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THE BLERDBINDER: AfroComicCon 2020

NNPA NEWSWIRE — If you’re a Blerd (Black nerd) that’s been living in Oakland, California for the past few years, your living space would have to be located under a rock for you to have not heard of the area’s seminal annual event for Black nerds: AfroComicCon (www.afrocomiccon.com).

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Black Nerds of the World, This Con’s for You!

By Noah Washington, NNPA Newswire Contributor

The Blerd Binder covers nerdy news for the Black nerds of the world. We welcome you to take the journey with us as we talk about subjects ranging from movies to music to tech to toys.

If you’re a Blerd (Black nerd) that’s been living in Oakland, California for the past few years, your living space would have to be located under a rock for you to have not heard of the area’s seminal annual event for Black nerds: AfroComicCon (www.afrocomiccon.com).

The annual con, which was co-founded by Michael James and Hally Bellah-Guther, explores themes that go far beyond comics to include music, film, science, technology, gaming and writing.

“2020 has been a long strange journey for everyone. As a live event organizer, the learning curve was steep and our community has suffered but will not be deterred, which is why we made it happen virtually,” said AfroComicCon Co-Founder Hally Bellah-Guther.

As a result of the pandemic, planning for this year’s AfroComicCon event was shifted away from a physical space to the virtual space — which turned out to be a good thing! The change in venue not only meant that more people could attend and share in the experience, but it also enabled organizers and planners to engage a wider array of participants (nobody had to leave the comfort of their home).

Another tremendous advantage that online cons present is that the content, once it’s made available, remains accessible forever — or as long as it’s owners consent to do so.

With approximately 60 panels and a film festival that viewers were able to engage with across a number of channels and platforms, there is more content to see than a typical visitor can consumer in one day.

While the primary preferred destination for visitors is the AfroComicCon website at afrocomiccon.org, a partnership with the National Newspaper Publishers Association (NNPA) meant that content can also be accessed via the NNPA’s BlackPressUSA’s YouTube page (BlackPressUSA TV) and on the YouTube and Instagram pages of AfroComicCon.

With so much to offer to visitors, AfroComicCon panels are organized according to one or more of eight categories: Writing, Gaming, Comic Book, Animation, FLASH (fit like a superhero) Hollywood Production, Social Justice and Special Sessions.

It’s all good stuff but if you’re like The Blerdbinder and appreciate helpful hints to point you in the direction of AfroComicCon gold, fear not fellow traveler. The panels are all pre-recorded sessions. So, if you need to pause something you’re watching, you can do so and resume from where you left off.

Start with these standouts:

Entrepreneurial Journey into Animation, Advertising, Design, And Tech” — The motivation, the ways and the means to get there may be varied but is there a set of prerequisites to make it in the world of high tech and creative design?

“The First Steps of Visual Storytelling – Storyboarding is the Foundation Of Animation” — The Copeland Brothers, film and game industry superstars, share some of their insights — and tales of their lives and times — as storyboard artists. Find out how two brothers who loved to draw became directors of Marvel and DC animated films and are now directors at DreamWorks. At the same time, learn the basics of storyboarding!

“Producers of TV and Film” — Four Giants of Film and TV help us understand the routines of writers, producers, and managers on projects as varied as Spike Lee masterpieces, The Boondocks to Heroes and The Jamie Fox Show.

“The Road from A-Z. Becoming a Successful Tv Writer in Today’s Crowded Landscape” — Join professional writers Liz Benjamin, Bianca Sams, Mercedes Valle, Maya Houston and Kate McCarthy for a fun and frank conversation about what it really takes to survive and thrive in the high-stakes world of Film and Television. How they got in. How they stayed in. How they’re building bridges for lasting success.

“Pursuing the dream: Stage, TV and Film, the life of Actors, Writers and Producers” — A panel discussion featuring film and TV actors who have enjoyed long and successful careers in LA and NYC

“Black Comic Convention Creators Panel” — From the early Pioneers to AfroComicCon: Black Comic Cons past present and future!

“One on One with Godfrey” — Stand-up comedian and actor, Jay Washington sits and talks with fellow comedian actor and iconic personality Godfrey Danchimah.

Among the panels not listed above: The legacy of Chadwick Boseman; Special guest celebrity Blerds like Sinbad (in one of his last publicly recorded sessions before his tragic stroke last month), Godfrey, Miles Brown and Diallo Riddle (creator of HBO Max’s “SouthSide” and AMC’s “Sherman’s Showcase”).

The 2020 AfroComicCon Virtual Short Film Festival, which was sponsored by the NNPA, The BurtonWire, and Pixar, was hosted by Dr. Nsenga Burton. This year’s festival, which was also virtual, showcased monumental achievement in film by upcoming and veteran filmmakers.

The Festival’s winning selections are:

  • Best Film and Cinematography: “Far From Casablanca” by Youssef Rhanem (1st place) and “The Dark Strums” by Steven Russel (2nd place)
  • The Audience Award Winner: “What Could Have Been” by Semmi Cole:
  • Best Film and Best Director: “Outcast” by Royce Adkins

There was also an awesome cosplay contest! The winners’ Instagram handles:

  • @Hellspawned cosplay
  • @Sotogrant Cosplay
  • @coko_galore

AfroComicCon is also a non-profit event that not only provides amazing content, entertainment and fun but also raises funds for programs like its Moonshot Junior Collaboration for leveling young girls of color up in a 12-month innovation program.

For more info and to register for this free event, sign-up at Eventbrite – AfroComicCon 2020 Reloaded Sign up now or visit AfroComicCon.org. You can also follow like and share @AfroComicCon on Instagram and Twitter or Afro Comic Con on Facebook!

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Peter Magubane: a Camera Against Apartheid

THE POSITIVE COMMUNITY — Peter Magubane, a pioneering South African photographer, dedicated his life to documenting the realities of apartheid. Born in 1932, Magubane began his career at Drum magazine in 1954, initially as a driver before becoming a photographer.

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Peter Magubane: a Camera Against Apartheid

Peter Magubane was more than a photographer. He was a witness, storyteller, historian and courageous chronicler of one of the most turbulent periods in South African history. Born on January 18, 1932, in Vrededorp, Johannesburg, and raised in Sophiatown, Magubane discovered photography as a young boy after receiving a Kodak Brownie camera. That simple camera would eventually become his instrument for documenting the lives, struggles and determination of Black South Africans. He died on January 1, 2024, at the age of 91, leaving behind one of the most important photographic archives of South Africa’s apartheid era.

Magubane’s professional journey began at Drum magazine in 1954. He initially worked as a driver and messenger, but his ambition was to become a photographer. Under the mentorship of Drum’s legendary chief photographer Jürgen Schadeberg, Magubane developed his skills and began photographing major political and social events. His first significant assignment involved covering the 1955 African National Congress convention. From that point forward, photography became his way of documenting a country undergoing enormous change.

The South Africa that Magubane photographed was governed by apartheid, a system that legally enforced racial segregation and discrimination. For Black South Africans, everyday life was shaped by restrictions on where they could live, work and travel. Magubane did not limit himself to photographing politicians or famous leaders. He photographed ordinary people—children, workers, families and communities—giving the outside world a visual record of what apartheid meant in everyday life.

One of the defining moments of Magubane’s career came in 1960, when he photographed the aftermath of the Sharpeville Massacre. His photographs helped bring international attention to the violence surrounding resistance to apartheid. He also photographed the 1956 women’s anti-pass march, the Rivonia Trial involving Nelson Mandela and other activists, and numerous other events that became part of South Africa’s historical record.

Magubane paid an enormous personal price for his work. In 1969, he was arrested while photographing protesters outside Pretoria Central Prison. He was subsequently held in solitary confinement for 586 days. After his release, the apartheid government placed him under a banning order that severely restricted his ability to work and move freely. Yet the restrictions did not convince him to abandon photography. Instead, they demonstrated just how powerful the authorities believed his photographs could be.

In 1976, Magubane documented the Soweto Uprising, when thousands of Black students protested against the apartheid government’s education policies. His photographs captured young people confronting police violence and became some of the most internationally recognized images of the uprising. Despite the danger, Magubane continued photographing what was happening around him. His work transformed individual moments of protest into permanent historical evidence that could not easily be erased.

His creativity was matched by his determination to get the picture. Because authorities restricted photographers and attempted to prevent journalists from documenting certain events, Magubane sometimes concealed his camera in unusual places, including a hollowed-out Bible, bread and other objects. These methods allowed him to continue working when openly carrying a camera could attract police attention. His photographs demonstrated that documentary photography sometimes requires not only technical ability but extraordinary courage and resourcefulness.

After Nelson Mandela was released from prison in 1990, Magubane entered another important chapter of his career. He became Mandela’s official photographer and documented the transition toward democracy, including significant moments surrounding South Africa’s first democratic election and the Truth and Reconciliation Commission. The photographer who had spent decades documenting resistance now had the opportunity to photograph a country moving toward a new political era.

Magubane’s legacy extends far beyond the individual photographs he made. He published numerous books, exhibited internationally and received major honors, including an honorary Doctor of Literature from the University of Cape Town in 2010. His photographs remain part of the historical record because they show not only the brutality of apartheid but also the humanity, resilience and determination of the people who lived through it.

Peter Magubane ultimately demonstrated the extraordinary power of photography. He understood that a photograph can preserve a moment long after the people who witnessed it are gone. His camera recorded injustice, resistance, suffering, courage and eventually freedom. For photographers today, his life offers an enduring lesson: photography is not simply about making beautiful pictures—it can also be about seeing clearly, standing close to history and making sure that important stories are never forgotten. Magubane’s photographs gave South Africa a visual memory, and his life’s work reminds every photographer that sometimes the most important picture is the one that history needs someone brave enough to make.

Based on reporting by The Positive Community.



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Black History

HBCU Leaders, Corporate Partners Convene in D.C. to Strengthen Support for Black Colleges’ Athletic Programs

COLUMBUS TIMES — HBCU athletic conference commissioners, university presidents, and corporate leaders gathered in Washington on Tuesday, September 15, for the Salute to HBCU Sports Leadership Reception. This invitation-only event, hosted at Gensler’s K Street office, aimed to deepen investment in historically Black colleges and universities.

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HBCU Leaders, Corporate Partners Convene in D.C. to Strengthen Support for Black Colleges' Athletic Programs
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Commissioners from HBCU athletic conferences joined university presidents and corporate leaders in Washington on Tuesday, Sept. 15, for the Salute to HBCU Sports Leadership Reception — an invitation-only gathering aimed at deepening investment in historically Black colleges and universities.

Hosted at Gensler’s K Street office, the evening brought together conference commissioners, campus presidents, and executives from sports, media and design organizations under the theme “Building Partnerships. Celebrating Excellence. Advancing HBCUs.” Gensler highlighted its partnership with Paxton Baker on the event in a post on Instagram, showcasing the room full of HBCU presidents and conference leaders.

Five Conferences, One Room

Commissioners from four NCAA conferences and one NAIA conference were on hand, representing institutions that compete across Division I, Division II and the NAIA:

Anthony Holloman — Southern Intercollegiate Athletic Conference Charles McClelland — Southwestern Athletic Conference Jacqie McWilliams Parker — Central Intercollegiate Athletic Association Sonja Stills — Mid-Eastern Athletic Conference Kiki Baker Barnes — HBCU Athletic Conference

Their presence linked leadership from across the HBCU athletics landscape with campus administrators and organizations working in event management, design and media.

Presidents and Black Press Leadership in the Room

Among the university presidents in attendance were Prairie View A&M’s Tomikia P. LeGrande and Bowie State’s Aminta H. Breaux.

LeGrande’s appearance came just days after the Thurgood Marshall College Fund named her the recipient of its Educational Leadership Award, as announced by Prairie View A&M. She was honored at TMCF’s 39th Anniversary Gala on Sept. 12 in Washington. LeGrande has served as Prairie View A&M’s ninth president since June 2023.

Breaux, who has led Bowie State since July 2017, previously chaired the CIAA’s board of directors, according to her university biography.

Benjamin F. Chavis Jr., president and CEO of the National Newspaper Publishers Association, also attended — fitting, given the NNPA’s role as one of the reception’s presenting partners. Chavis and HBCU GO’s Lawrencia Moten conducted two 30-minute interview sessions with the conference commissioners, covering topics ranging from the NIL era to conference growth and the experience of leading HBCU athletics, according to HBCU GO President Curtis Symonds, who spoke with HBCU Legends about the sessions.

Corporate and Institutional Partners

Five organizations presented the reception together:

Gensler — the architecture and design firm that hosted the event Events DC — the District’s convention and sports authority USA Track & Field — the sport’s national governing body National Newspaper Publishers Association — representing Black newspaper publishers HBCU GO — the network dedicated to HBCU sports and culture

That mix of partners pointed to a range of possible collaborations ahead, from athletic facilities and event operations to sports programming and media coverage.

Building Beyond the Scoreboard

What stood out most was the mix of people in the room — conference commissioners setting strategy for their leagues, university presidents shaping institutional priorities, and corporate partners bringing resources and expertise from multiple industries.

With college athletics undergoing rapid change, particularly for HBCUs navigating the NIL era and shifting conference dynamics, the reception offered a venue for candid conversation and relationship-building. Its underlying purpose went beyond athletics: using sports as an entry point to broader opportunities in education, workforce development and economic growth for HBCUs.

Based on reporting by Columbus Times.



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Black History

At CBCF Conference, a Panel Asks What Black Public Figures Owe the People Who Follow Them

COLUMBUS TIMES — The Congressional Black Caucus Foundation’s Annual Legislative Conference featured a panel titled “Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach.” Actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét, and rapper Yung Joc discussed how public figures can translate influence into real-world change.

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At CBCF Conference, a Panel Asks What Black Public Figures Owe the People Who Follow Them
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WASHINGTON — Among the more than 100 policy forums and brain trusts at this year’s Congressional Black Caucus Foundation Annual Legislative Conference was a conversation about influence itself: who has it, and what they do with it.

"Platforms & Purpose: A Conversation With Black Men Leveraging Their Reach" brought together actor and activist Kendrick Sampson, Rep. Jasmine Crockett, media personality Jason Lee, singer Eric Benét and rapper and radio host Yung Joc. The session looked at how entertainers, creators and elected officials can turn public attention into real-world change.

The panel took place at the 55th Annual Legislative Conference, a five-day event in Washington that began Wednesday. This year’s theme is "Rooted, Ready & Rising," and the conference coincides with the CBC Foundation’s 50th anniversary. CBCF President and CEO Nicole Austin-Hillery has said the gathering is meant to "combine celebration with purpose," while taking up issues including voting rights, economic opportunity, education, health disparities and criminal justice.

That mix of celebrity and policy is a long-running feature of the conference, which brings lawmakers, advocates, entrepreneurs, students and entertainers into the same rooms. The panel’s premise reflects a broader question as creators reach audiences that rival traditional media.

A career built on both stage and street

Sampson is a natural fit for that conversation. The Houston native is known for television and film work, including HBO’s Insecure, and for his activism off screen. He co-founded BLD PWR, a 501(c)(3) nonprofit that combines entertainment, education and activism.

The organization says its mission is to "reimagine and realize the liberated future we know our people deserve." It works to mobilize entertainment-industry figures and organize communities around racial, gender, immigration, economic and environmental justice, mental health and wellness, and opposition to state violence. BLD PWR emphasizes storytelling and community healing, and it centers the voices of Black, Indigenous and other marginalized communities.

What to watch

The conference runs through Sunday at the Walter E. Washington Convention Center. Details on sessions and registration are available through the CBC Foundation.

Based on reporting by Columbus Times.



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Black History

The Youngest American Killed in the Vietnam War

THE CAROLINIAN — Dan Bullock, a Goldsboro native, was 15 years old when he was killed in Vietnam on June 7, 1969, making him the youngest American service member to die in the conflict. Born in 1953, Bullock moved to Brooklyn after his mother’s death and sought a path forward, considering careers such as a pilot, police officer, firefighter, or Marine.

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The Youngest American Killed in the Vietnam War

By Jordan Meadows, Staff Writer

Dan Bullock was 15 years old when he was killed in Vietnam on June 7, 1969, making the Goldsboro native the youngest American service member to die in the war.

Bullock was born Dec. 21, 1953, in Goldsboro and lived in North Carolina until he was about 12, when his mother died, and he moved to Brooklyn to live with his father.

Family members later said he’d talked about wanting to become a pilot, a police officer, a firefighter or a Marine. Unsatisfied with his living situation in New York and discouraged by the lack of opportunity he saw around him, Bullock went looking for a faster path forward—and told his father that enlisting seemed like the quickest way to get an education.

In September 1968, at 14 years old, Bullock walked into the Marine Corps recruiting station at Albee Square in downtown Brooklyn. At 5-foot-9 and roughly 160 pounds, he was big enough to pass for 18, and he had altered the year on his birth certificate from 1953 to 1949.

Recruiters never questioned it. He enlisted on Sept. 18, 1968, and his family found out only when he came home with the signed paperwork in his hand.

Bullock reported to Parris Island, South Carolina, assigned to Platoon 3039, and struggled through parts of the 13-week training regimen before fellow recruits helped pull him through. He graduated from boot camp on Dec. 10, 1968, eleven days before his 15th birthday.

Private First Class Bullock arrived in South Vietnam on May 18, 1969, assigned as a rifleman in 2nd Squad, 2nd Platoon, Fox Company, 2nd Battalion, 5th Marines, 1st Marine Division. His posting was An Hoa Combat Base in Quang Nam Province, a forward hub surrounded by some of the most contested terrain in the country. Bullock kept largely to himself, and while his fellow Marines didn’t know his real age, several sensed something was different about him.

On the evening of June 6, Bullock had been assigned cleaning duty, but took another Marine’s place on the night watch near the airstrip after that Marine was wounded. Shortly after midnight, North Vietnamese Army sappers breached the perimeter wire and launched a coordinated assault with rockets, mortars, and small arms. Accounts of exactly what happened next differ.

Fox Company accounts hold that sappers crawled beneath the wire and hurled a satchel charge through the firing slot of Bullock’s bunker, an explosion that killed Bullock; other accounts describe Bullock being killed by small arms fire on the perimeter.

Bullock’s company commander, Capt. Robert Kingrey, described the young Marine’s actions during the attack in a letter home.

“Dan immediately realized that the attack was stronger than usual and that the ammunition supply was becoming depleted,” Kingrey wrote. “He rushed to get more ammunition for his unit. He constantly exposed himself to enemy fire in order to keep the company supplied with the ammunition needed to hold off the attack.”

Bullock had been in Vietnam for 21 days.

A week after his death, the New York Times broke the story of his real age, and the Defense Department subsequently confirmed Bullock was the youngest of the roughly 58,000 Americans killed during the war.

His remains were returned to Goldsboro and buried at Elmwood Cemetery with full military honors, but no headstone marked the grave. It stayed that way for 31 years, until television talk show host Sally Jessy Raphael learned of the unmarked plot in 2000 and purchased a headstone. NYPD officers, state troopers from four states, and two veteran motorcycle groups escorted a 600-mile caravan from Brooklyn to Goldsboro for the dedication ceremony.

In 2003, the New York City Council renamed a stretch of Lee Avenue in Brooklyn—the street where Bullock had lived—as PFC Dan Bullock Way.

North Carolina dedicated a state highway historical marker near his childhood home on West Ash Street in Goldsboro, and the entrance to Elmwood Cemetery in southwest Goldsboro was also named PFC Dan Bullock Way.

His name is inscribed on Panel 23W, Line 96 of the Vietnam Veterans Memorial Wall in Washington.

Based on reporting by The Carolinian.



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Black History

Passing for White, Fighting for Black America: The Courage of Walter White

White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”

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Walter White. Public domain image.
Walter White. Public domain image.

Walter Francis White was one of the most important civil rights leaders of the first half of the 20th century. For more than three decades, he helped transform the National Association for the Advancement of Colored People (NAACP) into one of the nation’s most powerful organizations fighting racial discrimination, segregation, and violence against African Americans.

Walter White was born in Atlanta, Georgia, in 1893 and grew up in a middle-class African American family. His parents, George and Madeline White, had been born into slavery. Although Walter had blond hair, blue eyes, very light skin and could easily have passed as white, he firmly identified as Black. As a teenager, he witnessed the Atlanta Race Massacre of 1906, when white mobs attacked African Americans throughout the city. The experience strengthened his determination to fight racial hatred and injustice.

After graduating from Atlanta University in 1916, White worked in insurance and became active in the Atlanta branch of the NAACP. His abilities caught the attention of NAACP leader James Weldon Johnson, who recruited him to the organization’s national staff in 1918.

He soon became known for his extraordinarily dangerous investigations of lynchings. Because many white Southerners assumed he was white, he was able to enter communities where Black investigators would have faced immediate danger. He spoke with witnesses, law enforcement officials, and even members of lynch mobs, often pretending to share their racial attitudes so they would reveal information.

White personally investigated 41 lynchings and eight race riots. On several occasions, his identity was discovered, forcing him to flee for his life. The evidence he collected helped the NAACP expose the brutality of lynching to Americans and strengthen its campaign for federal anti-lynching legislation. His experiences also influenced his 1929 book, “Rope and Faggot: A Biography of Judge Lynch.”

By the early 1930s, Walter had risen to the NAACP’s top administrative position. As executive secretary, he helped build the organization into a major national political and legal force. Under his leadership, the NAACP challenged discrimination in voting, employment, education, transportation, the military, and other areas of American life.

White also recruited attorney Charles Hamilton Houston to lead the NAACP’s legal strategy. Houston and his protégé, Thurgood Marshall, developed the courtroom campaign that eventually helped produce the Supreme Court’s historic 1954 decision in Brown v. Board of Education, declaring racial segregation in public schools unconstitutional.

White used his relationships with national political leaders as another weapon against discrimination. He worked with First Lady Eleanor Roosevelt, President Franklin D. Roosevelt, and President Harry S. Truman. He supported efforts to end employment discrimination and encouraged Truman to establish the President’s Committee on Civil Rights.

Walter White remained an NAACP leader until his death in 1955. His courage, political skill, investigative work, and relentless commitment to equality helped establish the foundation upon which the modern Civil Rights Movement would build.

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Black History

Tradition Comes to the Streets in 11th Annual Black-Eyed Pea Festival at the Freedom Farmers Market

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(L. to R.) Black-Eyed Pea Festival Director Wanda Ravernell with Barbara Lee and Winky Binky Dogs owner, Tyranny. Courtesy photo.
(L. to R.) Black-Eyed Pea Festival Director Wanda Ravernell with Barbara Lee and Winky Binky Dogs owner, Tyranny. Courtesy photo.

Mayor Barbara Lee stops by to support vendors, Winky Dinky Dogs owner Tyranny Allen

A streamlined Oakland Black-Eyed Pea Festival took place on Sat. Sept. 12 in the lower Temescal neighborhood on the blocked off street that connect Shattuck and Telegraph avenues.

An early start brought together vendor regulars from festival partner, the Freedom Farmers’ Market, and vendors who have supported the festival at its previous location at Marston Campbell Park.

Wanda Ravernell, the festival producer/director was on the verge of cancelling the festival because of funding limitations in May before reaching out to Elaine Smith, president of Farms to grow, Inc., which supervisors the market.

From its start in 2014, the festival has focused on the traditions of African American culture through music, food and art. That emphasis included fresh food vendors, particularly growers of African American legacy crops like black-eyed peas, yams, watermelon, collard greens and okra, which all originate in Africa.

To Fresno farmer Will Scott of Scott Family Farms, the Freedom Farmers’ Market allows him to bring those crops to the inner city – and support the nutrition of African Americans.

Shortly after the festival opened Saturday morning with prayers and salutes to the ancestors by Wakan Wiya Two-Spirit Drum and Awon Ohun Omnira, led M. Zamora and Otobaji Stewart respectively, 86-year-old Scott, the son of a sharecropper, announced that he will put other endeavors aside to dedicate the rest of his life to raise those foods.

Smith shared that Farms to Grow assists Black farmers in helping them overcome one of their main impediments to success – distribution – while creating alliances to help Black people maintain farmland and make it prosperous for younger generations to keep farming and farmland in the family.

As the morning progressed to afternoon, a steady stream of visitors drifted from booth to booth, chatting with vendors and each other.

Scott noted that a market day like this was what he was accustomed to in his youth, where the market was not just about buying things but also a place for valuable social exchange.

The social aspect became even pronounced shortly after midday when Oakland Mayor Barbara Lee stopped by to shop and visit with some of the vendors, including Ellen Bimpeh of Sankofa, and Ravernell who was selling T-shirts designed by Stewart.

Lee is also a fan of Winky Dinky Dogs, an eatery owned by Tyranny Allen whose second brick-and-mortar venture further anchors a hub of businesses at that corner.

As he has in previous years, Andre Thierry of Accordion Soul, closed the festival with a 90-minute set that brought young and the young-at-heart on their feet to dance in a line or as impromptu couples.

And, surprisingly, the man Allen refers to as the mayor of 45th Street, came out on cane and chair to sit by the curb in the sun and listen to music reminiscent of his Louisiana roots. His appearance seemed to echo Scott’s observance about the market: to bring people together.

The Freedom Farmers’ Market is located at 4521 Telegraph Avenue in Oakland and is open on the second and fourth Saturdays of each month until Nov. 14. For more information and to apply to be a vendor, go to https://www.farmstogrow.org/freedomfarmersmarket

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