Movies
Ross Fleming shares advice for budding actors
ROLLINGOUT.COM — Ross Fleming is an Atlanta native who has entered the entertainment world ready to take it by storm. He was drawn to the arts at a young age and is now pursuing acting and producing full time. Fleming began acting in stage plays in 2013 and has already appeared in more than 15 films, including a starring role in the movie Boy Bye, which was released on Netflix in 2017. We caught up with the actor when he stopped by Rolling Out studios to discuss his acting career and share some advice with aspiring young thespians.
By Cassidy Sparks
Ross Fleming is an Atlanta native who has entered the entertainment world ready to take it by storm. He was drawn to the arts at a young age and is now pursuing acting and producing full time. Fleming began acting in stage plays in 2013 and has already appeared in more than 15 films, including a starring role in the movie Boy Bye, which was released on Netflix in 2017. We caught up with the actor when he stopped by Rolling Out studios to discuss his acting career and share some advice with aspiring young thespians.
Cassidy Sparks
How did you get your start acting?
I got my start attending a performing arts school here [in Atlanta], singing in the choir, band and doing musical theater. That’s where I got the foundation for it [acting].
What makes a good actor?
Besides having a desire and a true love for it [acting], it takes a resiliency. There will be a lot of noes. There will be times when you walk into an audition and absolutely kill it and they won’t choose you. The most important thing besides resilience and passion is knowing where you fit.
What advice do you have for someone who wants to be an actor?
The advice I have is to audition. The art of auditioning is a science all its own. It’s the precursor to any job you’re going to get, so it’s important that you master that process. Acting classes are important, and you want to work as much as you can. I say go audition as much as possible to get over your nerves. Figure out how to be yourself in that quick, 30-second pitch and really find your confidence and footing in the audition space.
What can people expect from you in the future?
I have a couple of movies that are slated to come out. One is called Black Kids White Mamma, which is a hilarious comedy about interracial dating. I think that’s one that is so perfectly inappropriate for the times were in. I believe that’s one that’s going to be big on people’s radar. I also have one called Swag, which is about these guys who create a dating app to help men find love. I play a guy who [is] kinda shy and doesn’t know how to talk to the woman he really loves. If you [are] at home and want to watch something, I have Boy Bye on Netflix.
Art
Kickstarter CEO Everette Taylor Shares Tips on Creating and Growing a Business
HOWARD UNIVERSITY NEWS SERVICE — Everette Taylor, the CEO of the global crowdfunding platform Kickstarter, recently visited Howard University to serve as the inaugural guest for the Cathy Hughes School of Communications’ new speaker series. Addressing students at the Founders Library, Taylor emphasized that the future of business belongs to those who are bold enough to take risks.
WASHINGTON (HUNS) — “The future belongs to creators who are bold,” Everette Taylor, CEO of crowdfunding platform Kickstarter, told students at Howard University during a recent visit.
As Taylor discussed his journey, he tested the boldness of students by inviting them to share their ideas during an impromptu pitch session at the Cathy Hughes School of Communications’ new speaker series in the Browsing Room of Founders Library. The inaugural speaker then shocked one group of students by pledging to invest in their thesis film, paying forward the opportunities that have lifted him as he struggled to pursue his dreams.
Taylor grew up in a low-income neighborhood in Richmond, Virginia, where he frequently encountered gang violence and drug dealing amid periods of homelessness.
Not feeling as if he conformed to conventional ideas of success, he eventually found inspiration in Jay-Z who balanced being an artist and an entrepreneur. Similarly, Taylor carved his own route, launching and growing various businesses.
He gained enough recognition to land on the 2018 Forbes’ 30 Under 30 list in marketing and advertising. In 2022, Forbes also named him as one of the top 50 most entrepreneurial CMOs when he was chief marketing officer of Artsy, an online art gallery and marketplace. That same year he took over Kickstarter, and the company reported a year-over-year revenue increase of 50% in the first quarter of 2026.
Taylor encouraged the audience through his story, but he also gave practical advice to help students who share his zeal to create and grow their business.
He explained that his mentor, Artsy CEO Mike Steib, helped him make the transition from being a CMO to becoming CEO at Kickstarter.
“These opportunities I don’t take for granted,” Taylor said, adding that Steib was “the first leader I had to take me under his wing.”
When he began his position at Kickstarter, Taylor said, “I had zero imposter syndrome, because I felt like I was ready for it, and it was because this person invested in me over the past few years.”
“A lot of my journey was me just hustling and being bold enough to ask for what I want, but I also need people to give me an opportunity.”
This idea of giving people opportunity impacts his business philosophy, as Taylor estimates that the number of African American employees grew exponentially since he’s been in leadership.
“Kickstarter was I think less than 2% Black, and at our peak I had gotten it to 20-something percent Black,” Taylor said.
Even then, Taylor also saw a need for representing other perspectives. “We still serve people globally, so we need people from different countries and cultures,” he said. “If you’re building a global company, it’s important to build a diverse base of people.”
“I always want to impact more lives, and that always leads to more results.”
Everette Taylor, CEO of Kickstarter
With the success Taylor had after becoming CEO of Kickstarter, he also found a need to prioritize his health.
“This is the first year that I’ve started the year with zero business goals,” he said. “For the first time, my goals have been centered around my health.”
He cites the illness of a friend who appeared to be healthy. Seeing his friend, who is also a successful entrepreneur, endure illness pushed him to prioritize his health.
“Business, I can do that in my sleep, but for me right now I’m so much more focused on setting goals for myself, and I know that’s going to impact the work that I do by feeling healthier and being a better version of myself.”
Samantha Housen, a sophomore public relations major and interior design minor from Harlem, attended the event to gain knowledge to grow her non-profit and for-profit businesses.
“I’m here because I want to explore more of the details of entrepreneurship from an actual professional,” Housen said, and to “see how his mindset could help me in my entrepreneurship.”
“My biggest takeaway is that I’m bold, and it’s OK to be bold,” she said. “I very much have the authority to do whatever I seek to do.”

Kimberly Moffitt, Ph.D., dean of the Cathy Hughes School of Communications and host of the event, said she was excited about the speaker series.
“It’s because of students,” Moffitt said. “They felt like they weren’t hearing enough from people who are already post-graduation and successful. They wanted to hear those voices. So, this is an opportunity for me to bring folks to campus so they could reach out, talk and interact with folks that they aspire to be like or will be inspired by.”
Moffitt was excited for students to see someone who looked like them and carried themselves authentically in a position of high acclaim.
“He is showing you a different path, and letting you know that it’s OK to be who you are and show up in that space and not have to apologize,” Moffitt said of Taylor.
Moffitt also wants to encourage students to make the most of the speaker series. She gives details on upcoming speakers and the importance of hearing these people tell their stories.
“Those of you who want to be in TV and film, those jobs are different now,” she said. “You have to hustle in a different way.”
“I need our students to think about entrepreneurship in all that they do,” Moffitt added. “I want students to leave with that so that they have it in their back pocket should they need to draw on it.”
After the event. Taylor explained why boldness is essential to his success at Kickstarter.
“It’s for the grind and the ambition — not settling for status quo and mediocrity, and really going for it,” he said. “I always want to impact more lives, and that always leads to more results.”
Solomon Goins is a reporter for HUNewsService.com.
Based on reporting by Howard University News Service.
Advertising
Jackie Wright Champions Bay Area Stories, Filmmakers and Cultural Institutions
As an award-winning communications professional, Wright has worked with corporations, nonprofits, government agencies, educational institutions, artists, and community organizations. In 2026, she expanded that work by launching an introductory public relations class for small businesses and nonprofits, offering practical tools for gaining visibility, shaping messages and building productive relationships with the media.
Jackie Wright has spent more than two decades helping people, organizations and communities understand the power of a well-told story.
As founder and president of Wright Enterprises, a San Francisco-based strategic communications and public affairs firm, Wright has built a career spanning journalism, public relations, media relations, crisis communications, community engagement and multimedia storytelling.
As an award-winning communications professional, Wright has worked with corporations, nonprofits, government agencies, educational institutions, artists, and community organizations. In 2026, she expanded that work by launching an introductory public relations class for small businesses and nonprofits, offering practical tools for gaining visibility, shaping messages and building productive relationships with the media.
Wright’s commitment to storytelling is also deeply personal. She wrote and co-directed the 15-minute documentary, “Love Separated in Life…Love Reunited in Honor,” which chronicles the story of her parents, Specialist Five (S5 Wyley Wright Jr. and Ouida Fay McClendon Wright. Her father, a U.S. Army helicopter crew chief, died in Vietnam in 1964 while serving as an honor guard during a visit by then-Secretary of Defense Robert McNamara. Decades later, Wright and her siblings had their father exhumed from a segregated cemetery in Jacksonville, Florida, and their mother moved from her burial place in Georgia so the couple could be reunited at Arlington National Cemetery in 2014.
The family journey later took Wright and her sister to Vietnam, where they discovered the former military compound that had been named in honor of their father and another fallen soldier. The documentary, centered on love, war, family, racial understanding, and remembrance, earned festival recognition at screenings.
“It was quite an honor to learn about my family’s history and share it on film,” said Wright.
That filmmaking experience complements Wright’s longstanding advocacy for independent cinema. She has served as a media partner and brand ambassador for Bay Area film festivals, including the San Francisco Black Film Festival, Oakland International Film Festival, and the Durban International Film Festival in South Africa.
“It’s important to help filmmakers and underrepresented stories reach broader audiences,” said Wright.
Whether promoting a neighborhood organization, championing an independent filmmaker or preserving her own family history, Wright has remained consistent. Through Wright Enterprises, she has turned communications into both a profession and a form of community service, telling stories that might otherwise go unheard.
“Our stories are an integral part of our history, and our history is not only American history, but worldwide,” she said.
Art
Hundreds Attend the Odyssey’s New York Premiere and Hail Christopher Nolan!
HARLEM COMMUNITY NEWSPAPERS — Director Christopher Nolan’s film “The Odyssey” premiered in New York with a red carpet event outside AMC Lincoln Square on July 14, 2026. The launch featured a 40-foot replica of a Trojan horse and closed three city blocks, drawing large crowds.
Director Christopher Nolan’s anxiously awaited masterpiece, “The Odyssey,” arrived in New York for the star-studded world premiere which featured a massive 40-foot, roughly 8,000-pound replica of a Trojan horse, parked outside AMC Lincoln Square on Broadway & 66th Street in Manhattan, for the epic red carpet launch on Tuesday, July 14, 2026, which closed down three city blocks and drawing a large crowd of fans and onlookers who cheered the stars as they swaggered down the plush red carpet before entering the iconic theater.
Nolan and his wife and co-producer Emma Thomas were joined by cast members Charlize Theron, Matt Damon, John Leguizamo, Anne Hathaway, Samantha Morton, Elliot Page, Jon Bernthal, Logan Marshall-Green, Benny Safdie, Lupita Nyong’o, Himesh Patel, Corey Hawkins, Zendaya, Tom Holland, and Travis Scott to see one of the greatest mythical films of all time!
From Universal Pictures comes a magnificent masterpiece about Greek mythology by a brilliant veteran visionary in the film industry. One of the cornerstones of Western literature is believed to have been composed nearly 3,000 years ago, and is traditionally attributed to the poet Homer. “The Odyssey” is Nolan’s big-budget adaptation of the epic Greek poem of the same name, shot across the world for the first time using brand-new IMAX film technology. The film’s wide theatrical and IMAX released on July 17, 2026, has garnered staggering acclaim and early Oscar buzz.
Set in and around the Mediterranean Ancient World, the poem and the film follow Odysseus, the heroic king of the Greek kingdom of Ithaca. After fighting in the Trojan War, Odysseus begins the journey home to his wife Penelope and son Telemachus, but the meddling of the Gods and a series of adventures with sirens, cyclops, and more turn his trip home into a 10-year fight for survival and a struggle to reclaim his kingdom from those who seized it in his absence.
“The Odyssey” features an ensemble cast, including Matt Damon as Odysseus, Anne Hathaway as his wife, Penelope, and Tom Holland as Odysseus’s son, Telemachus. Lupita Nyong’o co-stars as the mythical Helen of Troy, and also plays Helen’s sister, Clytemnestra, and Zendaya as the Greek Goddess Athena. The supporting cast also includes Charlize Theron, Robert Pattinson, Jon Bernthal, Benny Safdie, Samantha Morton, John Leguizamo, and Travis Scott, making his acting debut as a palace bard.
The creative team behind “The Odyssey” includes writer, director, and producer Christopher Nolan, co-producer Emma Thomas, cinematographer Hoyte van Hoytema, composer Ludwig Göransson, and casting director John Papsidera. and more. (Production Photos courtesy Universal Pictures / Premiere Photos by Getty Images for Universal Pictures)
Based on reporting by Harlem Community Newspapers.
Black Press
From Palestine to Oakland: Seeds for Liberation Examines Shared Struggles for Freedom
The screening was hosted by the East Bay Democratic Socialists of America and the Dr. Huey P. Newton Foundation. Following the film, director Matthew Solomon joined local community leaders for a discussion about solidarity, resistance, and the historical connections explored throughout the documentary.
Community members gathered at the Black Panther Party Museum on Saturday, Aug. 15, in downtown Oakland for a screening of “Seeds for Liberation,” an award-winning documentary examining the Palestinian liberation movement and its connections to Black, Chicano and other movements for collective liberation.
The film reveals the face of conflict, struggle, and injustice today and yesterday. In one scene, a bleeding child pleads for help on a shell-shattered rooftop after a bombing in the Gaza Strip last year. In another scene, newly freed Nelson Mandela addresses thousands at the Oakland Coliseum in 1990, at the end of apartheid.
The screening was hosted by the East Bay Democratic Socialists of America and the Dr. Huey P. Newton Foundation. Following the film, director Matthew Solomon joined local community leaders for a discussion about solidarity, resistance, and the historical connections explored throughout the documentary.
Directed by Solomon and executive-produced by Donna Hadjikhani and Alana Hadid, “Seeds for Liberation” situates Palestinian experiences within the broader history of anti-imperialist and decolonial movements.
Through interviews with historians, legal scholars, activists and organizers, the documentary examines Palestinian resistance. It also details the role of social media in shaping the public’s understanding of the impact of Palestine’s 77-year occupation by Israeli forces, events in Gaza and the West Bank, and relationships between liberation movements across generations and geographic boundaries.
The film includes perspectives of people connected to the Black Liberation Army, La Raza Unida and the Stop Cop City movement. Those featured talk about colonialism, U.S. foreign policy, policing, racial justice and their views of what solidarity with Palestinians has meant.
Solomon developed the documentary following his previous film, “Reimagining Safety,” which explored alternatives to traditional policing.
“I use film as a medium to connect personal testimony with larger social and political questions,” said Solomon, who is currently touring the film across the nation as well as Canada and other countries.
Executive producer Hadjikhani brought a personal connection to the project. An Iranian American designer and social justice advocate, she traveled to Gaza and the West Bank as a college student in 1993 during the First Intifada. Hadid has since focused on Palestinian stories and other underrepresented voices.
The Oakland screening carried added historical significance because it was held in the Black Panther Party Museum, where the history of Black resistance and community organizing provided a backdrop for the film’s examination of interconnected struggles.
Activist and artist Cat Brooks passionately spoke about the fight for the freedom of all people. “No one is free until everyone is free,” she said.
Brooks played a key role in the struggle for justice for Oscar Grant, who was gunned down by a BART police officer in 2009 and is co-founder of the Anti Police-Terror Project (APTP), whose mission is to rapidly respond to and ultimately eradicate state violence in communities of color.
Rather than treating liberation movements as isolated chapters, “Seeds for Liberation” asks audiences to consider how movements separated by time, race and geography have influenced one another and how solidarity has continued to evolve across generations.
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#SeedsForLiberation #BlackPantherPartyMuseum #Oakland #Palestine #FreePalestine #BlackLiberation #ChicanoMovement #CollectiveLiberation #SocialJustice #CommunityOrganizing #Solidarity #DocumentaryFilm #IndependentFilm #OaklandEvents #EastBay #BlackHistory #LiberationMovements #MatthewSolomon #HueyPNewtonFoundation #BayAreaEvents
Black Press
Free Back-to-School Summer Family and Community Event Is Coming to Richmond
OAKLAND POST — Why is the film important? In 2025, the National Assessment of Educational Progress (NAEP) reported standardized test reading score results of six selected student groups: African American/Black, American Indian/Alaska Native, Asian, Hispanic, Two or More Races, and White.
Boost African American and Black student literacy skills this school year by attending the 2026 ‘Right-To-Read’ film viewing on Saturday, Aug. 8, from 9:00 a.m. to 11:30 a.m. An award-winning documentary exposing the literacy crisis impacting many African American and Black students in our public schools.
In the words of the film’s director, “It’s a game changer.” After the audience views this eye-opening film, our experienced panelists will provide information to parents, guardians, and advocates on how to help children become proficient readers, close the literacy gap, and share why literacy matters.
Here is an example of a comment by a past attendee: “Excellent experience!” “The panel was amazing!”
Why is the film important? In 2025, the National Assessment of Educational Progress (NAEP) reported standardized test reading score results of six selected student groups: African American/Black, American Indian/Alaska Native, Asian, Hispanic, Two or More Races, and White.
Sadly, African American/Black students ranked last in fourth-grade reading scores and 5th in eighth-grade reading scores. So, what’s the big deal? According to NAEP, just 10 points can mean a grade-level difference between two students in the same class!
THE MORNING ALSO INCLUDES: A Backpack Giveaway, Fun Activities for Kids, Breakfast, Lunch, Prizes, and Materials!
To be sure, some African American/Black students are thriving in public schools, but far too many are not – as the data reveals. By watching this inspiring film and hearing from panelists, WCCUSD parents, guardians, and advocates can give children a jumpstart on the 2026-2027 school year. Every child deserves the opportunity to succeed!
This event is sponsored by the Oakland Eastbay Alliance of Black Educators (OEABE), in partnership with Easter Hill United Methodist Church and United Women of Faith.
Pre-register by July 29 at www.oeabe.org. Space is limited. Inquiries can be emailed to [email protected]. Event location is 3911 Cutting Blvd, Richmond.
About the Author
Carol Lee Tolbert, M.A., M. Ed., is a former School Board Trustee, Education Consultant, and Vice President of OEABE.
Black Press
NPRC Heads to Washington to Elevate Adult Guardianship Reform at National Whistleblower Summit
NPRC members will attend the screening and participate in discussions alongside nationally recognized advocates, including Rick Black of the Center for Estate Administration Reform (CEAR), “The Probate Trap” authors Luanne Fleming and Robin Austin, and other organizations working to increase public awareness of guardianship reform.
Members of the National Probate Reform Coalition (NPRC) will join whistleblowers, investigative journalists, filmmakers, attorneys, and citizen advocates from across the country at the 2026 Whistleblower Summit & Film Festival in Washington, D.C., to spotlight one of the nation’s most overlooked public policy issues—adult guardianship abuse and the need for meaningful reform.
Held July 24 through August 2, with its principal live events taking place July 27–30, the summit brings together individuals committed to exposing fraud, corruption, abuse of authority, and government waste. A featured event on July 27 at the Rayburn House Office Building will include a screening of “The Bad Guardian,” followed by a panel discussion examining adult guardianships and the growing movement to protect vulnerable seniors and adults from financial exploitation and abuse.
NPRC members will attend the screening and participate in discussions alongside nationally recognized advocates, including Rick Black of Center for Estate Administration Reform (CEAR), “The Probate Trap” authors Luanne Fleming and Robin Austin and other organizations working to increase public awareness of guardianship reform.
Producer Elizabeth Stephen has expanded her role beyond filmmaking to become an advocate for public education on guardianship issues. The discussion will also feature director Ray Contreras, whose documentary tells the story of his family’s experience after his father became the subject of a contested guardianship, and Emmy Award-winning investigative journalist Adam Walser, whose reporting has examined elder exploitation and public accountability.
For probate reform advocates, this year’s summit represents an important shift in how adult guardianship is viewed. For many years, families raising concerns about questionable guardianships often found their complaints dismissed as private family disputes. Today, advocates argue that when allegations involve Medicaid billing, misuse of public funds, fraudulent contracts, or other taxpayer-supported programs, they may also raise broader questions of government accountability.
One of the Summit’s educational themes is the federal False Claims Act, commonly known through its ‘qui tam’ provisions, which allow individuals with credible evidence of fraud involving government funds to bring claims on behalf of the United States. When successful, such cases may result in government recoveries and financial awards for qualifying whistleblowers. Advocates emphasize that not every guardianship dispute falls within these laws, but cases involving fraud against publicly funded programs may warrant careful legal review.
The Whistleblower Summit itself was founded by veteran whistleblower advocates, including Marcel Reid and Michael McCray, who transformed their experiences exposing government misconduct into an annual forum promoting transparency, accountability, and citizen oversight.
The National Probate Reform Coalition believes the summit provides an opportunity to elevate adult guardianship reform to the national stage. By bringing together families, policymakers, legal experts, journalists, and whistleblower advocates, the coalition hopes to encourage greater oversight, stronger protections for vulnerable adults, and increased public awareness of the challenges facing families across the country.
As advocates gather in the nation’s capital, they share a common goal: ensuring that allegations of abuse are taken seriously, that public institutions remain accountable, and that America’s elders receive the dignity, protection, and justice they deserve.
Tanya Dennis is the lead facilitator of the National Probate Reform Coalition.
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