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Black Films and Artists Triumph at 2016 Toronto International Film Festival

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By Dwight Brown (NNPA Newswire Film Critic)

For 41 years the Toronto International Film Festival has attracted the world’s best films and built and audience. At the 2016 festival, 480,000 film lovers filled seats, screened movies and experienced the festivities.

Credit TIFF’s Artistic Director Cameron Bailey and his discerning team for assembling a high quality and culturally diverse program that includes African heritage films, films with Black artists and other excellent movies that will be released this fall and next year. Check out the best of the best.

BLACK FILMS

The Birth of a Nation (****) History reveals itself in this uncompromising retelling of the country’s most heralded slave rebellion. Actor turned director Nate Parker assembles a stellar cast and tech crew that takes viewers back to when Nat Turner led a revolt in Southampton County, Va. on August 21, 1831. Brutal. Uplifting. Informative. Deeply emotional. Haunting. The best scene is when Turner comforts his battered wife (Aja Naomi King) after she’s been severely beaten. Superb acting. Deserves Oscar nominations for Best Film, Actor (Parker), Supporting Actress (King), Screenplay and Direction.

I’m Not Your Negro (***1/2) Just in case you need a reminder that racism is not dead, James Baldwin, the intellectual and award-winning author who died in 1997, has left behind some biting and enlightening words about the subject. His poignant thoughts and searing words were included in an unfinished book that’s the basis for this documentary by director Raoul Peck (Lumumba). Baldwin had turned his attention to his friends and fellow activists Medgar Evers, Malcolm X and Martin Luther King, Jr., pointing out their differences and similarities. Peck links the ‘60s with civil unrest today by covering the four iconic legends.

I Called Him Morgan (****) It doesn’t really matter that Lee Morgan was a trumpet player in the ‘60s and ‘70s that most people have never heard of. This documentary stands out because it follows the life of that talented trumpeter who led a tragic life, fought drug addiction and met an untimely death. Reconstructing his bio, through interviews with jazz greats like Wayne Shorter, photos, footage and a cassette tape of his common-law widow’s recollection brings the world of jazz to life, circled around a gruesome event on a cold New York winter night. Swedish director Kasper Collin and the splendid cinematography by Bradford Young (Selma) show that music survives even when love kills.

Loving (***1/2) Kudos to writer/director Jeff Nichols (Mud) for retelling the true-life story of a Black woman (Ruth Negga, World War Z) and a white man (Joel Edgerton, The Gift) who married and were jailed for it in Virginia, in 1958. His approach is low-key and natural; few theatrics, lots of personal drama with a controversial case that went all the way to the Supreme Court. The subtle performances by Negga and Edgerton are filled with grace. The ensemble cast is augmented by Christopher Mann as her dad and Sharon Blackwood as his mother. Sweet.

The Magnificent Seven (***) The original 1960 The Magnificent Seven was a homage to Japanese director Akira Kurosawa’s 1954 film Seven Samurai. This 2016 version, directed by Antoine Fuqua (Training Day), respects old Westerns, but adds a modern day sensibility. The seven culturally diverse gunslingers who attempt to save a town from a tyrant (Peter Sarsgaard) are led by a strong black man (Denzel Washington). Lots of bullets and well choreographed gunfights. The characters are somewhat shallowly written. However, there’s thrill a minute, and what’s on view is fun to watch.

Moonlight (***) With just his second film, director Barry Jenkins teams up with writer Tarell McCraney to tell a story about sexual repression and ambiguity through the eyes of Chiron, a young, overly passive and emotionally abused boy, who becomes a teen and then a young man in inner city Miami. His mom (Naomie Harris) is a crack addict. The closet thing he has to a father figure is a warm-hearted drug dealer (a restrained and superb Mahershala Ali). Artfully directed and photographed with indelible images. Topical subject. Unique location. Pity the protagonist’s angst is so internal it becomes monotonous. Reminiscent of Precious.

Queen of Katwe (***1/2)
The true story of a Ugandan girl who becomes a champion chess player is inspiring and charming all at the same time. Director Mira Nair (Monsoon Wedding) deftly balances drama, whimsy and humor as she puts the novice actor Madina Nalwanga through her paces aided by David Oyelowo who plays the coach and Lupita Nyong’o her mother. Shots of shanty towns in Katwe have a Slumdog Millionaire feel. Even with all the poverty on view juxtaposed by upper class neighborhoods, Africa looks very inviting. Written with great insight by William Wheeler (The Reluctant Fundamentalist).

A United Kingdom (***1/2) Amma Assante, the director of the thoroughly romantic interracial love story Belle, is not through with that ebony/ivory subject matter. She turns her sights to the true story of a young Botswana king, Seretse Khama (David Oyelowo, Selma), who falls in love with a white working class girl (Rosamund Pike, Gone Girl) in 1940s London while he’s attending law school. He’s determined to bring her back home and make her his queen. His uncle and the British government are equally determined that he doesn’t. Historical. Political. Romantic. Dramatic. Keeps you entranced almost from beginning to end. Gorgeous shots (Sam McCurdy cinematographer) of Botswana.

Vaya (***) We’d call them country bumpkins. Three not so savvy people board a train to the bustling city of Johannesburg. Pimps and con artists await. One traveler is looking for a job. Another brings a young girl to meet her mother. The last one has come to retrieve his father’s corpse. Nigerian-born actor turned director Akin Omotoso follows the three stories as the characters lives intertwine. It took seven screenwriters to concoct this urban drama and one judicious editor (Vuyani Sondlo) to keep the proceedings totally comprehensible. Set in South Africa but could have played out anywhere in the world.

BLACK ARTIST IN FILMS

American Honey (**1/2) Writer/director Andrea Arnold steals a page from the Larry Clark/Harmony Korine school of voyeuristic teenage filmmaking, as she traces the footsteps of an adolescent (Sasha Lane) who joins a crew of young people who roam the Midwest in a van selling magazine subscriptions while they rob and steal. Shia LaBeouf is a ringleader. The reckless spirit of the film, with nudity, sex and some violence is not quite enough to warrant its three-hour length. Will be more digestible on cable TV,

American Pastoral (**) Why did actor Ewan McGregor decide to mark his directing debut with the screen adaptation of an esoteric Phillip Roth novel that will leave viewers cold? In the tumultuous ‘60s a man (McGregor) runs a quality leather glove factory in Newark, NJ, in the middle of civil rights uprisings. The mayhem outside his windows is not nearly as stormy as his relationship with his radical teenage daughter (Dakota Fanning) who runs off and disappears. Not a bad first film. Just a bad choice and a story that is never affecting despite strong performances. Jennifer Connelly plays the wife. Uzo Aduba (Orange is the New Black) is the loyal factory manager.

Arrival (***1/2) Quebec director Denis Villeneuve is famous for his thrillers (Sicario, Prisoners). Now he will be noted for his creation of a compelling sci-fi movie, thanks to Eric Heisserer’s evocative screenplay about aliens who arrive in massive floating pods in 12 locations around the world. A linguist (Amy Adams) tries to communicate with them. She is helped by a mathematician (Jeremy Renner) and guided by a military Colonel (Forrest Whitaker). Very little action and special effects. Tons of suspense, dread and brain-numbing science. Rarely less than riveting.

La La Land (***1/2) This tricky movie starts off with an MTV-looking musical number on a traffic-jammed on-ramp to an L.A. highway. It gets better when it focuses on a romance between a broke jazz pianist (Ryan Gosling, The Big Short) and a struggling actress (Emma Stone, Birdman). This quirky follow-up film by writer/director Damien Chazelle (Whiplash) gets more whimsical by the minute. Characters break into song and dance in an instant. It’s wistfully appealing. Gosling is totally charming. Ditto Stone. Though neither is an expert dancer or singer, it doesn’t really matter. John Legend also co-stars as a guitarist and bandleader.

Message from the King (***) Belgian director Fabrice Du Welz (Calvaire) brings life to Oliver Butcher and Stephen Cornwell’s (Unknown) gritty revenge thriller screenplay that follows a man from South Africa (Chadwick Boseman, Get on Up) who comes to Los Angeles looking for a sister (Sibongile Mlambo) who disappeared. A tip from a neighbor (Natalie Martinez) leads the man down a trail of drug deals, blackmailing, child selling and murder he hadn’t fathomed. Gruesome violence, a smart script, streetwise performances and very savvy direction make this a nail-biter.

Snowden (*1/2) Parker Sawyers (Southside With You), Jaymes Butler and Lakeith Lee Stanfield have supporting roles in this chronicling of a controversial geek who stole government data. According to director/writer Oliver Stone, Edward Snowden is a whistleblower hero. As the NSA’s illegal surveillance habits get exposed, you can partially see his point. What’s on view would be more believable if there was a second viewpoint. But there isn’t. If a film makes Joseph Gordon-Levitt’s acting look dull and comatose, it’s a bad film. Melissa Leo, Zachary Quinto and Nicolas Cage also star in a dry film that doesn’t deserve their talent.

OTHER FILMS OF NOTE

Denial (****) A Jewish historian (Rachel Weisz, The Constant Gardner) gets sued by a sleazy Holocaust denier (Timothy Leonard Spall, Mr. Turner) and goes to London to fight the case. Turns out U.K. law assumes a person’s guilt and not innocence. A solicitor (Andrew Scott, Spectre) and a barrister (Tom Wilkinson, Belle) take up her case, which she could lose. The script, by David Hare (Plenty), provides tight and tense courtroom drama. Great performances all perfectly orchestrated by director Mick Jackson (The Bodyguard).

Jackie (****) It must have been three to four days of pure hell. That’s the blueprint Noah Oppenheim provides in his woeful screenplay that follows First Lady Jacqueline Kennedy (Natalie Portman, Black Swan) as she deals with the aftershock of her husband’s assassination and the planning of his funeral. Chilean director Pablo Larraín (Neruda) takes on a dauntless task and aces his exam. He perfectly manages a skillful tech crew (cinematographer, Stéphane Fontaine; editor Sebastián Sepúlveda; costume designer Madeline Fontaine). Portman’s impressive portrayal carries the movie. She will likely win the Oscar for Best Actress.

Lion (****) After getting lost on the streets of Calcutta, a five-year-old boy named Saroo gets adopted by white parents in New Zealand (Nicole Kidman, David Wenham) and grows into a young adult (Dev Patel, Slumdog Millionaire) haunted by his past and the mother and brother he left behind. Constant yearning takes a toll as the adopted son must decide on how he will find a home he barely remembers. The premise is enough to make any viewer run through a box of Kleenex. Sunny Pawar as the little Saroo is a wonder to watch. Luke Davies’ screenplay delves into reasons why people adopt even though they are capable of conceiving their own children. Heart-wrenching.

Manchester by the Sea (***1/2) Dealing with a death in the family is so much harder when you’re a hopeless alcoholic (Casey Affleck in an Oscar-worthy performance) who’s divorced and running away from a tragedy. Kenneth Lonergan (screenwriter/director for You Can Count on Me) meticulously sets the blue-collar characters in motion, giving them everyday dialogue that unearths hurt and feelings that run deeper than the sea. He directs the cast with stark realism, akin to a John Cassavetes film (A Woman Under the Influence).

Nocturnal Animals (**1/2) Fashion guru turned director Tom Ford has a thing for high-end production elements. This drama/crime/thriller’s cinematography, art direction and set design are exquisite and way over the top, like a multi-million dollar Chanel commercial. Amy Adams plays a wealthy art gallery owner who reads a book her ex-husband wrote about a family who is hijacked by three killer/rapists. That story is visualized on the screen and Jake Gyllenhaal plays the father who is brutalized and Michael Shannon a rogue law enforcement officer. Scenes of dark highways are so David Lynch it’s as if you’re watching a sequel to his Lost Highway. The story-within-a-story format gets farfetched at times and is ultimately emotionless.

Keep a look out. These movies and artists, fresh from their premieres in Toronto, will be on a screen near you before you know it.

Visit NNPA Newswire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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Black Press

Do You Want to Transform a Standard Venue into a Luxury Experience?

BLACKPRESSUSA NEWSWIRE — Creating a luxury event involves far more than simply providing high-quality food and a formal dress code. To truly transform a standard venue into an unforgettable experience, event planners must ensure that every detail, from the atmosphere to the entertainment, is meticulously curated to match a specific theme.

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Do You Want to Transform a Standard Venue into a Luxury Experience?
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A luxury experience involves elevated food, atmosphere, and entertainment for attendees. The venue matters just as much. Focus on comfortable seating, premium lighting, and other elements to provide guests with a beautiful event that they will not forget.

Have you ever stepped into an event space that took your breath away? A well-curated luxury event space with matching party backdrop setups can transport you to another time or place, providing a needed break from the stresses of everyday life. Event planners understand that the venue needs to contribute to the luxury experience as much as any other factor.

What Is a Luxury Experience?

A luxury experience simply means that the event provides attendees with a beautiful setting and premium food. Additionally, every part of the event should be curated to match its theme and purpose.

How Can Venue Transformation Turn a Regular Space Into a Luxury Experience?

How can you upgrade your venue from a regular party to a luxury experience? Here are some steps to take that will elevate the quality of your venue and setting.

Divide the Room Into Zones

If possible, divide the room into several zones, so attendees can mix and mingle. For instance, an event with a cocktail hour and a sit-down dinner can have a cocktail area with standing tables and a dining area with traditional sit-down setups. A silent auction functions better when the auction area is separated from where guests tend to congregate and socialize.

Consider Beverly Hills event equipment rentals to make each zone unique. Provide features that attract guests so they make their way around the space, rather than staying in one area.

Find a Sophisticated Color Palette

Garish, tacky colors can instantly downgrade your event. Guests will notice before anything else, and the glaring shades may be unpleasant to look at.

Some events have a predesignated color scheme based on their purpose or the hosting organization. In these cases, try to incorporate neutral shades wherever possible to soften the space and avoid clashing with the existing color palette.

If you can choose the colors, consider the theme of the event. A fundraiser for breast cancer awareness, for example, may call for shades of pink. A casino night will work better with a darker theme.

Use Comfortable Seating

Guests should find respite when sitting, not immediately feel uncomfortable. Invest in chair rentals that have cushions and are wide enough to accommodate your guests. Create spaces designed for comfort with couches and plushy chairs.

Set Up Premium Lighting

Cheap lighting can put an unpleasant glare on the entire space. Use soft, warm lights that emit luxury, rather than whiter lights. With warmer undertones, even brighter lights will not hurt the eyes as much.

Add table lamps and lower lighting for a cozier glow. Allow guests to adjust the lighting to their preferences as well.

Ensure the Acoustics Are Balanced

Sound is essential for creating a premium experience. Live music is a wonderful option, but the acoustics need to be balanced to prevent your guests from feeling overwhelmed. Perform sound checks with live musicians before the event begins so you can assess the sound quality all over the event venue, not just in front of the stage.

If you choose prerecorded music or a DJ, speaker placement is crucial. Avoid putting speakers too close to seating areas or places where guests congregate. Rather, place the speakers in areas that allow them to fill the room instead of directly next to people’s ears.

Highlight Nature

An outdoor event should emphasize nature to elevate the event space. Consider incorporating and highlighting the natural beauty of the venue. Indoor events can be instantly upgraded by bringing plant life, such as trees and flowers, into the room to cultivate an inviting oasis.

Frequently Asked Questions

Is a Luxury Event Worth the Higher Price Tag?

Often, yes, especially when fundraising is involved. Luxury events that are curated to a higher net-worth audience may translate to more money raised overall.

VIP guests expect a premium experience. When guests pay hundreds of dollars per plate or thousands per table, it is important to deliver every element of luxury to show them that they did not waste their money.

For weddings or other events that do not include raising money, a luxury event may still be the best option to suit your needs. If you have always dreamed of an exquisite wedding with finer touches, then adding luxury will be worth it to have the day that you deserve.

What Is the Dress Code for a Luxury Event?

It depends on the style of the event, as well as the time of day, setting, and many other elements. Luxury events that take place in the evening typically lean toward black- or white-tie, but a mid-morning brunch may feature more casual wear.

If you are hosting a luxury event, it is best practice to outline the dress code on the invitation. There will not be any guesswork involved for guests, and you do not have to worry about attendees showing up with the wrong attire.

Consider including advice, even if it doesn’t strictly relate to the dress code. Heels, for example, may not work well in events that take place on a golf course or another grassy area.

How Far in Advance Do You Have to Start Planning a Luxury Event?

Ultimately, it is up to you when you need to start planning the event. When contacting vendors such as caterers and entertainment, see how far out you can book and lock in those elements as soon as possible.

The earlier you plan, the less stressed you will be. As your event approaches, you can focus on finishing touches rather than nailing down huge problems.

Consider Luxury Party Aesthetics

A luxury experience is about more than just a fancy plate of food and a black-tie or white-tie dress code. Curating the event space to match the event’s mood will help bring the entire concept together.

Would you like to learn more about event hosting? Explore our site for ideas and inspiration to suit your next event.

Content provided through ContentManagerIO.



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Black Press

Golden State Valkyries Become Bay Area Legends Winning WNBA Championship on Halloween Night

In only their second year as a franchise, the Golden State Valkyries captured the 2026 WNBA Championship with a 68-63 victory over the Atlanta Dream. Playing before a sold-out crowd at Chase Center on Halloween night, Gabby Williams delivered a historic 30-point performance to earn Finals MVP honors. The victory marks a rapid rise for the expansion team, which has already set league attendance records and surpassed a $1 billion valuation. Fans gathered by the hundreds of thousands this week to celebrate the new Bay Area legends, read more.

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“We’re so proud,” said Mayor Barbara Lee who donned a violet wig on Wednesday at a rally honoring the Golden State Valkyries as the team celebrated its historic 2026 WNBA Championship in Oakland. Photo courtesy of NBC.
“We’re so proud,” said Mayor Barbara Lee who donned a violet wig on Wednesday at a rally honoring the Golden State Valkyries as the team celebrated its historic 2026 WNBA Championship in Oakland. Photo courtesy of NBC.

In only their second year as a franchise, the Golden State Valkyries became the WBNA 2026 Champions, with Gabby Williams named WNBA Finals MVP. A Halloween night movie of magic and there was no surprise that the game was sold out, with more than 18,000 fans inside Chase Center while thousands more packed the open space at Thrive Center from hours preceding the game through the final buzzer.

In the decisive Game 7, Williams delivered a legendary performance, scoring 30 points to lead the Golden State Valkyries to a 68-63 championship victory over the Atlanta Dream. Remarkably, 28 of her 30 points came in the second half, setting a WNBA postseason record for points in a half and earning her Finals MVP honors.

The team celebrated its victory on Wednesday with a rally in Oakland followed by a ferry ride to San Francisco’s Embarcadero and then a two-mile parade that drew about 400,000 fans.

Williams has become a symbol of the Bay Area’s impact on the team. Although born in Nevada, Williams has deep family roots in Oakland and has often said the city’s culture, community, and basketball traditions shaped her identity and playing style.

After signing with the Valkyries, she began calling the city home and noting that “there’s no Golden State without Oakland.”

The Valkyries have several ballers who made an impact on winning this series, including Veronica Burton, Tiffany ‘Tip’ Hayes, Kayla Thornton, Kaila Charles, and Cecilia Zandalasini.

Veteran center Kiah Stokes brought championship experience and defensive leadership when she signed a multi-year free-agent contract with the franchise on April 13. A former first-round draft pick out of UConn and a three-time WNBA champion with the Las Vegas Aces before joining Golden State, Stokes was recruited by head coach Natalie Nakae, with whom she had previously worked in Las Vegas.

Known as one of the league’s premier rim protectors and rebounders, Stokes quickly became a defensive anchor for the expansion franchise and played a major role in leading the Valkyries to their historic championship run.

The Valkyries have accomplished something extraordinary, proving that a new franchise can make an immediate impact both on and off the court. In their first year, the Valkyries became the first WNBA expansion team to reach the playoffs in its inaugural season and set all-time league attendance records. The franchise sold out all home games, reporting 18,064 attendees per game in both seasons — the highest attendance figures in WNBA history. The Valkyries’ success has also translated into extraordinary franchise value. After entering the league by paying a $50 million expansion fee, the organization generated record revenues and rapidly became one of the most valuable franchises in women’s sports, valued at over $! billion.

The WNBA Finals’ deciding game averaged 3.3 million viewers, making it the most-watched WNBA playoff game in league history and the most-watched finals game since 1999.

The record audience reflects the league’s growing popularity and has major implications for its future, including higher media rights value, increased advertising revenue, stronger sponsorship opportunities, rising merchandise sales, and greater ticket demand.

The Finals also featured sold-out arenas and record postseason viewership, demonstrating that the WNBA is expanding its commercial reach, attracting new fans, and strengthening its position as a major professional sports league.

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Black History

IN MEMORIAM: Marcia Ann Gillespie, Editor of Essence and Ms. Magazines, Dies at 82

Marcia Ann Gillespie, the trailblazing journalist who served as the first editor-in-chief of Essence magazine, has died at age 82. After joining the publication at its inception in 1970, Gillespie spent a decade elevating the beauty and voices of Black women during a pivotal era of self-love and cultural revolution. She later broke barriers as the first Black woman to lead Ms. magazine, further solidifying her status as a titan of the publishing industry. Her expansive career also included authorship and teaching, leaving a profound impact on American media. Read more.

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Marcia Ann Gillespie. Facebook photo.
Marcia Ann Gillespie. Facebook photo.

Marcia Anna Gillespie, the first editor in chief of Essence magazine, has died. She was 82.

Born in Rockville Centre, New York, in 1944. The daughter of a church sexton/small business owner and domestic worker/caterer, Gillespie parlayed her degree in American studies from Illinois’s Lake Forest College into a research job at Time-Life Books, Inc. in New York.

There she advocated for fairness and inclusion of Black life in its publications. When the owners of the standard bearer of Black life, Ebony magazine, ventured into creating a special publication for young, Black women, Gillespie was hired as managing editor in 1970, and became editor-in-chief a year later at the young age of 26.

At the time, the venture by the Johnson family – the owners of Ebony magazine and Jet – into creating a publication for young Black women met the growing revolution of self-love in the Black community.

In other words, the battle cry of the late 1960s, “Black is Beautiful,” had a place to be seen and not just heard.

Thousands of young women who had already abandoned straightening combs and European aesthetics learned more ways to wear their natural hair from Afros to cornrows. Young Black designers got a place in the spotlight not just in clothing but jewelry that expressed neo-African ideals. But one of the most important impacts was the magazine’s unapologetic elevation of the beauty of the dark-skinned Black female to the status she deserved.

Under Gillepie’s tenure, Essence championed storytelling that celebrated Black women’s identities, experiences, and contributions at a time when their voices were often overlooked in mainstream media,” Essence wrote in a statement posted to Instagram

For 10 years she steered the fledgling publication before joining Ms. Magazine as a contributor in 1980 later becoming the first Black woman to edit a mainstream American magazine when she took charge in 1992.

In 1998, she helped secure the publication’s future through a women-led ownership group. She stayed at Ms. In various capacities until 2001, during which time the magazine had the most diverse readership in its history.

She also mentored future Essence editor Susan L. Taylor and taught young journalists at SUNY Old Westbury.

Emmy-winning actor Sheryl Lee Ralph took to social media to honor Gillespie’s life. 

“Rest in peace, dear Marcia Gillespie,” she wrote on Threads. “Your voice, your brilliance, and your commitment to lifting up Black women leaves a legacy that will continue to inspire me and so many others.”

A professor at SUNY Old Westbury and Bennett College, she also co-authored the authorized biography “Maya Angelou: A Glorious Celebration” in 2008.

According to Wikipedia, she also served on various boards as a director or advisor, including: “…the Arthur Ashe Institute of Urban Health, the Black & Jewish Women of New York, the Violence Policy Center in Washington, D.C., Aspen Institute, …and the Studio Museum of Harlem. Gillespie is a member of the National Council of Negro Women and the American Association of Magazine Editors.”

She was the recipient of several awards, including: the Lake Forest College Outstanding Alumni Award (1973), the New York Women in Communications Matrix Award (1978); a Lifetime Achievement Award from the New York Association of Black Journalists for print journalism (1982); a ‘Top Ten Outstanding Women in Magazine Publishing’ recognition by the March of Dimes.

In later years she was inducted into the American Society of Magazine Editors’ Hall of Fame (2002); the NAACP President’s Award (2006) and the Barbara Graves Legacy Award at the Black Enterprise Women of Power Summit in 2017.

The conclusion for her online obituary reads: “She leaves behind a legacy written not just in the pages she edited, but in every editor, journalist, and reader who found themselves — finally — in the stories she chose to tell.”

Online sources for this report include “The History Makers,” The Washington Informer, Wikipedia, Essence magazine, Ms. Magazine and her obituary.

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Black Wall St. Announces 2nd Annual Legacy Weekend Celebrating Black Economic Excellence, Wealth & Community

Houston will host the 2nd Annual Black Wall St. Legacy Weekend from November 6–8, 2026, focusing on the theme of protecting legacy and growing wealth. The three-day summit features educational workshops on asset protection, artificial intelligence, and real estate development led by industry experts including Dr. Velma Trayham and Gene Boykin Jr. In addition to professional networking and business growth sessions, the event includes a community awards ceremony and a family field day at Emancipation Park. Read more to see the full schedule and ticket details.

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Generational wealth isn’t created by accident—it is built with intention, protected through strategy, and passed forward with purpose. From November 6–8, 2026, Houston will serve as the backdrop for the 2nd Annual Black Wall St. Legacy Weekend, a three-day summit committed to advancing entrepreneurship, financial empowerment, and the enduring legacy of Black economic resilience.

Under this year’s core theme, “Protecting Your Legacy and Growing Your Wealth,” the weekend offers local families, founders, and community leaders direct access to the tools needed to secure long-term financial independence.

Across three days, attendees will gain insight into the core pillars of wealth creation and business sustainability. Educational sessions and interactive workshops will cover:

  • Asset Protection & Finance: Estate planning, trust building, navigating insurance, and cultivating strategic banking relationships.

  • Modern Business Growth: Leveraging artificial intelligence, digital marketing, and real estate development.

  • Holistic Leadership: Balancing mental health, foundational financial literacy, and sustainable entrepreneurship.

The event features an esteemed roster of industry leaders, including Gene Boykin Jr., Dr. Velma Trayham, and Benaisha Pooe-Lewis. Alongside keynote presentations, the weekend includes targeted networking sessions, an interactive vendor marketplace highlighting local businesses, and an awards ceremony honoring community pioneers driving economic progress across Houston.

LEGACY WEEKEND AT A GLANCE

Friday, November 6, 2026
Legacy Weekend Kickoff Mixer
6:30–9:30 PM
Powered by Black Houston Creative Network
PLUME
110 W 23rd St., Houston, TX

Saturday, November 7, 2026
Legacy Weekend Conference
10:00 AM–5:00 PM
Red Oak Ballroom
816 Town and Country Blvd., Suite 210
Houston, TX 77024

Official After Party
8:00 PM–12:00 AM
The Quad
4608 Almeda Rd., Houston, TX

Tickets:bwslegacyweekend.com/ticket

Sunday, November 8, 2026
Black Wall St. Veteran & Family Field Day
11:00 AM–5:00 PM
Emancipation Park
Houston, TX

Beyond business strategy, Legacy Weekend creates space for community celebration, offering a family-friendly atmosphere designed to inspire the next generation of builders and innovators.

Tickets:bwslegacyweekend.com/field-day

“Legacy is more than what we leave behind. It is what we build, protect, and pass forward,” said Frank Perkins. “Legacy Weekend is designed to give our community access to the information, resources, and connections needed to create a stronger financial future for generations to come.”

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Black History

Learn Black History and Win Your Next Game Night

INDIANAPOLIS RECORDER — Dr. Maxine Bryant, a culture keeper and professor, is combatting book bans and historical inaccuracies through the launch of GriotSpeaks: The Game. The new board game is designed to celebrate the African diaspora by incorporating elements of geography, literature, music, and the Gullah Geechee culture.

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Learn Black History and Win Your Next Game Night

Maxine Bryant, Ph.D., creator and founder GriotSpeaks, is sharing the history of the African diaspora through her new board game.

Bryant often quotes the African proverb: “Until the lion tells the story, the hunter will always be the hero.” She said for the hunter has been telling the story of the African diaspora for “far too long.”

The game is based in African culture. The spaces on the board feature the countries of the African diaspora and it uses gold bars and cowrie shells as currency while special game spaces showcase symbols such as the Sankofa bird, a pyramid and an Ankh.

Bryant, a culture keeper and educator, created the game to add a bit of fun to her ongoing mission of dispelling myths and sharing accurate history. She used the history lessons she taught over the years as the foundation for the game’s trivia questions. Bryant said she is even more motivated to correct the inaccurate narratives due to recent book bans and efforts to minimize or omit the contributions of Black people.

“We can’t tell our story if we don’t know our story,” Bryant said.

History buffs may start the game with a slight advantage, but even players with limited knowledge have a chance to win with some strategic play. During one game demonstration, she said, an 11-year-old beat her with the clever use of one of the game’s wild cards.

Bryant’s goal is for people to learn new information while having a good time with one another. She sat down with the Recorder to share her inspiration for the game and how she hopes it will influence the culture.

This interview has been edited for length and clarity.

What was the inspiration for creating a game?

Maxine Bryant, Ph.D.

Maxine Bryant: In all honesty, God gave me the vision for the game.

I put that board game together the way God showed me in in this vision, if you will, it was to be educational, informative, and entertaining. And so, I knew I wanted it to encompass all of the diaspora and with the educational part of it. Since I am a professor, it needed to encompass the critical areas of our history.

So, it’s geography; it’s the resistance, the protest — all of that. It’s … literature, music, the Gullah Geechee culture, storytelling, the whole gamut, and then Black people.

What are some of the things people are surprised to finally learn while playing the game?

Bryant: The genius of Black people.

Many people know Madam C.J. Walker, although I’m finding out that not everybody does. But one of the questions (asks about) who invented the hot comb? Everybody thinks Madam C.J. Walker, but no, that was not her thing. Her thing was hair care and strengthening hair. It was a man (Walter H. Sammons) who created the hot comb. So, people are amazed at what they’re learning.

How do you hope that this new knowledge helps people see the world?

Bryant: So, what I hope people learn is our true history, the history of our struggle, and our resistance, the history of our greatness, and information about our culture. That positions us then to be able to stand tall in knowledge of self.

One of the things I wholeheartedly believe in is that little Black boys and little Black girls who grow up with the message that you are nothing because you are Black … it’s easy for me to take you out. But if I look at you and I know that you’re great and I’m great, I may just have a different kind of level of respect for you.

I think that having a sense of self can impact how I look at myself and how I look at people who look like me.

Is there anything else you want to share?

Bryant: In my mind, this game is a must-have. It is so unique. Now, within the culture, we have trivia games and usually they’re trivia about sports or about entertainment and some about history, right? And usually, it pertains to people in the United States or events in the United States, culture in the United States.

This game contains movement around a physical board like Monopoly, but it also encompasses the entire African diaspora so it’s not just the United States. People who played this game tell me … they’ve never seen anything like it.

GriotSpeaks: The Game is best suited for players 17 and older. The game is available for purchase through Amazon or at the GriotSpeaks website.

Contact Editor-in-Chief Camike Jones at 317-762-7850.

The post Learn Black history and win your next game night appeared first on Indianapolis Recorder.

Based on reporting by Indianapolis Recorder.



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Black Press

21st Annual Taste of Soul: California’s Largest Black Street Festival Comes Alive With Culture, Music and Connections

The 21st annual Taste of Soul Family Festival drew over 300,000 attendees to South Los Angeles for a massive celebration of Black culture, food, and music. Spanning the Crenshaw Boulevard corridor, the free event featured roughly 350 vendors, offering everything from Southern cuisine to professional health services and job recruitment opportunities. While headlining musical acts performed across three stages, the festival also served as a vital platform for small business entrepreneurs to reach a vast audience. Organizers are now addressing reports regarding several incidents that occurred during the festivities. Read more.

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INSIDE Danny Bakewell Sr. (left) and Pamela Bakewell (right), longtime community leaders and organizers of the Taste of Soul Family Festival in Los Angeles.
INSIDE Danny Bakewell Sr. (left) and Pamela Bakewell (right), longtime community leaders and organizers of the Taste of Soul Family Festival in Los Angeles.

The 21st annual Taste of Soul Family Festival brought hundreds of thousands to Crenshaw Boulevard in South Los Angeles on Oct. 17 for food, music and a celebration of Black culture. Visitors could shop with small businesses, enjoy live music performances, speak with health professionals and learn about job opportunities. 

Presented by Bakewell Media and the Los Angeles Sentinel, the free festival stretched along the corridor from Stocker Street to Obama Boulevard. The Sentinel estimated attendance at more than 300,000. The day also marked founder Danny J. Bakewell Sr.’s 80th birthday. 

“We call it a party with a purpose,” Pam Bakewell, the founder’s sister and a longtime festival organizer, told California Black Media (CBM). 

The enticing aromas of barbecue, fried chicken and catfish filled the air as food vendors served up a tempting array of Southern favorites, including cobbler and other desserts. Vendors also offered clothing, jewelry, books and beauty products. About 350 vendors and sponsors participated, including approximately 80 food vendors, Bakewell said. Businesses came from across Southern California and as far away as Chicago and Atlanta.

“In one day, an entrepreneur has the opportunity to showcase their business to hundreds of thousands of people,” Danny J. Bakewell Jr., president of the Sentinel. 

Chase offered vendors training in marketing and financial management, followed by a reception.

Experienced vendors also helped newcomers. Pam Bakewell cited Cobbler King, a longtime participant who shares lessons from his early festivals about preparing for crowds and building a business. 

“We want everybody to be successful,” she said. “We can’t guarantee that, but we give you the crowd.” 

Kaiser Permanente served as the festival’s main medical provider. St. John’s Community Health sponsored Children’s World, where children played games while families received preventive care and information about follow-up services. 

St. John’s provided flu shots, fluoride treatments for children and clinic sign-ups for physical examinations. It also reported distributing more than 10,400 bags of diapers.

CBM hosted a booth as part of its California Black Health Journalism Project, a yearlong, solutions-oriented reporting initiative to advance health equity for Black Californians. 

Dr. Deidra Beckles, who practices family and internal medicine, and Adriana Westby-Trent, Ph.D., a licensed clinical psychologist, held “Ask the Doc” conversations. Both are with Divinely Restored Health & Wellness. The booth drew steady traffic as they answered attendees’ health questions. Visitors received a “Your Wellness Matters” T-shirt. 

The Sentinel promoted a developing jobs platform, inviting attendees to post resumes and connect with employers. Bakewell said about 350 people signed up along the boulevard. 

Three stages offered music for different generations. The Bakewell Media Sounds of the Soul Stage featured Thelma Houston, Switch and headliner Midnight Star. Tony Cornelius, son of “Soul Train” creator Don Cornelius, introduced Midnight Star and appeared with eight veteran dancers from the television show. 

 The Radio Free KJLH Music Stage featured Lucky Daye, Alex Isley, Allen Stone and Terisa Griffin. On the Brenda Marsh-Mitchell Gospel Stage, MAJOR. served as host and performer. The lineup included Deitrick Haddon, local choirs and a youth performing arts ensemble. 

During the festivities, ABC7 reported two stabbings and an hours long Los Angeles Police Department citywide tactical alert.  

Pam Bakewell said police told organizers the incidents occurred outside the festival boundaries. She said organizers are reviewing safety measures with security personnel and police. 

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