting strategy for their leagues, university presidents shaping institutional priorities, and corporate partners bringing resources and expertise from multiple industries.
With college athletics undergoing rapid change, particularly for HBCUs navigating the NIL era and shifting conference dynamics, the reception offered a venue for candid conversation and relationship-building. Its underlying purpose went beyond athletics: using sports as an entry point to broader opportunities in education, workforce development and economic growth for HBCUs.
Based on reporting by Columbus Times.
Black History
At CBCF Conference, a Panel Asks What Black Public Figures Owe the People Who Follow Them
COLUMBUS TIMES — The Congressional Black Caucus Foundation’s Annual Legislative Conference featured a panel titled “Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach.” Actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét, and rapper Yung Joc discussed how public figures can translate influence into real-world change.
WASHINGTON — Among the more than 100 policy forums and brain trusts at this year’s Congressional Black Caucus Foundation Annual Legislative Conference was a conversation about influence itself: who has it, and what they do with it.
"Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach" brought together actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét and rapper and radio host Yung Joc. The session looked at how entertainers, creators and elected officials can turn public attention into real-world change.
The panel took place at the 55th Annual Legislative Conference, a five-day event in Washington that began Wednesday. This year’s theme is "Rooted, Ready & Rising," and the conference coincides with the CBC Foundation’s 50th anniversary. CBCF President and CEO Nicole Austin-Hillery has said the gathering is meant to "combine celebration with purpose," while taking up issues including voting rights, economic opportunity, education, health disparities and criminal justice.
That mix of celebrity and policy is a long-running feature of the conference, which brings lawmakers, advocates, entrepreneurs, students and entertainers into the same rooms. The panel’s premise reflects a broader question as creators reach audiences that rival traditional media.
A career built on both stage and street
Sampson is a natural fit for that conversation. The Houston native is known for television and film work, including HBO’s Insecure, and for his activism off screen. He co-founded BLD PWR, a 501(c)(3) nonprofit that combines entertainment, education and activism.
The organization says its mission is to "reimagine and realize the liberated future we know our people deserve." It works to mobilize entertainment-industry figures and organize communities around racial, gender, immigration, economic and environmental justice, mental health and wellness, and opposition to state violence. BLD PWR emphasizes storytelling and community healing, and it centers the voices of Black, Indigenous and other marginalized communities.
What to watch
The conference runs through Sunday at the Walter E. Washington Convention Center. Details on sessions and registration are available through the CBC Foundation.
Based on reporting by Columbus Times.
Black History
The Youngest American Killed in the Vietnam War
THE CAROLINIAN — Dan Bullock, a Goldsboro native, was 15 years old when he was killed in Vietnam on June 7, 1969, making him the youngest American service member to die in the conflict. Born in 1953, Bullock moved to Brooklyn after his mother’s death and sought a path forward, considering careers such as a pilot, police officer, firefighter, or Marine.
By Jordan Meadows, Staff Writer
Dan Bullock was 15 years old when he was killed in Vietnam on June 7, 1969, making the Goldsboro native the youngest American service member to die in the war.
Bullock was born Dec. 21, 1953, in Goldsboro and lived in North Carolina until he was about 12, when his mother died, and he moved to Brooklyn to live with his father.
Family members later said he’d talked about wanting to become a pilot, a police officer, a firefighter or a Marine. Unsatisfied with his living situation in New York and discouraged by the lack of opportunity he saw around him, Bullock went looking for a faster path forward—and told his father that enlisting seemed like the quickest way to get an education.
In September 1968, at 14 years old, Bullock walked into the Marine Corps recruiting station at Albee Square in downtown Brooklyn. At 5-foot-9 and roughly 160 pounds, he was big enough to pass for 18, and he had altered the year on his birth certificate from 1953 to 1949.
Recruiters never questioned it. He enlisted on Sept. 18, 1968, and his family found out only when he came home with the signed paperwork in his hand.
Bullock reported to Parris Island, South Carolina, assigned to Platoon 3039, and struggled through parts of the 13-week training regimen before fellow recruits helped pull him through. He graduated from boot camp on Dec. 10, 1968, eleven days before his 15th birthday.
Private First Class Bullock arrived in South Vietnam on May 18, 1969, assigned as a rifleman in 2nd Squad, 2nd Platoon, Fox Company, 2nd Battalion, 5th Marines, 1st Marine Division. His posting was An Hoa Combat Base in Quang Nam Province, a forward hub surrounded by some of the most contested terrain in the country. Bullock kept largely to himself, and while his fellow Marines didn’t know his real age, several sensed something was different about him.
On the evening of June 6, Bullock had been assigned cleaning duty, but took another Marine’s place on the night watch near the airstrip after that Marine was wounded. Shortly after midnight, North Vietnamese Army sappers breached the perimeter wire and launched a coordinated assault with rockets, mortars, and small arms. Accounts of exactly what happened next differ.
Fox Company accounts hold that sappers crawled beneath the wire and hurled a satchel charge through the firing slot of Bullock’s bunker, an explosion that killed Bullock; other accounts describe Bullock being killed by small arms fire on the perimeter.
Bullock’s company commander, Capt. Robert Kingrey, described the young Marine’s actions during the attack in a letter home.
“Dan immediately realized that the attack was stronger than usual and that the ammunition supply was becoming depleted,” Kingrey wrote. “He rushed to get more ammunition for his unit. He constantly exposed himself to enemy fire in order to keep the company supplied with the ammunition needed to hold off the attack.”
Bullock had been in Vietnam for 21 days.
A week after his death, the New York Times broke the story of his real age, and the Defense Department subsequently confirmed Bullock was the youngest of the roughly 58,000 Americans killed during the war.
His remains were returned to Goldsboro and buried at Elmwood Cemetery with full military honors, but no headstone marked the grave. It stayed that way for 31 years, until television talk show host Sally Jessy Raphael learned of the unmarked plot in 2000 and purchased a headstone. NYPD officers, state troopers from four states, and two veteran motorcycle groups escorted a 600-mile caravan from Brooklyn to Goldsboro for the dedication ceremony.
In 2003, the New York City Council renamed a stretch of Lee Avenue in Brooklyn—the street where Bullock had lived—as PFC Dan Bullock Way.
North Carolina dedicated a state highway historical marker near his childhood home on West Ash Street in Goldsboro, and the entrance to Elmwood Cemetery in southwest Goldsboro was also named PFC Dan Bullock Way.
His name is inscribed on Panel 23W, Line 96 of the Vietnam Veterans Memorial Wall in Washington.
Based on reporting by The Carolinian.
Black History
Passing for White, Fighting for Black America: The Courage of Walter White
White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”
Walter Francis White was one of the most important civil rights leaders of the first half of the 20th century. For more than three decades, he helped transform the National Association for the Advancement of Colored People (NAACP) into one of the nation’s most powerful organizations fighting racial discrimination, segregation, and violence against African Americans.
Walter White was born in Atlanta, Georgia, in 1893 and grew up in a middle-class African American family. His parents, George and Madeline White, had been born into slavery. Although Walter had blond hair, blue eyes, very light skin and could easily have passed as white, he firmly identified as Black. As a teenager, he witnessed the Atlanta Race Massacre of 1906, when white mobs attacked African Americans throughout the city. The experience strengthened his determination to fight racial hatred and injustice.
After graduating from Atlanta University in 1916, White worked in insurance and became active in the Atlanta branch of the NAACP. His abilities caught the attention of NAACP leader James Weldon Johnson, who recruited him to the organization’s national staff in 1918.
He soon became known for his extraordinarily dangerous investigations of lynchings. Because many white Southerners assumed he was white, he was able to enter communities where Black investigators would have faced immediate danger. He spoke with witnesses, law enforcement officials, and even members of lynch mobs, often pretending to share their racial attitudes so they would reveal information.
White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”
By the early 1930s, Walter had risen to the NAACP’s top administrative position. As executive secretary, he helped build the organization into a major national political and legal force. Under his leadership, the NAACP challenged discrimination in voting, employment, education, transportation, the military, and other areas of American life.
White also recruited attorney Charles Hamilton Houston to lead the NAACP’s legal strategy. Houston and his protégé, Thurgood Marshall, developed the courtroom campaign that eventually helped produce the Supreme Court’s historic 1954 decision in Brown v. Board of Education, declaring racial segregation in public schools unconstitutional.
White used his relationships with national political leaders as another weapon against discrimination. He worked with First Lady Eleanor Roosevelt, President Franklin D. Roosevelt, and President Harry S. Truman. He supported efforts to end employment discrimination and encouraged Truman to establish the President’s Committee on Civil Rights.
Walter White remained an NAACP leader until his death in 1955. His courage, political skill, investigative work, and relentless commitment to equality helped establish the foundation upon which the modern Civil Rights Movement would build.
-
Black History4 days agoThe Youngest American Killed in the Vietnam War
-
Black History4 days agoPassing for White, Fighting for Black America: The Courage of Walter White
-
Featured1 week agoObama Urges Democrats to make AI a Priority 📱
-
Sports6 days agoNFL: Week Two Recap | Jalen Hurts did not fold; Caleb Williams exits game with injury
-
Black Press5 days agoMayor Lee Announces $1 Million Kaiser Permanente Grant for Pilot Program to Address Homelessness, Clean Up Public Spaces throughout Oakland
-
Art4 days agoPeter Magubane: a Camera Against Apartheid

