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Exploring Miami: 10 Things to Do Before, During and After Art Basel

NNPA NEWSWIRE — As the days lead up to Miami’s world-famous Art Basel art fair (Dec. 6 – 9), Miami brims with expectation, is ready to welcome international crowds and presents a premier Black art festival. It’s a perfect time to enjoy the sun, sand, attractions, art scene and fine dining before Basel’s crowd descends. These ten tips will get you started.

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Exploring Miami 10 Things to do Before, During and After Art Basel (Dwight Brown)

By Dwight Brown, NNPA Newswire Contributor

As the days lead up to Miami’s world-famous Art Basel art fair (Dec. 6 – 9), Miami brims with expectation, is ready to welcome international crowds and presents a premier Black art festival. It’s a perfect time to enjoy the sun, sand, attractions, art scene and fine dining before Basel’s crowd descends. These ten tips will get you started.

Art of Black Miami Showcases Black Art and Art by People of Color

Art of Black Miami Multi-Media Artist Sanford Biggers (Dwight Brown)

[/media-credit] Art of Black Miami Multi-Media Artist Sanford Biggers

For five years, the Greater Miami Convention & Visitors Bureau has hosted Art of Black Miami, a festival of shows and events that highlight the work of black artists and people of color around the city. Connie Kinnard, VP of Multicultural Tourism & Development at GMCVB, emceed a kickoff event at the classy new Brightline at MiamiCentral train station. (service from Miami to Fort Lauderdale and West Palm Beach now; Orlando in 2021). The evening featured a performance by world-renown saxophonist Kirk Whalum (sax soloist on the Whitney Houston’s “I Will Always Love You”) and a lecture and exhibition by interdisciplinary Harlem artist Sanford Biggers, whose art pieces, videos and sculptures have been shown at the Whitney Museum and Studio Museum of Harlem. Check out ADM and you can feel the empowering spirit of black art before and during Art Basel.

Suggestions: 1.) AfriCOBRA: Messages to the People exhibition at the Museum of Contemporary Art North Miami (MOCA = Nov. 27, 2018 – April 7, 2019) celebrates the 50th anniversary of the Chicago collective African Commune of Bad Relevant Artists, which created images from the ’60 and ‘70s that mirrored the Black Power movement. 2.) ART AFRICA hosts its 8th edition titled “Black Art Matters: It’s not a choice” ( December 4 – 9 in the Historic Overtown neighborhood). The event explores Black art in a multidisciplinary exhibition of fine contemporary art from the global African Diaspora. 3.) PIGMENT International, the artists’ collective, hosts a three-day intimate salon event that includes an exhibition of fine art by preeminent African American artists at the Penthouse Riverside Wharf, 125 SW North River Rd. December 4, 5 & 6.

The Betsy Hotel Regal Boutique Hotel, Upscale Arts Center and Fine Dining

The Betsy (photo by Dwight Brown)

[/media-credit] The Betsy

The Betsy-South Beach hotel sits majestically on the northern point of very trendy Ocean Drive. It’s a swank hotel and a refuge for mature adults on a bustling tourist strip that generally caters to young vacationers. Built in 1942, and just up the street from the Versace Mansion, this picture of Florida Georgian architecture with its colonial styling and four-column portico and signature shuttered windows is a standout. It’s also a beacon to the community, with a special appeal to the international music, art, film and literary crowd who can indulge in multicultural events and exhibits that include: Escribe Aqui – IberoAmerican Literature and Culture Festival; Jewish American and Holocaust Literature Conference; and The Betsy’s A Cappella Festival. Credit CEO/owner Jonathan Plutzik for running a cultural center that mixes philanthropy, arts and education. Walk the halls and view art exhibits or listen in on The Betsy’s (mostly jazz) Live Music Series with world-recognized musicians.  Credit Director of Food and Beverage Ed Ponder for par excellence restaurants with superb service and outstanding cuisine.

Suggestions: 1.) The Betsy’s LT Steak & Seafood: Start with the delectable Short Rib Bao Bun, move on to the 16OZ New York Strip Prime or Grilled Local Snapper and end with Cuban Flan “Havana”. 2.) The hotel’s ultra-cool restaurant The Alley provides the tastiest Italian cuisine, at a moderate price. For appetizers, the light and crispy Calamari Fritti or the flavorful Meatballs made with veal are impressive. For a main meal, try the Piperigate pasta (veal shoulder Bolognese) or the extremely succulent Chicken “Almattone” scarpariello style. 3.) An elegant salon on The Betsy’s lower level presents lectures, screenings and readings by “Writers in Residence” authors, poets and scholars.

Virginia Key Beach Rich in Black History

The 843-acre barrier island known as Virginia Key has evolved over decades. In Florida’s days of segregation, blacks could work in Miami Beach but could not swim there. Demonstrations and “wade-ins” at Miami Beaches by black activists like Judge Lawson Thomas brought attention to the need for a beach for black folks. On August 8, 1945 Virginia Key Beach, which is just off the road that leads to Key Biscayne, opened and became that destination for Miami’s African Americans, Cuban immigrants and Bahamians. In the ‘50s, a concession stand, bathrooms, a horse carousel and dance pavilion provided further entertainment value. In the ‘60s, Muhammad Ali hosted dance parties here and Martin Luther King and his family found a quiet haven on the beach during the height of the civil rights movement. Come to VK Beach and history surrounds you—it’s the beach where the character Chiron learned to swim in the Oscar-winning movie Moonlight.

Suggestions: 1.) On weekends the carousel operates in the afternoon. Bring the kids and be a part of history. 2.) Call 305-960-4600 to arrange a personal educational tour. 3.) The Sea Lion show at Miami Seaquarium, just across the street from VK Beach, is only topped by the Dolphin Encounter (30-minute meet and greet with dolphins) and the Dolphin Odyssey (get pulled through the water by a dolphin).

South Pointe Tavern a Friendly New York Style Tavern in SOFI

South Pointe Tavern (Dwight Brown)

[/media-credit] South Pointe Tavern

The South Pointe Tavern is a modern-day Cheers-type neighborhood pub. Located in the very sophisticated South of Fifth (SOFI) neighborhood, you know this is a great bar because it’s the place where wait staffs from neighboring restaurants congregate after work. The employees are so amicable, it’s not unusual for them to pour a customer’s favorite cocktail as soon as they walk in the door. TV’s are turned to sports channels and are backdropped by the homey barn wood walls that showcase guitars, photography and art books. Games of table shuffleboard have been known to be real ice-breakers and a nice way to socialize. Drinks? SPT has the largest selection of whiskeys, tequilas, wine, craft beers and seasonally curated cocktails in Miami Beach. Opened for breakfast, lunch and dinner, you can get something to eat right up until the kitchen closes at 12am.

Suggestions: 1.) Sip on a Yohoho cocktail: Vodka, pressed carrot juice, mango purée over ice in a wine glass and you drink it through a hay straw. 2.) For breakfast start your morning with an SPT Scrambled (avocado, cheddar cheese, salsa, side of bacon, toasted English muffin) 3.) Dinner time should begin with the charcuterie appetizer SPT Tray (garlic mushrooms, bruschetta, prosciutto, conte, mixed nuts, olives) and end with a Café Con Leche Popsicle.

Miami Culinary Tour Coconut Grove Tasty Food and Local History on the Go

Coconut Grove Cuilnary Tour (Dwight Brown)

[/media-credit] Coconut Grove Cuilnary Tour

For foodies and non-foodies, a culinary tour of Miami is an obvious choice. Tour the town, get to know a neighborhood, learn some history and sample cuisine from a variety of restaurants as you walk around with a lively bunch of gastronomists. You can unlock culinary secrets and the influences of local eateries in Little Havana, South Beach, Wynwood, the Design District and Miami City. And now, the new Coconut Grove Food Tour offers a three-hour, ½ mile trek, led by an effervescent and knowledgeable epicurean guide. What’s on the menu? Indian, Thai, Cuban, Latin-American fusion cuisine and noteworthy sights (Coconut Grove Playhouse, Peacock Park, The Barnacle – Miami’s oldest home). The Grove was the first continuously inhabited neighborhood in all of Miami Dade County and many of its original inhabitants were from the Bahamas.

Hint: 1.) The indoor/outdoor seating at Peacock Garden Bistro has a southern feel and the tour starts here with samples of Mini Crab Cakes and potent White Wine Sangria. 2.) Try the Pisco Sour cocktails and Ceviche Spoon Sampler at the Jaguar Latin-American Kitchen for a mix of tastes. 3.) The Candy Cap Flan at the Cuban influenced Restaurant Ariete is made from candy cap mushrooms and perfect for your sweet tooth.

Adrienne Arsht Center for the Performing Arts of Miami-Dade County

Adrienne Arsht Center (Dwight Brown)

[/media-credit] Adrienne Arsht Center

If New York City’s Lincoln Center had a sister it would be the Adrienne Arsht Center for the Performing Arts of Miami-Dade County in downtown Miami. Erected in 2006, the arts complex is now home to three main venues: The Sanford and Dolores Ziff Ballet Opera House (2,400 seats), The John S. and James L. Knight Concert Hall (2,200 seats) and the Carnival Studio Theater (300 seats). Traveling Broadway musicals and plays, touring musicians, dance troupes and celebrity lecturers have shows at the center. A recent tribute to Leonard Bernstein featured the Henry Mancini Orchestra, the extraordinary jazz vocalist Anne Hampton Callaway (she sounds like a cross between Ella Fitzgerald and Morgan King), crooner Jon Secada and saxophonist Kirk Whalum who sang and played Bernstein tunes like the ones from West Side Story to a very appreciative crowd. The key difference between Lincoln Center and the Adrienne is that here you can usually find a seat at the last minute to even the most popular events.

Suggestions: 1.) Miami City Ballet’s The Nutcracker, Jazz Roots: Joshua Redman Quartet, Les Misérables, Alvin Ailey American Dance Theater and Andrea Bocelli are just a few of the events on the center’s calendar. 2.) Before the shows, dine at the very elegant Brava by Brad Kilgore. Kilgore’s innovative menu includes: ‘Truffle Soup’ ala Paul Bocuse, Lobster Risotto “Carbonara” and Strawberry Crostada for dessert.

Cibo Wine Bar Serves Exquisite Wines and Italian Cuisine

Cibo Wine Bar South Beach

Cibo Wine Bar South Beach

The atmosphere here, at this ultra-friendly and unpretentious Italian restaurant, is contagious. Come for dinner any evening and you’ll share the expansive space with hundreds of people who love Southern Italian cuisine and a good-time ambiance. You’ll mingle with them on the scenic front patio over-looking South Pointe Drive, drink with them at the bar (the wine cellar has 3,500 bottles), eat next to them at the tables and share a view of the stars above on the upstairs rooftop patio. Lots of people, plenty of room and a vibe you’ll want to take home with you as much as the leftovers from your meal. They’re not shy with the portions. Get your grub on at this South of Fifth gathering place.

Suggestions: 1.) Fried baby squid rings, garlic mayo + spicy marinara dips or the Sautéed Spicy Italian Sausage are great for starters. 2.) The Fresh In-House Ravioli is stuffed with lobster, lemon, béchamel and crowned with lobster cream sauce. 3.) The savory Veal Milanese Butterflied breaded veal chop could feed a football team.

Thriller Miami Speedboat Adventures Takes You for a Ride

Thriller Miami Speedboat (Dwight Brown)

[/media-credit] Thriller Miami Speedboat

Taking a boat ride around Miami’s gorgeous waterfront is a good reason to head down to the Bayside Marketplace off Biscayne Blvd and Fourth Street in downtown Miami. The market is a tourist haunt with restaurants, cafes, stores and live music. The biggest attraction here is the Thriller Speedboat, a green 55-foot power catamaran that skims along the water at speeds up to 45/50mph. This 45-minute offshore adventure recalls chase scenes from TV’s Miami Vice. You pass Port of Miami, the Venetian Islands, Fisher Island, Star Island, “Millionaires Row” (where celebrities live in waterside mansions) and then you take a heart-pounding jaunt out into the Atlantic Ocean paralleling Miami Beach.

Hints: 1.) Sit in the front and you will get splashed occasionally. Sit in the back and you’ll get drenched. 2.) Hold on. It isn’t exactly a roller coaster ride, but the U-turns, jetting across waves and sudden starts will get your adrenaline pumping. 3.) Passing mansions owned by Ricky Martin, Carmen Elektra and Jennifer Lopez is an interesting experience but the most memorable stargazing is seeing Lenny Kravitz’s home on Palm Island and Al Capone’s old house.

Red, The Steakhouse Serves Stately American Cuisine

Red, The Steakhouse (Dwight Brown)

[/media-credit] Red, The Steakhouse

Restaurants come and go in Miami Beach, sometimes as often as the vacationers. However, there is a staple in South Beach that you can always depend on for an excellent meal, high-quality-service and a friendly atmosphere, and that’s Red, The Steakhouse. This is the kind of place where you bring family and friends to share a great meal as you interact with the affable staff and enjoy the most welcoming atmosphere in a high-end steakhouse that you will ever encounter. As you dine on steak, fries and the highest quality desserts, a warm feeling shrouds you.  It’s like you’ve come home.

Suggestions: 1.) Begin with the Charcuterie Plate (Bresaola, Lamb Prosciutto, Wild Boar Salami, Duck Prosciutto, House Made Pastrami, Cornichons, Giardiniera, Whole Grain Mustard & Brioche). 2.) The main course can be a light-as-a-feather, moist and tender order of Filet Mignon with sides (Brussel Sprouts with Pancetta, Four Cheese Macaroni & Cheese, Truffled Whipped Potatoes). 3.) Innovative Chef Peter Vauthy has created a devilishly sweet dessert that looks like a big ice cream cone; it’s actually a donut filled with Nutella and vanilla bean ice cream on a bed of chocolate cake crumbles with homemade raspberry jam. Yum.  

Oceanside Hotel Offers Low-Cost Eclectic Boutique Lodging in Mid Miami Beach

Oceanside Hotel (Dwight Brown)

[/media-credit] Oceanside Hotel

Encountering the lively crowds in South Beach is not everyone’s idea of a great vacation. If you’re looking for an alternative from high-priced hotels and throngs of people, opt to stay in Mid Miami Beach, which is more residential and often cheaper. Oceanside Hotel sits on the edge of 63rd Street, between two busy streets, Collins Avenue and Indian Creek Drive. Parking is sparse, so the hotel is more ideal for travelers who like to Uber. The historic neon signs on the outside say Vernont and Monticello, but this white-walled boutique hotel is the Oceanside. The carefully art-directed lobby looks like a movie set, the rooms spread across three buildings. The hotel’s accommodations range from rooms with queen-sized beds to suites with bedrooms, kitchens and washer/dryers. Prices can start as low as $45 for a room and $103 for suites, depending on the season. The eclectic clientele has a friendly Bohemian sensibility that’s attractively informal. Don’t be surprised if guests say hello to you.

Suggestions: 1.) Don’t skip breakfast or lunch at the hotel’s The Tavern at Oceanside restaurant. The pancakes are as fluffy and light as the scrambled eggs. Lunch can include local seafood. 2.) The Happy Hour, between 7pm and 8pm, offers FREE drinks!!!! 3.) Allison Park, off 65th St. and Collins Avenue, features sea turtle sculptures, a green space and a quiet beachfront with lifeguards and showers. Put a towel down right on the sand, it’s more comfortable than a Tempur-Pedic, settle in, decompress and the comforting sounds of the calming ocean waves will put you in a state of bliss.

Art Basel is a huge calling card for travelers, but the days leading up to it and after in Miami are just as exciting.

Visit travel writer Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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Black History

MOVIE REVIEW: Revolutionaries Revisit 1960s in ‘One Battle After Another’

BLACKPRESSUSA NEWSWIRE — And so, this group of revolutionaries, French 75, fought in the dark and battled during broad daylight. Trying to bring justice to a world gone askew. Committing crimes and political/social performance art. That’s the gist of “One Battle After Another.”

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By Dwight Brown
Contributing Writer

The revolution will not be televised. But it’s been made into a movie.

They knew what they were doing in the 1960s. Helping the less fortunate escape arrest. Robbing banks. Sticking it to the man. Rebelling against military authority run amuck.

And so, this group of revolutionaries, French 75, fought in the dark and battled during broad daylight. Trying to bring justice to a world gone askew. Committing crimes and political/social performance art.

That’s the gist of “One Battle After Another.”

Back in the day, Perfidia (played by Teyana Taylor) was the bravest of the bunch. An Amazon warrior fearless against military forces. Also, greatly in love with her partner Bob Ferguson (played by Leonardo DiCaprio,).

They were the king and queen of their movement. She flaunted her revolutionary power and sexual prowess. In part, that led her to an odd encounter with the enemy, a Col. Steven J. Lockjaw (played by Sean Penn). A mistake that led to more mistakes.

And so, years, later, after Perfidia’s bad choices metastasized, her legend was tarnished. Now, her man Bob is a single dad raising her teenage daughter Willa (played by Chase Infiniti) and trying to maintain a quiet life.

Slowed down somewhat by a love of weed and drink, even within the haze of being constantly high, Bob is focused on keeping his daughter safe. Protected from malevolent military forces and corrupt commanders. Protected until a phone call warns him that danger is around the corner.

That’s the foundation of director/writer Paul Thomas Anderson’s (“There Will Be Blood”) take on the chaotic political scene back in the ‘60s that segued into the repressive ’80s. When and where a bunch of anarchists, whose heyday was long over, were still hunted like prey by the military. It feels like the script, project and themes are going in several directions.

An obvious commentary on the increasingly militaristic times we live in now, where cities are being shadowed by U.S. armed forces and ICE agents.

Then there’s the story about the strong radicalized woman Perfidia, who’s out to save the world but is shamed by weaknesses that hurt her and those she loves.

Parts of the screenplay are based on the postmodern fiction novel “Vineland,” by Thomas Pynchon. A tale that follows a father and daughter, descendants of 1960s radical politics, as they live in Ronald Reagan’s 1980s America when counterculture waned and conservatism dominated.

That’s a lot to digest. And that’s the issue. Splintered ideas. A narrative that won’t pull all audiences through.

Yes they’ll care that Bob and Willa are under attack. They’ll hate Captain Lockjaw for a variety of reasons, including trying to join an elite white racist men’s club that’s bent on racial purification.

Under normal circumstances watching protagonists trying to beat the antagonists would be enough. Not here. Something is off. Likely the distracting political satire vibe that may further sideline viewers’ emotions. Like hearing an inside joke that’s just not funny or ironic enough.

It’s a miscue that affects some performances, too. DiCaprio knows how to interpret unique characters better than most.

A complicated teen in “The Basketball Diaries,” an adventurous young man in “Titanic” and middle-aged-frontiersman in “Revenant.” He finds the nuances in the people he plays in ways others can’t. He’s a chameleon whose artistry is so sleight of hand you never notice him acting.

Yet here, because the film has tonal issues, his half comic performance seems like wasted gimmickry, like he’s struggling to find Bob’s soul.

Penn’s performance meets the same fate. This is a versatile, formidable actor whose won Oscars for “Milk” and “Mystic River.” Yet his interpretation of Lockjaw, a sordid horny and evil man, seems affected at best.

The facial expressions and nervous ticks might have worked on a similar character in another movie. On the other hand, Taylor adds an intensity to Perfidia that fleshes out her complex persona well. When she brandishes a rifle, runs for her life and ties up her lovers. You don’t wonder if she would actually do it. You know she would.

Though the script may cause some debate, Anderson’s directing skills won’t. A night scene in which young men try to help Bob escape from soldiers by fleeing across rooftops is captivating.

The guys are gliding on skateboards and jumping roof to roof. It’s a memorable vision, second only to a car chase sequence when Willa is being chased by an assassin and the assassin is being chased by Bob. The autos zoom over a California highway that runs over hills and down valleys.

The footage shot by cinematographer Michael Bauman (“Licorice Pizza”), is as mesmerizing as the intensifying musical score by Jonny Greenwood (“The Power of the Dog”). The rest of the tech team (production designer Florencia Martin, costume designer Coleen Atwood, editor Andy Jurgensen), helps to evoke the time and place.

Still, it may be hard for audiences to conjure up decisive feelings, of any magnitude, for what they see. It’s easy to remain distant. Detached. Observant but not absorbed.

To like some of the pieces but not the whole puzzle. Yes, the revolution has been cinematized. Sometimes it’s a clear vision. Sometimes not.

Dwight Brown is the film critic for the National Newspaper Publishers Association News Wire.

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Benjamin F. Chavis Jr.

VIDEO: IN MEMORIAM — The NNPA Mourns the Loss of Rev. James Lawson

NNPA NEWSWIRE — The NNPA mourns the loss of Rev. James Lawson.

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Black Press

‘Daughters’ Wins 2024 Sundance Film Festival Audience Award and Festival Favorite Award

NNPA NEWSWIRE — First-time doc director Angela Patton, CEO of Girls for Change, teamed with video music director Natalie Rae (Leon Bridges: Bad Bad News) and they documented the journey of four young girls looking forward to attending a prom in a Washington, D.C. prison. Aubrey, Santana, Raziah, and Ja’Ana are anxious as they prepare for the event. Their dads, Keith, Mark, Alonzo and Frank, are twice as nervous.

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Directors Angela Patton and Natalie Rae, Executive Producer Kerry Washington and subjects Aubrey Smith, Mark Grimes and Advocate Chad Morris stop by The Hollywood Reporter's studio during the Sundance film festival to talk about their documentary 'Daughters,' about four young girls who prepare for a special daddy-daughter dance with their incarcerated fathers. Patton and Rae discuss the "de-humanizing" experience for young girls who want to visit their fathers in jail and the impact this film had on families.

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Black Press

FILM REVIEW: Lift

NNPA NEWSWIRE — Comedian and comic actor Kevin Hart tries to ditch his funny, smart-mouth persona to play a suave international thief. Hart showed he can stretch from his comic roots in the drama The Upside. But can he, with the aid of action film director F. Gary Gray (The Fate of the Furious), handle an Idris Elba type role in a film that should have Ocean’s Eleven-style intrigue? We shall see.

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Comedian and comic actor Kevin Hart tries to ditch his funny, smart-mouth persona to play a suave international thief in “Lift,” streaming on Netflix.
Comedian and comic actor Kevin Hart tries to ditch his funny, smart-mouth persona to play a suave international thief in “Lift,” streaming on Netflix.

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Black History

FILM REVIEW: The Greatest Night in Pop – 2024 Sundance Film Festival 

NNPA NEWSWIRE — Legendary artists. Legendary moment. Legendary song. For a certain generation, 1980s lovers and music fans, this is the show of shows. A pop music, pop culture milestone. You get what you’re looking for. You hear what you wanna hear. This nostalgic musical doc rocks as much as a live concert, but in the most divine, communal way.

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BlackPressUSA

Mission: Impossible – Dead Reckoning Part One Movie Review

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by Dwight Brown film critic for DwightBrownInk.com and NNPA News Wire

(*** = 3 stars)

It doesn’t start with a big bang, but it ends with one.

Coming off the heels of the phenomenally successful, $1.4B grossing Top Gun: Maverick, expectations for this Tom Cruise vehicle to ignite the summer box office are high. Will it make a billion dollars? Only audiences will decide.

“The Entity,” an AI being, threatens to upend the world. One precious device will start the mayhem. It’s a key, a relic that is being hunted by Ethan Matthew Hunt (Cruise), a field agent and operative for the Impossible Mission Force (IMF). He works with his team: the hacker Luther Stickwell (Ving Rhames), tech field agent Benji Dunn (Simon Pegg) and with an assist from former MI6 agent Ilsa Faust (Rebecca Ferguson). They’re like family. Hunt: “Your life will always matter to me more than my own.”

In fact, the film’s thrilling but not astonishingly thrilling beginning consists of Hunt trying to rescue Faust in a desert oasis set upon by villains. Riding over the barren land like something out of the 1962 Lawrence of Arabia playbook, the IMF crusader attempts to save the day with sands blowing in his face, a sharpshooter clearing a path for him and a fight scene that would be far more convincing if it didn’t look like it was filmed on a backlot set with an incessant wind machine.

Previous M:I directors have included Brian de Palma, J.J. Abrams and John Woo. All brought their own style to the episodes they created. Oscar-winning screenwriter Christopher McQuarrie (Usual Suspects) turned filmmaker (Mission: Impossible – Rogue Nation 2015, Mission: Impossible – Fallout 2018) handles writing, directing and producing duties. So, this baby belongs to him and Tom Cruise.

McQuarrie’s script adds a bevy of duplicitous characters. The most dazzling is a pickpocket thief named Grace (Hayley Atwell), who Hunt can’t trust, shouldn’t trust, but does. However, she is not the antagonist—there are several. The most venomous is Gabriel (Esai Morales), Hunt’s old adversary and a terrorist determined to use the key to fulfil his heinous plans. The characters are in motion. Their subplots play out, sometimes in scenes where dense exposition halts the pace. Showing works better than telling. Show don’t tell.

Cinematographer Fraser Taggart captures the many set pieces, car chases, brawls and dazzling escapes that are played out in Abu Dhabi, Venice, Rome, England and European locations. The music blares at the right time (composer Lorne Balfe), hotel rooms, offices and train car interiors (production design Gary Freeman) are up to M:I standards. And 163 minutes roll by unnoticeably (editor Eddie Hamilton) because the action is well-measured and engaging. Especially when Hunt and Grace are in an airport trying to blend into crowds and avoid their enemies’ detection. Danger surrounds them as they pass off artifacts and cigarette lighters like magicians with something up their sleeves. Grace: “Is anyone not chasing us?!”

It’s easy to like what’s on view. Especially when Hunt is running to the rescue like he started a 100-yard dash that turned into a marathon. The final scenes in this Part One of a two-part series hit their peaks like they should. Hunt leaps off a mountain on a motorcycle into thin air. He and Gabriel fight on the roof of a fast-moving train, which strains belief, but who cares? And a daring escape from a dangling locomotive is flabbergasting and must have been hard to film.

The script, direction and certainly Cruise’s keen ability to draw you into his predicaments and mindboggling stunts are all on display. Adrenaline-pumping sequences, flirtatious interludes, high pitch drama and a save-the-world plot do their jobs. However, something about the process doesn’t feel new.

Action fans have seen car chases with vehicles careening down steps before. Assassins fighting assassins. Gadget trickery, tricky maneuvers and slights of hand. This is the year John Wick: Chapter 4 expanded the whole notion of what immersive action films could be. How they could drain the blood and life out of audiences with sheer audacity, head-scratching fight choreography and over-the-top violence. That’s the new gold standard. That’s why this Mission… is very good for what it is, but not as astounding as it could be.

Maybe they’re saving the best for last. Maybe they’re saving the best for Mission: Impossible – Dead Reckoning Part Two, which will be released June 28, 2024. Maybe that one will start and end with a bang!

Trailer: https://www.youtube.com/watch?v=avz06PDqDbM
Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com.

The post Mission: Impossible – Dead Reckoning Part One Movie Review appeared first on Chicago Defender.

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