Connect with us

Business

OP-ED: Hidden Tax Increases on Airlines Tickets Won’t Fly

NNPA NEWSWIRE — Most Americans have probably never heard of the PFC, now capped at about $4.50 per person for each leg of a flight. But working families across the country, including our readers, may soon feel the impact if some members of Congress have their way.

Published

on

While most people agree that it is in the public’s best interest to have safe and efficient airports that can accommodate increased passenger travel, proponents of increasing the passenger fee have been a little misleading about the condition of the nation’s airports. (Photo: iStockphoto / NNPA)
While most people agree that it is in the public’s best interest to have safe and efficient airports that can accommodate increased passenger travel, proponents of increasing the passenger fee have been a little misleading about the condition of the nation’s airports. (Photo: iStockphoto / NNPA)

By Dr. Benjamin F. Chavis, Jr., President and CEO, National Newspaper Publishers Association

Why is it that poor people are always asked to pay more in America?  Last year, I warned about the possibility that Congress might try to impose a new tax on air travelers. Well, it’s 2020 — and here we go again.

Even in the midst of a historic impeachment trial and potential military conflict abroad, lawmakers on Capitol Hill have managed to find time to dust off its plan to soak air travelers, including working people who struggle everyday just to make ends meet.

Make no mistake about it: this is a tax hike, even though backers of this plan won’t call it a tax hike, for obvious reasons. And it’s one that hits relatively low-wage workers harder than it hits those who make a lot more money. And it hits those who routinely fly for business especially hard too.

This week, Democratic leaders are expected to unveil their broad infrastructure agenda for the coming year – a plan that is sorely needed given our aging highways, railways and other transportation needs.

But here is what is galling: sources tell me that buried in the broad array of transportation initiatives is a proposal to raise the so-called Passenger Facility Charge (PFC), a hidden fee on airline travelers that Congress enacted long ago to help pay for renovation projects at airports around the country.

Most Americans have probably never heard of the PFC, now capped at about $4.50 per person for each leg of a flight. But working families across the country, including our readers, may soon feel the impact if some members of Congress have their way.

Here is how the fee works. Passengers are charged the fee at the ticket counter, allowing the airport that collects it to keep it for local repairs and renovations. Current proposals in Congress include one to nearly double the fee to $8.50 per person for each leg of a flight. Another possibility is eliminating the cap entirely, thereby allowing airports to charge whatever they like.

If the fee is raised to $8.50, a family of four on a trip with a connecting flight would pay nearly $150 in this tax alone – a tax that is layered on top of the price of the ticket itself, a major reason people don’t notice it. Such a substantial increase could be the deciding factor between that family taking a much-deserved vacation or staying home.

While most people agree that it is in the public’s best interest to have safe and efficient airports that can accommodate increased passenger travel, proponents of increasing the passenger fee have been a little misleading about the condition of the nation’s airports.

In reality, airports are undergoing something of a revitalization, particularly when compared to rail or highway travel. Passengers are traveling at record rates, airport revenues are at all-time highs, and infrastructure upgrades are booming across the nation.

Just take a look at the balance sheets of our nation’s airports. U.S. airports have over $16 billion of unrestricted cash and investments on hand, with $7 billion sitting in the aviation trust fund. And, in the last decade, more than $165 billion in federal aid has been directed to airports for improvement projects at America’s largest 30 airports alone.

Some of these projects have been completed, others are currently underway, and some have received approval to move forward in the coming months. For example, Los Angeles International Airport and New York’s John F. Kennedy Airport are both undergoing multi-billion-dollar upgrades. Smaller facilities like the Long Island MacArthur Airport and the Shawnee Regional Airport are also upgrading their terminals and runways.

The bottom line, then, is that there is no substantive basis for a fee hike. And it makes even less sense politically.

With Election Day just months away, most lawmakers will likely make the safe calculation and reject any proposed hike presented on the floor for a vote, lest they stir a voter backlash. Yet it should be worrisome that House Democratic leaders appear willing to put a fee hike on the table for consideration.

It could be nothing more than a trial balloon released in an attempt to test whether rank-and-file lawmakers have the stomach for taking up such a measure in an election year. But even if it is just that, there’s still reason for concern, given that even unpopular ideas have a way of gaining sudden momentum in the topsy-turvy politics of Congress.

Air travel remains one of the most popular and necessary forms of transportation because it is relatively safe and convenient.  But it should not become more expensive because a hidden tax that few people expected is added.

Congress should not put air travel out of the reach of American families who are still trying to get out of poverty.  Thus, increasing taxes on airline tickets won’t fly for Black Americans and won’t fly for all others who believe in economic fairness and equality of opportunity.

Dr. Benjamin F. Chavis, Jr. is President and CEO of the National Newspaper Publishers Association (NNPA) representing the Black Press of America. He can be reached at [email protected].

Continue Reading
Advertisement
Comments

Black Press

Master P Encourages Norwood Elementary Students to Dream Big, Work Hard

BIRMINGHAM TIMES — Music mogul Percy Miller, known as Master P, visited Norwood Elementary School on Friday alongside his mascot sidekick, Captain Ace. Teachers and students, dressed in school colors, welcomed Miller, who shared lessons on education, consistency, networking, and the importance of not letting circumstances define one’s future.

Published

on

Music mogul Percy Miller, better known as Master P, visited Norwood Elementary School on Friday with his mascot sidekick, Captain Ace. (Birmingham City Schools)
Music mogul Percy Miller, better known as Master P, visited Norwood Elementary School on Friday with his mascot sidekick, Captain Ace. (Birmingham City Schools) — (Birmingham City Schools)

Music mogul Percy Miller, better known as Master P, visited Norwood Elementary School on Friday with his mascot sidekick, Captain Ace. (Birmingham City Schools) ”

The sounds of students singing filled Norwood Elementary School Friday morning as teachers dressed in camouflage and students wearing their school colors of green welcomed a special guest whose career has been built on music, entrepreneurship and perseverance.

Before taking the stage at the Birmingham-Jefferson Convention Complex (BJCC) Friday night, music mogul and entrepreneur Percy “Master P” Miller spent the morning with Birmingham students, sharing lessons about education, consistency, networking and the importance of refusing to let circumstances determine their futures.

Miller was joined by Captain Ace, the blue-dog mascot and educational character associated with his school visits and assemblies. Together, they turned the celebrity appearance into a lesson centered on positive choices, learning, and believing in one’s potential.

The visit also brought together Birmingham city and school leaders, including Mayor Randall L. Woodfin, Birmingham City Schools Superintendent Dr. Mark Sullivan and members of the school system’s staff and leadership.

At the conclusion of the assembly, Woodfin and Sullivan presented Miller with a proclamation honoring his visit to Norwood Elementary.

At the conclusion of the assembly, Mayor Randall Woodfin and Superintendent Dr. Mark Sullivan presented a proclamation in honor of Miller’s visit. (Birmingham City Schools)
At the conclusion of the assembly, Mayor Randall Woodfin and Superintendent Dr. Mark Sullivan presented a proclamation in honor of Miller’s visit. (Birmingham City Schools)
“Keep chasing your dreams.”

For Miller, however, the morning was less about recognition and more about the children sitting in front of him.

“I love the kids,” Miller told the students. “Even though I got a show, I’m like, no, I got to come and touch the kids because that’s the future.”

Miller said his focus is on what he described as “saving the next generation” and educating young people so they can recognize their potential.

“I want these kids to know that they can fly over all this negative,” he said.

That message became personal when Miller reflected on his own childhood.

He told students he grew up living with his grandparents, who had 12 children. His family lived in a three-bedroom housing project, but Miller said he refused to allow his circumstances to define what was possible for him.

“I didn’t let my condition stop me, and I don’t want you guys to let your condition stop you,” he told the students.

Miller repeatedly returned to the idea that dreams require action.

“There’s no limit to your dreams,” he said, emphasizing that success requires work and that students cannot “cheat the game of life.”

He then asked the students how many of them wanted to be successful. The room responded.

Miller used a familiar example to explain one of his central lessons: McDonald’s.

After asking students what the restaurant sells, he shifted the conversation from hamburgers to consistency.

“McDonald’s is selling consistency,” Miller said.

He explained that a Big Mac is expected to taste the same wherever it is purchased, using that familiarity as an analogy for persistence.

“Keep doing something, not giving up,” he told the students. “Keep chasing your dreams, doing something every day to get that, even when it don’t look like it’s gonna happen.”

Scholars assembled in the gym to perform a song for Miller, who shared words of wisdom with the student body. (Birmingham City Schools)
Scholars assembled in the gym to perform a song for Miller, who shared words of wisdom with the student body. (Birmingham City Schools)

“Somebody’s gonna make it big.”

Miller also challenged the students to think about the relationships they are building now. He asked whether they understood what networking means before explaining that the people sitting beside them today could become important figures in their lives tomorrow.

Miller shared a story about a girl he knew when he was in school — someone he said other people did not like or treated negatively. Years later, she became a bank president. When Miller needed a loan, he said, she remembered how kind he had been to her when they were younger.

“You never know who’s gonna be what in here,” Miller said.

He encouraged students to introduce themselves to others, learn their names and treat people well.

“That’s networking,” he said.

For Miller, the lesson went beyond professional connections. He encouraged students to recognize the possibility within one another.

“Who’s gonna be a doctor? Who’s gonna be a lawyer? Who gonna be a teacher?” he asked. “Who gonna be the president of the bank? Who gonna be the mayor? Who gonna be the superintendent?”

Miller said students cannot know where their classmates will end up, which makes how they treat one another today important.

“Somebody’s gonna make it big,” he said. “And it could be all you guys.”

After the assembly, Master P, Captain Ace and Mayor Randall Woodfin read to one the classes. (Birmingham City Schools)
After the assembly, Master P, Captain Ace and Mayor Randall Woodfin read to one the classes. (Birmingham City Schools)

Moments of Celebration

The visit was also filled with moments of celebration. Before Miller addressed the students, Norwood teachers and scholars welcomed him with a robust singalong to “The Affirmation Song,” creating an energetic introduction to the morning’s message.

The appearance of Captain Ace added another layer to the program. The character is part of Miller’s educational work with children, with school assemblies and musical programs addressing topics including anti-bullying, stranger danger and mental health awareness.

Miller said he has spent years making time for young people because he sees them as the future.

The message aligned with the presence of Birmingham’s education and civic leadership throughout the morning. Woodfin and Birmingham City Schools leadership have increasingly emphasized connecting children with educational, enrichment and career opportunities across the city. Earlier this year, the city announced its Children and Youth Commission’s Cradle-to-Career Roadmap, a strategy designed to connect the systems and resources influencing children from early education through adulthood.

For Norwood students, however, the morning offered a more immediate lesson: the opportunity to see someone who built a career from a childhood that did not necessarily predict the future he ultimately created.

As Miller prepared to leave, he encouraged students to keep working, keep learning and keep believing in themselves.

“I kept going,” he told them, reflecting on the people who once told him he would not succeed. “That’s what I want you guys to do. Keep going, no matter what your conditions is. No matter what your environment is.”

Based on reporting by Birmingham Times.



Continue Reading

Black Press

Latanya Orr Expands Vision After Goldman Sachs Program

CHICAGO CRUSADER — Chicago entrepreneur LaTanya Orr has completed the Goldman Sachs One Million Black Women: Black in Business program, an experience she states has refined her business growth strategies and deepened her commitment to supporting women entrepreneurs. Orr founded The FoundHERS Suite, a collaborative space for women business owners.

Published

on

LaTanya Orr
LaTanya Orr — none !important; margin: 0px !important; padding: 0px !important; width: 1px !im

Chicago entrepreneur LaTanya Orr has graduated from the Goldman Sachs One Million Black Women: Black in Business program, a milestone she says has helped sharpen her approach to business growth while expanding her work supporting women entrepreneurs.

Orr, an author and business strategist, is the founder of The FoundHERS Suite, a collaborative workspace and entrepreneurial community designed to help women business owners develop their companies through education, connections and shared opportunities.

She participated in the Spring 2026 cohort of Goldman Sachs’ Black in Business program, which provides business education and resources to Black women sole proprietors. Orr said the experience strengthened her understanding of enterprise growth, financial stewardship and long-term business strategy.

“The program didn’t hand me a blueprint—it challenged me to rethink the one I already had,” Orr said. “It strengthened my thinking around enterprise, stewardship, and long-term impact while reaffirming the work I’ve been called to do.”

Her participation in the program came during a period of transition for The FoundHERS Suite. Earlier this year, an unexpected incident involving the building where the Suite operated forced the business to temporarily close its physical location.

Rather than abandon the concept, Orr said the interruption provided an opportunity to reassess how the organization could continue serving women entrepreneurs while she considered the future of the physical workspace.

Part of that evolution is BridgeWRX, Orr’s strategic advisory and thought leadership platform. The venture is designed to help women entrepreneurs move beyond developing brands and focus on building sustainable businesses through strategy, leadership development and intentional growth.

Orr emphasizes that BridgeWRX is not intended to replace The FoundHERS Suite. Instead, she sees it as an extension of the broader mission, providing additional ways for entrepreneurs to receive information, build relationships and strengthen their businesses while she explores the Suite’s next chapter.

Since completing the Goldman Sachs program, Orr has expanded that work through strategic advisory services, educational programs, publishing and community-centered initiatives.

Among those efforts is ShiftShop, a workshop series focused on practical business development. Another initiative, Gather & Shift, brings entrepreneurs together for networking, collaboration and shared learning.

Orr is also developing an editorial component to her work. Through The Bridge, her Substack publication, and HERspectives, a LinkedIn thought leadership series, she writes about entrepreneurship, leadership, business growth and the challenges established founders encounter as they attempt to move from operating individual businesses toward building larger enterprises.

Her developing BridgeWRX Leadership Library is expected to include books, tools and other resources drawn from more than two decades of Orr’s experience as an entrepreneur.

“I’ve come to realize that the assignment was always bigger than the building,” Orr said. “BridgeWRX allows me to extend the mission of The FoundHERS Suite in new ways while continuing to prepare for its next chapter. My passion has always been helping women discover what’s possible, build with intention, and create something that lasts.”

The Goldman Sachs One Million Black Women initiative was launched as part of the financial institution’s broader effort to invest in Black women and address economic disparities. Black in Business focuses specifically on Black women sole proprietors, providing participants with business education, access to resources and opportunities to develop strategies for growth.

For Orr, completing the program comes as she works to bring several parts of her entrepreneurial experience under a broader strategy.

Through BridgeWRX, she plans to continue offering advisory services, educational experiences, publishing and community programming. At the same time, Orr said she remains committed to The FoundHERS Suite and its original goal of creating opportunities for women entrepreneurs to connect and grow.

The result, she said, is an expanded vision centered not simply on operating a business, but on helping entrepreneurs create enterprises capable of producing long-term impact.

Based on reporting by Chicago Crusader.



Continue Reading

Black Press

Students from Stonecrest Help Families Grow Food

THE CHAMPION NEWSPAPER — Two Georgia college students from Stonecrest are utilizing agriculture, technology, and community education to help families across Georgia grow their own food, even without traditional farming spaces. Mason Wright, a Morris Brown College student and founder of Plant It Georgia Vertical Institute, and Kosey Henley, a University of Georgia student, developed a mobile agricultural laboratory.

Published

on

Students from Stonecrest Help Families Grow Food

Two Georgia college students from Stonecrest are combining agriculture, technology, and community education to help families throughout Georgia grow their own food — even those without access to traditional growing spaces and equipment.

The two students recently completed the first prototype of Plant It Georgia’s mobile agricultural laboratory, which they said is an enclosed trailer equipped to introduce young people and families to growing food without relying on traditional farmland.

Mason Wright—a youth entrepreneur and a student at Morris Brown College—is the founder of Plant It Georgia Vertical Institute. The institute is an “educational initiative created to train young people in vertical farming, hydroponics, and other modern agricultural technologies,” according to Wright. Kosey Henley, a student at the University of Georgia, worked alongside Wright on the mobile lab.

The students said the idea came in response to an obstacle challenging many communities: transportation. Instead of requiring students to travel to the Plant It Georgia Vertical Institute, the program can take its lessons and growing systems directly into neighborhoods, schools, recreation centers, and other community spaces to teach students and their families about growing food in urban communities.

Inside the prototype, visitors will find hydroponic growing channels, lighting, and other equipment that show them how plants can grow in controlled environments. The laboratory aims to support hands-on lessons covering seed germination, water circulation, plant nutrition, lighting, harvesting, and the technology used to manage indoor crops, according to Wright.

The project comes as Georgia and the nation face an aging agricultural workforce.

According to the U.S. Department of Agriculture’s 2022 Census of Agriculture, Georgia had 63,492 agricultural producers, but only 4,770 were younger than 35. Nationally, the USDA counted 296,480 producers younger than 35, approximately 9 percent of all U.S. producers.

At the Plant It Georgia Vertical Institute, students are taught that farming does not always require acres of open land or heavy machinery. Vertical farming allows crops to grow upward in stacked systems while hydroponics uses nutrient-rich water instead of soil to feed the plants. These tactics make food production possible in classrooms, buildings, trailers, and densely populated urban communities, according to Wright.

Plant It Georgia’s growing systems can cultivate lettuce, tomatoes, collard greens, peppers, and a variety of culinary herbs, according to the news release. Students are taught the entire growing process — from placing seeds into starter materials and monitoring water and nutrients to caring for mature plants and harvesting fresh produce.

The program also introduces participants to careers connected to agricultural technology, plant science, environmental sustainability, food systems, and entrepreneurship.

Wright’s role as a Morris Brown College student and founder represents the connection between HBCU leadership, entrepreneurship, and community service, according to a news release. Wright also made headlines for opening Mason’s Super Dogs in Stonecrest in 2020 — which he now also operates on the Atlanta Beltline’s Eastside Trail. Henley brings another important academic connection through the University of Georgia, one of the state’s leading institutions in agriculture and agricultural research, according to the news release.

For event locations and more information, follow Plant It Georgia on Instagram (@plantitGA).

13 total views

Based on reporting by The Champion Newspaper.



Continue Reading

Black History

National Civil Rights Museum Freedom Award Honors the Relentless Fight for Equality

TRI-STATE DEFENDER — The National Civil Rights Museum’s 35th annual Freedom Award ceremony, held on Thursday, October 1, at the Orpheum Theatre, recognized a diverse group of civil rights leaders. Honorees included Fred Gray Sr., a legal strategist who represented Dr. Martin Luther King Jr.

Published

on

Members of Gary Goin Freedom Award House Band perform at the 35th Freedom Award ceremony on Thursday, Oct. 1 at the Orpheum Theatre. (Gary S. Whitlow/Tri-State Defender)
Members of Gary Goin Freedom Award House Band perform at the 35th Freedom Award ceremony on Thursday, Oct. 1 at the Orpheum Theatre. (Gary S. Whitlow/Tri-State Defender) — (Gary S. Whitlow/Tri-State Defender)

The honorees at the National Civil Rights Museum’s 35th annual Freedom Award ceremony held at the Orpheum Theatre on Thursday, Oct. 1, reflected a changing era of civil rights leadership.

Fred Gray Sr., one of the last surviving legal strategists of the Civil Rights Movement, helped dismantle segregation in America as the lawyer who represented Dr. Martin Luther King Jr. and Rosa Parks. Gray’s pioneering legacy now rests with the generations he helped empower, including fellow award recipients Rev. Shavon Arline-Bradley, Nneka Ogwumike and Bakari Sellers.

Arline-Bradley, an ordained minister, public health advocate, and president and CEO of the National Council of Negro Women since 2023, credits the women and civil rights legends who preceded her and built the organizations she now leads with making her work possible.

Nneka Ogwumike, WNBA champion and four-term president of the league’s players association, and Bakari Sellers, a lawyer, author, CNN political correspondent and former South Carolina legislator, represent a younger generation of human and civil rights activists. They are taking the fight into new arenas, from women’s sports and economic opportunity to voting rights, education and social justice.

Together, their stories shaped the event’s overall theme and mood, which celebrated the courage of freedom fighters of the past while embracing what civil rights leadership looks like now — and what it may become.

Before the ceremony, hundreds of guests gathered for photographs and interviews on the red carpet and hors d’oeuvres at the Halloran Centre for Performing Arts & Education next door to the Orpheum. Actor Larenz Tate hosted the event for the second consecutive year. Grammy Award-winning gospel artist Tamela Mann brought the audience to its feet with her performance of the hit song “Take Me to the King.” And local artist Garry Goin and the Freedom Award House Band performed a mix of R&B and liberation songs.

  • Fred Gray Jr. accepted the Freedom Award on behalf of his father, civil rights attorney Fred Gray Sr., who was unable to attend the ceremony. (Gary S. Whitlow/Tri-State Defender)
  • Rev. Shavon Arline-Bradley, president and CEO of the National Council of Negro Women, was among the honorees at the National Civil Rights Museum’s 35th annual Freedom Award. (Gary S. Whitlow/Tri-State Defender)
  • Nneka Ogwumike, WNBA champion and four-term president of the league’s players association, was honored at the National Civil Rights Museum’s 35th annual Freedom Award. (Gary S. Whitlow/Tri-State Defender)
  • Bakari Sellers, lawyer, author, CNN political correspondent and former South Carolina legislator, was honored at the National Civil Rights Museum’s 35th annual Freedom Award. (Gary S. Whitlow/Tri-State Defender)

Taking the stage to accept the first award was Arline-Bradley, who reflected on the legacy that shaped her path to leadership.

“This honor means more to me than you can ever imagine,” Arline-Bradley said, describing the moment as the culmination of what she believes God had in store for her.

She paid tribute to Dorothy Height, whose leadership helped secure the headquarters for the women’s advocacy nonprofit on Pennsylvania Avenue in Washington, D.C. Arline-Bradley described the building, located on the same street as the White House, as a representation of Black women’s history, power and resilience.

“NCNW stands as the only Black and women-owned building on Pennsylvania Ave,” she continued.

During her speech, Arline-Bradley outlined what she believes it will take to achieve freedom and equality today.

“If America wants to get her healing, we’ve got to climb to the rooftop of justice,” she said.

And justice includes using Black economic power to support companies with compatible values, she continued.

Fred Gray Jr. accepted the award on behalf of his father, who was unable to attend the ceremony. Gray, who practices law alongside his father and brother, recalled his father’s decision to become a lawyer and return to Montgomery, Alabama, determined to challenge segregation.

Actor Larenz Tate hosted the National Civil Rights Museum’s 35th annual Freedom Award ceremony for the second consecutive year. (Gary S. Whitlow/Tri-State Defender)

Gray connected his father’s legal work to Memphis’ sanitation workers, whose 1968 strike became a defining moment in the city’s civil rights history. “At 95, if he was here, he would say to you, ‘I have done what I can do. The rest is up to you,’” Gray Jr. said.

Ogwumike used her acceptance speech to connect the growing visibility of women’s sports to a broader conversation about opportunity and equality.

“In this moment, there are greater and more opportunities for girls and women in sports,” Ogwumike said, pointing to the example provided by the WNBA’s professional athletes who serve as role models for young girls.

She also addressed what she described as threats to women’s rights and access, including debates surrounding Title IX, voting rights, reproductive healthcare and gender violence. “We refuse to be bullied and we refuse to be silenced and made to disappear,” Ogwumike said.

Her remarks were followed by a surprise video message from former Vice President Kamala Harris, who thanked Ogwumike for “being a fighter for the people” and congratulated the evening’s other honorees.

The final honoree, Bakari Sellers, has family ties to Memphis. His mother grew up in the city. His grandfather, the Rev. E.W. Williamson, once served as pastor of Middle Baptist Church and Olivet Baptist Church.

Grammy Award-winning gospel artist Tamela Mann performs at the National Civil Rights Museum’s 35th annual Freedom Award ceremony. (Gary S. Whitlow/Tri-State Defender)

Sellers wrapped his remarks in light humor as he reflected on his conversations with other advocates and his own social justice journey. At one point, he paused, overcome with emotion, as he recalled visiting the National Civil Rights Museum earlier in the day and standing on the balcony where Dr. Martin Luther King Jr. was assassinated on April 4, 1968.

“The victories they won are being torn down all around us,” Sellers said.

To illustrate the cost and cruelty of social injustice, he asked the audience to imagine a 10-year-old student who might one day cure cancer but is struggling in school because of hunger.

“Somewhere we have forgotten that we come from a people of dreamers,” Sellers said. “We have forgotten the price that was paid.

“I am only 42 years old. I don’t really deserve this thing,” Sellers said. “But I will promise you this: Tomorrow I will work harder than I did yesterday.”

A video montage at the black-tie ceremony paid tribute to influential figures who died this year, including civil rights organizer Bernard Lafayette, a leader in the Nashville Movement, Freedom Rides and the Selma voting rights campaign; Rev. Jesse Jackson, the civil rights icon, minister and founder of Operation PUS;, Memphis civil rights activist Clara Ester; feminist leader and journalist Gloria Steinem; and country music legend and philanthropist Dolly Parton.

Museum President Russ Wigginton commented ahead of the program on the generational evolution of Freedom Award honorees. He noted that earlier generations of civil rights leaders often could measure progress through changes in laws, court decisions and government policy. Marches, sit-ins and other forms of direct action helped produce the landmark legal changes achieved during the Civil Rights era of the 1950s and 1960s.

But today, he said, the work can be more difficult to measure because much of it involves changing hearts and minds, increasing empathy and encouraging people to understand cultural differences.

“It is a delicate balancing act that requires patience and commitment,” Wigginton said.

He added, however, the fundamental goal remains unchanged: equal rights for everyone.

Based on reporting by Tri-State Defender.



Continue Reading

Black Press

ROOTED IN CULTURE, LEADING IN BANKING

EAST TEXAS REVIEW — Beatriz Monsivais, a Branch Manager at Spring Hill State Bank, has built a 20-year banking career rooted in a childhood passion for numbers, sparked by a calculator her mother gave her. Immigrating from Mexico City at age five, Monsivais’s upbringing instilled in her a strong work ethic and the invaluable gift of bilingualism, which has significantly shaped her professional journey.

Published

on

P
P

Beatriz Monsivais turns a childhood passion into a 20-year banking legacy of trust, mentorship, and community impact at Springhill State Bank

Story and photos by Joycelyne Fadojutimi

For Beatriz Monsivais, the dream of working in finance didn’t begin in a corporate boardroom or a university lecture hall. It began in childhood, sparked by a simple garage-sale calculator her mother gave her. That cherished token turned into hours of playing “store” and ignited a lifelong passion for numbers. Today, as a successful Branch Manager at Spring Hill State Bank, Beatriz is using that same passion to build financial bridges and empower the East Texas community.

Roots of Resilience and Language

Born in Mexico City, Beatriz immigrated to the United States at age five. Growing up in a traditional Mexican household, her mother enforced a strict, loving rule: only Spanish at home.

“My mom didn’t want us to lose our language,” Beatriz recalls. “I am so thankful for that today. Being bilingual hasn’t just been a personal gift; it has played a massive role in shaping my career.”

Alongside the gift of bilingualism, her mother instilled a relentless, multi-generational work ethic. In their household, the standard was clear: “If you’re going to do something, do it right!” Beatriz carries this philosophy into her leadership every day, ensuring that everyone who sits across from her desk receives her absolute best.

A Temporary Detour Becomes a Lifelong Calling

Beatriz graduated from Longview High School in 2002 and enrolled at Kilgore College. Hoping to earn extra money before fully diving into her studies, she accepted an entry-level position at East Texas Professional Credit Union. What was meant to be a one-year break quickly evolved into a flourishing, decades-long career.

When she later transitioned to Spring Hill State Bank, leadership recognized her drive. Supported by the bank, she attended classes through the Center for Financial Training, ultimately earning her Lending Certificate and expanding her expertise into the world of real estate and personal loans.

Throughout her 20-year journey at the bank, Beatriz found strength in powerful female mentors. Leaders like Lynn Magee, who first hired her as a new account representative, saw her immense potential and constantly championed her growth. Working alongside Sharon Copeland, Beatriz absorbed invaluable real estate knowledge. Seeing women thrive in pivotal leadership roles motivated Beatriz to keep climbing.

Bridging the Gap in Community Banking

When Beatriz first walked through the doors of Spring Hill State Bank in 2006, she was the only bilingual employee on staff. Today, she looks around with immense pride at a diverse team of bilingual tellers, customer service representatives, loan secretaries, and lending officers.

“Relationships and trust are fundamental pillars of Hispanic culture, and those values fit perfectly with community banking,” Beatriz explains. “Financial education—understanding credit, building savings, buying a home, or launching a business—can alter the trajectory of a family’s future. Sometimes, people just need a professional they can truly trust to explain their options in their own language and help them take that brave first step.”

For Beatriz, banking is entirely about people. Her leadership style is deeply rooted in making her team feel supported and ensuring every customer feels safe, welcomed, and genuinely cared for.

Words of Wisdom for the Next Generation

A devoted wife to her husband, Julio, and a proud mother to her two children, Alexander and Natalia, Beatriz attributes her achievements to her roots and her mother’s guidance.

To the next generation of Hispanic professionals aspiring to break into the financial sector, Beatriz offers powerful advice:

“Believe in yourself and exactly what you bring to the table. Our culture, our unique life experiences, and our language are not hurdles—they are profound strengths. Stay willing to learn, never fear a new opportunity, and surround yourself with mentors who uplift you. Above all, never feel like you have to change who you are to achieve success.”

The post ROOTED IN CULTURE, LEADING IN BANKING appeared first on East Texas Review.

Based on reporting by East Texas Review.



Continue Reading

Art

Montclair Brewery: Brewing Culture, Community, History

THE POSITIVE COMMUNITY — Montclair Brewery, located in Montclair, New Jersey, has evolved beyond a craft beer destination into a community gathering place. Founded by husband-and-wife team Leo and Denise Sawadogo, the brewery connects its beers to African, Caribbean, and African American history and culture.

Published

on

P
P

Montclair Brewery has become much more than a place to enjoy a craft beer. Located on Walnut Street in Montclair, New Jersey, the family-owned microbrewery has developed into a gathering place where beer, music, culture, history and community come together. Founded by husband-and-wife team Leo and Denise Sawadogo, the brewery has established a distinctive identity by connecting its beers to African, Caribbean and African American history and culture.

The story began with Leo Sawadogo’s passion for home brewing. Originally from Burkina Faso in West Africa, Leo grew up watching his mother brew traditional beverages using grains, herbs and spices. Brewing was part of his cultural experience long before craft beer became a major American trend. After years of making beer at home and sharing it with friends and family, Leo and Denise began imagining how they could transform that passion into a business. The company was established in 2014, and after years of planning and nearly a year of construction, Montclair Brewery opened its doors in October 2018.

The brewery represented an important milestone for Montclair because it became the town’s first microbrewery. But its significance extended beyond being a new business. Leo and Denise brought together two different cultural backgrounds: Leo’s West African heritage and Denise’s Jamaican roots. Those influences became part of the brewery’s personality and, importantly, part of the beers themselves. Instead of treating culture as something separate from the business, the couple made it an essential ingredient in their approach to brewing.

One of the brewery’s most distinctive traditions is its annual Black History Month beer series. These beers are often inspired by prominent figures, historical events and cultural traditions. Over the years, the brewery has created beers honoring people such as Harriet Tubman, Larry Doby, Maya Angelou, Chadwick Boseman and journalist Gil Noble. The brewery has also used its beers to celebrate African heritage and important moments in Black history. In 2026, for example, its series included beers inspired by Patrice Lumumba and Larry Doby.

The story behind each beer is almost as important as the beer itself. Montclair Brewery demonstrates how food and beverages can become vehicles for storytelling. A beer named for Larry Doby can introduce customers to the history of the baseball pioneer who broke the American League’s color barrier and later made Montclair his home. A beer inspired by Patrice Lumumba can encourage people to learn about African independence and the history of the Democratic Republic of Congo. In this way, the brewery turns a visit to a taproom into an opportunity for cultural discovery.

Montclair Brewery has also connected its business to local history. One example is the Howe House, one of Montclair’s historic homes associated with the town’s African American history. The brewery created a Belgian-style ale honoring James Howe and committed a portion of sales from the beer toward efforts to preserve the historic property. This illustrates a larger philosophy behind the brewery: its identity is not simply based on selling beer, but on using the business as a platform to recognize people, places and stories that deserve greater attention.

The brewery’s importance also comes from its role as a community gathering place. Its taproom offers indoor and outdoor seating and hosts a variety of events and activities. Music, entertainment, cultural programs and community gatherings have helped make the brewery part of Montclair’s social landscape. During the COVID-19 pandemic, when gathering in public spaces became difficult, the brewery adapted its business model by shifting toward bottling and outdoor operations. Its ability to adapt helped it survive a period that was devastating for many small businesses.

Another important part of Montclair Brewery’s story is representation within the craft-beer industry. Black-owned breweries remain a small portion of the American craft-brewing landscape, making the visibility of businesses like Montclair Brewery particularly significant. Denise has also become an important voice for women in the brewing industry, while Leo’s background and approach have helped challenge traditional ideas about who a brewer is supposed to be. Together, they demonstrate that the craft-beer industry can reflect a much broader range of cultures and experiences.

The brewery’s success has also allowed its reach to extend beyond Montclair. Its beers have received attention from regional and national media, and the company has participated in collaborations with other breweries and cultural organizations. One collaboration celebrated the 50th anniversary of hip-hop with the legendary DJ duo Awesome 2. Other beers have incorporated ingredients such as baobab fruit, sorghum and spices connected to African and Caribbean traditions. These collaborations and unusual ingredients help distinguish Montclair Brewery from breweries whose identities are based primarily on conventional beer styles.

Ultimately, Montclair Brewery represents an example of how a small business can become part of the cultural fabric of a community. Leo and Denise Sawadogo created a brewery from a personal passion, but they built something larger than a place to drink. Their beers tell stories about Africa, the Caribbean, Black America and Montclair itself. The brewery demonstrates that entrepreneurship can preserve history, celebrate culture and bring people together. In Montclair, every pint can become part of a larger conversation about heritage, creativity, community and the continuing evolution of Black-owned businesses in America.

Based on reporting by The Positive Community.



Continue Reading

SIGN UP TO RECEIVE NEWS UPDATES IN YOUR INBOX

Subscribe

* indicates required

Like BlackPressUSA on Facebook

Advertisement

Advertise on BlackPressUSA

advertise with blackpressusa.com

Latest News