The conversation continues..

Illinois lawmakers are pledging support for a Chicago-area veterans advocate seeking stronger protections and accountability for service members who experience sexual assault, as new Pentagon data shows declines in estimated assaults but advocates warn that fear of reporting remains a serious concern.

State Rep. La Shawn K. Ford (D-8th), U.S. Reps. Danny K. Davis (D-7th) and Jonathan Jackson (D-1st), and Cook County Commissioner Donna Miller (6th) have expressed support for Dr. Renee Dickerson, an Air Force veteran, sexual assault survivor and founder and CEO of Victory Place, NFP.

Dickerson is a co-national organizer of the Million Women Veterans March on Washington, which she said is scheduled for October 27, 2027. The effort, known as “Dishonored Valor,” is being organized by National Women Veterans United, the International Association of Military Women of Color and Victory Place. Its policy priorities include military sexual trauma prevention, justice and accountability, mental health care, housing, economic equity and institutional transparency.

Ford and Miller were among veterans and supporters who attended a recent Victory Place fundraiser at the DoubleTree by Hilton in Alsip. Miller, whose father served in Vietnam, chairs the Cook County Board’s Veterans Committee.

“Sexual assault in the military is not a problem of the past. It is still happening to women and men who volunteered to serve our country,” Ford said. “Too many survivors carry that trauma home with them without the care and justice they deserve.”

Ford said he plans to help convene veterans, behavioral health professionals, educators and community partners in Illinois before the Washington march to identify state policies that could complement federal reforms.

“Those who served deserve to be safe while serving and supported when they come home,” Ford said.

Davis said he is committed to working with Dickerson’s group. He also urged voters concerned about federal policy to participate in the November 3 election.

“If people want change in this country, if they want progressive thought and progressive ideas to be actualized, then every chance that they get to put the more progressive people in decision-making places, that is the most effective way to do it,” Davis said.

Dickerson’s campaign comes as the military continues to confront sexual assault and questions about whether survivors trust the reporting system.

The Pentagon’s Fiscal Year 2025 Annual Report on Sexual Assault in the Military estimated that 20,492 active-duty service members experienced unwanted sexual contact, down from 29,061 in fiscal 2023. The estimated rate among active-duty women fell from 6.8% to 4.3%, while the rate among men declined from 1.3% to 1.0%. The Pentagon also estimated that 33% of affected service members reported an assault to military authorities, up from 25% in 2023.

Protect Our Defenders, a national advocacy organization focused on military sexual assault and harassment, cautioned that the lower estimates should not end scrutiny of the system. The organization said it continues to hear concerns from service members about fear of reporting and access to survivor protections and has criticized changes to prevention and response programs.

One case cited by the organization involves Army Maj. Blaine McGraw, an obstetrician-gynecologist facing a general court-martial at Fort Hood, Texas. According to the Army, McGraw pleaded not guilty in August to nine charges encompassing 272 specifications involving 93 alleged victims. The allegations include sexual assault and abusive sexual contact, indecent recording, assault consummated by battery and other offenses. He is presumed innocent unless proven guilty. His trial is scheduled to begin March 30, 2027.

Dickerson said her advocacy is rooted in her own experience with military sexual trauma. She said the superior who raped her was never charged, an experience that has fueled her work with veterans and their families dealing with trauma.

Through Victory Place and the Million Women Veterans March, Dickerson said she intends to press for policy changes and greater accountability for survivors who believe military systems failed them.

“I am proud to stand with Dr. Dickerson and the Million Women Veterans March,” Ford said.

Based on reporting by Chicago Crusader.

Balancing a marriage, children, and a demanding business is rarely simple. Success hinges on constant communication, radical patience, and the ability to choose your battles wisely. Discovering new sides of your partner through the challenges of entrepreneurship keeps the journey meaningful. #EntrepreneurLife #RelationshipAdvice #MarriageGoals #BusinessPartnership #WorkLifeBalance

DURHAM, N.C. – Virginia State University delivered a commanding performance against Shaw University on Saturday, October 17, defeating the Bears 76-13 in a Central Intercollegiate Athletic Association (CIAA) football matchup. A devastating 35-0 scoring run in the second quarter helped Virginia State take control of the contest, leaving Shaw struggling to regain momentum.

Shaw showed flashes of offensive potential early in the game, highlighted by a long touchdown reception from wide receiver Reggie King Jr. (2). King celebrated the score alongside teammate Ashton Williams (54), giving the Bears an early offensive highlight despite the eventual lopsided outcome.

Wide receiver Floyd Lyles (3) also contributed to Shaw’s offensive efforts, securing a first-down reception while being defended by Virginia State cornerback Jamontae Dance-Anderson (24). However, the Bears struggled to sustain drives as Virginia State’s defense and special teams continued to create problems.

Virginia State’s offense proved difficult to contain, with quarterback Rashaan Matthews Jr. (2) extending plays with his legs and picking up a first down against the Shaw defense. Running back TJ Mordecai (21) added to the Trojans’ physical offensive attack, delivering a powerful stiff-arm against Shaw linebacker Quadir McEachin (5) during a first-half run.

The Trojans also found success through the air. Wide receiver Kevin Gayles (0) made a first-down reception against Shaw defensive backs Sean McFadden (12) and Antonio Hardge (34). Later in the first half, Gayles hauled in a touchdown reception against Shaw cornerback Antonio Cotman (2), adding to Virginia State’s growing lead.

Special teams difficulties further complicated matters for the Bears. Virginia State’s Ian Wynn (18) blocked a punt attempt by Shaw punter Jethro Ommam (84) during the first half, providing another example of the Trojans’ ability to disrupt Shaw’s game plan.

The defining stretch came in the second quarter, when Virginia State erupted for 35 unanswered points. The scoring surge created a deficit Shaw could not overcome and demonstrated the Trojans’ ability to capitalize on opportunities on both sides of the ball.

Despite individual efforts from King, Lyles and several defensive players, Shaw was unable to slow Virginia State’s offensive production. The Trojans continued to build their advantage, ultimately securing a decisive 76-13 victory.

The loss highlighted the challenges facing Shaw as the Bears continue their CIAA schedule, particularly in limiting explosive plays, protecting the football on special teams and maintaining offensive consistency.

For Virginia State, the victory showcased an explosive offensive attack and a defense capable of disrupting opposing teams, reinforcing the Trojans’ competitive presence in CIAA football.

Based on reporting by The Carolinian.

The Jalen Hurts saga hurts

The disturbing reports surrounding Philadelphia Eagles quarterback, Houston-born Jalen Hurts, raise a troubling question: How much is a Black athlete’s life worth when winning is on the line? According to reports, the Eagles knew Hurts had a blood clot after he was hospitalized until 4 a.m. before the team’s Week 5 game against Jacksonville in London. Nevertheless, he played the entire game and endured international flights before doctors discovered the clot had progressed to deep vein thrombosis and bilateral pulmonary emboli. He was placed on blood thinners and injured reserve (out for the season). Sports medicine physician Jesse Morse warned that migrating clots could cause a fatal pulmonary blockage, heart attack, or stroke. Pulmonologist Matthew Gordon acknowledged that blood clots can be catastrophic or fatal. Beyond the medical questions, this episode reflects a disturbing American tradition: Treating Black bodies as expendable commodities. From slavery to exploitative labor practices and generations of dangerous sports, Black people have repeatedly been expected to sacrifice their well-being for others’ profits. The NFL’s predominantly Black workforce is literally “fieldhands” making their wealthy “owners” wealthier, giving serious plantation vibes. What’s crazy is, Hurts could have died. And if he had, the Eagles would have simply put another Black body to work and kept it moving.

Blind by choice

Recently, a Black woman conservative social media influencer was physically removed from a Ken Paxton voter event. And as she fought back tears, after being “dog-walked” out of the building, she kept asking, “Why?” She told her followers that she has been a faithful supporter of Donald Trump and the entire Republican ticket. She said she not only voted for Trump and crew, but also organized and volunteered for them on various campaigns. Before she got to the event, she went live on social media, bubbling with excitement about supporting Paxton, which is crazy, because no one is excited about supporting Paxton. But her MAGA-fest was abruptly ended as her live-stream followers saw her suddenly teary-eyed, being led out of the event space. “And there’s no one I can talk to about this,” she asked her exit escort, dumbfounded. She then shared with her MAGA followers, “Someone just came up to me and said Ken Paxton’s campaign manager wanted me to leave… I drove two hours to get here, and I have done nothing but support everyone on the Republican side. And this is how I get treated? I cannot believe the disrespect that I was just given.” Blackfolk in the comments section couldn’t believe that soul sister couldn’t understand what was happening. But you, if she’s been willing to play blind and support one of the most anti-Black regimes in history, and organize for a party that has gone out of its way to disrespect every ounce of Black existence, then I can understand why she couldn’t see their disrespect of her Blackness. But since she’s already given her soul to anti-Blackness, you best believe she’s still voting for Paxton. In fact, she literally said so.

Mecklenburg racist police competitions

It’s old news by now that several Charlotte-Mecklenburg cops sent text messages to each other, degrading Black people with the N-word and racist jokes, celebrating their open competition to see which racist-ass officer could pull over, harass, and even inflict the most bodily harm on Black motorists. Their Klan-ish fun and games had zero to do with Black people breaking the law. It was just white cops making a sport out of terrorizing Black people, using the authority of the state and their literal license to kill to torture Black people emotionally and physically. And they used Flock cameras to help them with their fun and games. But what’s older news is the fact that these are the very actions Blackfolk have been pointing out from cops for centuries. These six cops got caught via text messages. But police in every city and state routinely take this same approach to law enforcement.

Based on reporting by Houston Defender.

Deana Lawson is an acclaimed American photographer and visual artist whose powerful portraits explore Black identity, family, spirituality, intimacy, and the complexities of everyday life. Born in 1979 in Rochester, New York, Lawson has developed a distinctive approach to photography that combines carefully arranged compositions with emotionally compelling subjects. Her images often resemble scenes from family photo albums, yet they possess a theatrical quality that encourages viewers to look beyond the surface. Through her work, Lawson challenges conventional representations of Black people and presents images that celebrate their humanity, individuality, beauty, and cultural richness.

Lawson’s interest in photography developed partly through her family’s relationship with the medium. Her father was an enthusiastic family photographer, and the photographs he collected helped shape her understanding of how images preserve memories and communicate identity. Growing up surrounded by family pictures gave her an appreciation for the significance of documenting everyday experiences. She recognized that family photographs do more than record appearances; they capture relationships, traditions, aspirations, and moments that become part of a family’s history. These early influences would eventually become central to her artistic practice, inspiring her to examine how photographs shape our understanding of ourselves and the people around us.

Her formal education provided the foundation for a successful career in the visual arts. Lawson earned a Bachelor of Fine Arts degree in photography from Pennsylvania State University in 2001 before completing a Master of Fine Arts degree at the Rhode Island School of Design in 2004. During her studies, she developed the technical and conceptual skills necessary to create photographs that communicate complex ideas. Rather than concentrating exclusively on conventional documentary photography, Lawson explored the possibilities of staging, portraiture, lighting, and composition. Her work demonstrates that photography can occupy a space between reality and imagination, documenting actual people while constructing carefully considered scenes that communicate broader emotional and cultural truths.

One of the most recognizable characteristics of Lawson’s photography is her attention to detail. She carefully considers the positioning of her subjects, the arrangement of furniture, the colors within a room, and the relationship between people and their surroundings. Bedrooms, living rooms, and other domestic spaces frequently become important settings in her photographs. Everyday objects, including mirrors, religious items, toys, clothing, and household decorations, help establish a sense of personal history. These details give viewers the impression that they are entering an intimate environment, while the deliberate composition encourages them to consider what the image communicates about family, identity, and belonging.

Lawson frequently photographs Black individuals, couples, and families in poses that communicate dignity, confidence, vulnerability, and emotional complexity. Her subjects often look directly into the camera, establishing a powerful connection with the viewer. Their expressions may appear serious, mysterious, or quietly contemplative. This direct gaze gives the people in her photographs a strong visual presence, making it difficult to treat them as passive subjects. Instead, they appear self-possessed and fully aware of their place within the image. Lawson’s approach challenges stereotypes that have historically influenced the representation of Black people in photography and popular culture, replacing simplistic narratives with images that emphasize individuality and humanity.

Her photographs also explore spirituality, a theme that adds another dimension to her artistic vision. Religious imagery, symbolic objects, unusual gestures, and carefully controlled lighting sometimes give her compositions an almost sacred atmosphere. Lawson’s images may resemble familiar domestic scenes while simultaneously suggesting something mysterious or otherworldly. This combination encourages viewers to consider the spiritual dimensions of ordinary life and the ways people seek meaning through relationships, traditions, and personal beliefs. Her photographs do not always offer clear explanations, allowing ambiguity to become part of their emotional power. The viewer is invited to interpret the scene and consider how visible appearances may conceal deeper experiences.

Although Lawson is deeply interested in African American life, her artistic vision extends throughout the African diaspora. A Guggenheim Fellowship in 2013 supported travel that included destinations such as Haiti, Jamaica, Ethiopia, and the Democratic Republic of the Congo. These experiences expanded her perspective on the relationships connecting Black communities across different countries and cultural traditions. Her photographs explore similarities and differences in how people express identity, beauty, family, spirituality, and social belonging. Rather than suggesting that Black experiences are identical everywhere, Lawson’s work acknowledges the richness and diversity of Black life. Her international perspective places individual portraits within a broader conversation about history, migration, ancestry, and cultural connection.

Among her notable works is Roxie and Raquel, New Orleans, Louisiana (2010), a portrait featuring twin sisters positioned together on a bed. The carefully arranged composition emphasizes both their resemblance and their individuality, while the surrounding furnishings and colors contribute to the photograph’s visual balance. Another important work, Nation (2018), demonstrates Lawson’s interest in constructing images that carry symbolic and cultural significance. Her photographs often invite extended examination because their meaning emerges through the relationship between the subjects, their gestures, and the surrounding environment. These images illustrate her ability to transform seemingly ordinary moments into compositions that feel monumental, mysterious, and emotionally resonant.

Lawson’s achievements have brought her work to some of the most respected institutions in the art world. In 2020, she became the first photographer to receive the prestigious Hugo Boss Prize, an award recognizing significant contemporary artistic achievement. The recognition led to Centropy, an exhibition at the Solomon R. Guggenheim Museum in New York in 2021. Her work has also been presented at the Museum of Modern Art, MoMA PS1, the Institute of Contemporary Art in Boston, and the High Museum of Art in Atlanta. In 2022, she received the Deutsche Börse Photography Foundation Prize. Beyond her exhibitions, Lawson has contributed to art education through her work at Princeton University, where she serves as the inaugural Dorothy Krauklis ’78 Professor of Visual Arts.

Ultimately, Deana Lawson’s significance lies in her ability to make photography a powerful vehicle for cultural affirmation and artistic exploration. Her portraits challenge viewers to reconsider familiar assumptions about Black identity while celebrating the beauty, complexity, and emotional depth of Black communities. By combining elements of documentary photography, family albums, staged portraiture, and symbolic imagery, she has created a visual language that is unmistakably her own. Her work reminds audiences that photographs are never simply records of what appears before a camera; they can also express dreams, histories, relationships, and aspirations. Through her remarkable vision, Lawson continues to expand the possibilities of contemporary photography and ensure that the lives and experiences of Black people occupy a central place in the visual record of our time.

Based on reporting by The Positive Community.