National
‘Birth of a Nation’ — 100 Years On, Debate on Film Endures

This 1914 file photo shows a scene from D.W. Griffith’s “Birth of a Nation” movie depicting Ku Klux Klan members riding horses against soldiers, filmed in the Hollywood section of Los Angeles. (AP Photo)
HILLEL ITALIE, AP National Writer
NEW YORK (AP) — One hundred years ago this spring, Hollywood came of age in a blaze of wonder and fury.
D.W. Griffith’s three-hour Civil War epic, “The Birth of a Nation,” was released in April 1915 after a special showing in March at President Woodrow Wilson’s White House. It is widely recognized as a blueprint for the feature-length movie and as a showcase for Griffith’s Tolstoyan command of historical narrative, from the battlefield to the front porch.
But one of the greatest glories in movie history is also one of its lasting shames. Within Griffith’s lovingly assembled images is a story that glorified the Ku Klux Klan, demonized blacks and sealed the misconception that the Reconstruction era in the South was a disastrous experiment in racial equality.
So now, at the film’s centennial, an industry that loves and thrives on honoring its past may allow one of its defining moments to go largely unobserved.
Turner Classic Movies, one of the prime outlets for silent cinema, is uncertain how or whether to mark the anniversary, said Charles Tabesh, senior vice president.
“It’s not just something you can put in the schedule,” he said. TCM has occasionally aired the film, which is in the public domain, but he explained, “We’ve provided an introduction and explained why it’s on, but even with that, we’ve gotten responses ranging from minor complaints to a lot of people who were really upset about it. It’s difficult because for a channel like Turner Classic Movies you can’t just avoid it. It wouldn’t be appropriate to pretend it was never made.”
No film before had so forcefully, or painfully, demonstrated that the big screen could challenge the novel and textbook as a way of interpreting and thinking about the past. James Baldwin would damn it as “an elaborate justification of mass murder.” Eric Foner, a leading Reconstruction historian, said in a recent interview that the film did “irreparable damage to public consciousness and also to race relations.” Fellow scholar Annette Gordon-Reed calls Griffith both a genius and a “lousy historian.”
Over the past quarter century, “Birth of a Nation” has been enshrined and entombed.
In 1992, to much criticism, the Library of Congress added Griffith’s work to the National Film Registry, calling it a “controversial, explicitly racist, but landmark American film masterpiece.” For decades, the Directors Guild of America awarded a D.W. Griffith Award for lifetime achievement, but dropped the prize in 1999 to “create a new ultimate honor for film directors that better reflects the sensibilities of our society at this time in our national history.”
In 1998, the American Film Institute listed “Birth of a Nation” at No. 44 on a list of the best 100 American movies. The film does not appear on a 2007 AFI “Best 100” list, which instead features “Intolerance,” Griffith’s atonement for “Birth.” A planned screening in 2004 at a Los Angeles theater was canceled because of protests.
The classroom, the DVD and online are the most likely places to see it now. In 2011, Kino Lorber released a DVD and Blu-Ray edition with a restored print, extensive notes and a brief documentary explaining the film’s context. Kino special projects producer Bret Wood says the company receives occasional complaints for selling the film, but that “Birth of a Nation” is consistently among the most purchased silent movies.
“It’s a difficult thing to do — marketing a cinematic masterpiece that is also hate-mongering propaganda — but that in itself is why the film is so powerful,” Wood wrote in an email. “If it were simply a racist film, it would have faded away long ago. But because ‘The Birth of a Nation’ is such a magnificent film (in terms of cinematic artistry in 1915), the cancerous ideology at its core is all the more toxic, and so we find ourselves continuing to discuss it a full century later.”
Jeanine Basinger, a film historian who teaches at Wesleyan University, says “Birth” is taught in different ways. A history professor might screen excerpts to show how some Americans thought of the Civil War, while a film instructor might focus on the film’s aesthetic achievements.
“In film departments, we aren’t teaching content, we are teaching the medium itself and its development,” Basinger says.
“The Birth of a Nation” is historical drama, but for the director it was something close to emotional autobiography. David Wark Griffith was born in Kentucky in 1875, just a decade after the Civil War ended. His father was a lieutenant colonel in the Confederate Army, and Griffith grew up in the early Jim Crow era. Although Kentucky was a border state that did not secede and was relatively unaffected by Reconstruction, Griffith related to the source material for “Birth of a Nation,” Thomas Dixon’s novel and play “The Clansman.”
“Griffith did not question the core assumption of Dixon’s story: that blacks, once the supposedly benevolent bonds of slavery had been overthrown, became violent and threatening to whites, especially women,” says Melvyn Stokes, author of “D.W. Griffith’s The Birth of a Nation.”
He was a man of the late 19th century mastering the tools of a revolutionary medium of the 20th century — moving images. After several years of acting and script writing, he directed his first movie, in 1908. By 1914, Griffith was among the country’s top directors.
“As he refined and developed his filmmaking art, he became ambitious to do longer, more ‘epic’ films,” Stokes said, noting that Griffith had studied the Italian production “Quo Vadis” and a French production, “Queen Elizabeth.”
“He was also keen to produce works like these based on history, since historical subjects were seen as a means of making motion pictures ‘respectable’ and appealing to the more lucrative, middle-class audience.”
In making “Birth of a Nation,” Griffith wedded mass spectacle and groundbreaking art and helped change forever the role of movies and what they could achieve.
Earlier films often lasted less than an hour and were completed within days. “Birth of a Nation” took six months to produce, had a running time of 195 minutes and employed hundreds of actors. Griffith’s epic also helped popularize such techniques as the panoramic shot, the panning shot and the tinting of the lens. The battlefield scenes, still compelling in their momentum and violence, set the template for countless war movies over the following decades. The soundtrack was among the first to feature a popular theme song.
The film made history before reaching theaters. In March 1915, “Birth of a Nation” became the first moving picture to be screened at the White House, then occupied by Wilson, Thomas Dixon’s former Johns Hopkins University classmate and fellow Southerner.
The White House event resulted in one of film’s most famous blurbs. “It is like writing history with lightning. And my only regret is that it is all so terribly true,” Wilson was supposed to have commented. Biographer A. Scott Berg is almost certain he never said it.
“The line does not appear for decades — not even in Dixon’s unpublished memoirs,” Berg wrote in an email, adding that Wilson was known for his reactionary views on race. “I suspect that it got cobbled together as civil rights became more of an issue and people looked back on ‘Birth of a Nation,’ seeing it through new and more enlightened eyes. And, as Wilson’s stock in the area of civil rights sank, it became an easy quotation to attribute to him.”
Virtually everything about “Birth of a Nation” was outsized and new. Moviegoers were charged $2 a ticket (around $46 in 2015) at a time when you could see an afternoon of comedy shorts for pennies. The film helped mark the transition from nickelodeons to gilded movie “palaces.” The cast included some of the greatest directors of the talking era, among them Raoul Walsh (who played John Wilkes Booth) and John Ford (who played a Klansman).
In theaters, whites reveled and rampaged. In Lafayette, Indiana, a white man killed a black teen after seeing the movie. The Ku Klux Klan used the film for decades to recruit members.
The NAACP, founded just a few years earlier, demanded that a few especially racist scenes be deleted and despaired over the damage.
“The harm it is doing the colored people cannot be estimated,” wrote the association’s secretary, Mary Childs Nerney. “I hear echoes of it wherever I go and have no doubt that this was in the mind of the people who are producing it. Their profits here are something like $14,000 a day and their expenses about $400.”
His influence acknowledged even by his detractors, Griffith was revered by Orson Welles and Stanley Kubrick, among others. Leading critics have praised “Birth of a Nation’ on artistic grounds, and even moral grounds. Roger Ebert wrote that Griffith “demonstrated to every filmmaker and moviegoer who followed him what a movie was, and what a movie could be.” James Agee, mourning Griffith’s death in 1948, wrote: “For all its imperfections and absurdities it is equal, in fact, to the best work that has been done in this country. And among moving pictures it is alone…”
The Tennessee-born Agee lamented that criticism of the movie had led to its being restricted, or abridged. “At best, this is nonsense, and at worst, it is vicious nonsense. Even if it were an anti-Negro movie, a work of such quality should be shown, and shown whole. But the accusation is unjust. Griffith went to almost preposterous lengths to be fair to the Negroes as he understood them, and he understood them as a good type of Southerner does.”
Black filmmakers responded forcefully to “Birth of a Nation,” and across generations. In 1919, Oscar Micheaux made “Within Our Gates,” a blunt portrait of white violence and among the earliest surviving movies by a black director. In 1980, Spike Lee was a film major at New York University when he completed the 20-minute “The Answer,” in which a young black screenwriter is asked by a Hollywood studio to turn out a script for a remake of “Birth of a Nation.”
Paul D. Miller, aka the hip-hop and performance artist DJ Spooky, saw “Birth of a Nation” while attending Bowdoin College and recalled how it echoed in his mind “because of so many of the issues that keep resurfacing in American culture.” In 2004, DJ Spooky premiered “Rebirth of a Nation,” a multimedia stage event and later a film that remixed excerpts from Griffith’s movie with contemporary images, music and commentary.
Miller finds “Birth of a Nation” so influential, technically and aesthetically, he even thought about it while designing his iPad app.
“As much as possible I want to think about mobile media as the inheritors of the cinematic imaginary,” he wrote in an email. “Cell phones, tablets, and other portable media have set the stage for a new kind of multimedia experience. ‘Birth of a Nation’ set the tone for that as well.”
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Black Press
Event Preview: ‘Fashion v. Fascism’ – A Runway Revolution Is Coming to the Bay Area
“Fashion v. Fascism” (FVF) is an upcoming visually immersive event combining fashion, music, and political theater to expose the rise of fascism in the U.S. and advocate for resistance. Described as a live “runway revolution,” FVF premieres October 3 at The Rotunda in downtown Oakland. The event will feature five runway collections spotlighting elements of contemporary fascist politics, accompanied by political theater and live music, culminating in a call to action. Organizers state that culture is a potent defense when democracy is under siege. Read more to learn about this unique event.
“Fashion vs. Fascism” (FVF) is a visually immersive evening of fashion, music and political theater exposing the rise of fascism in the U.S. and the need to resist. Democracy is under siege, and culture is one of our most potent defenses, organizers say.
Called a live “runway revolution,” FvF premieres Oct. 3 at The Rotunda, 300 Frank Ogawa Plaza in downtown Oakland.
A play that is part fashion show, part protest, part performance art, FvF stages five runway collections spotlighting the pillars of contemporary fascist politics and the urgent need to resist: the myth of a “glorious past,” the manufactured emergencies used to justify surveillance and crackdowns, and the oligarchs and grifters profiting from it all. Runway fashion shares the stage with political theater and live music, with a closing call to action.
“We need lawsuits, ballots and mass protests, but none of it lands if we’re not also fighting for people’s imagination,” says Linda Burnham, co-producer of the show. “People are exhausted and scared. FvF will expose the absurdities of fascist mythology and ideology in ways a news headline cannot and spark new ideas about how to resist.”
“Fascism doesn’t win by policy alone. It wins by telling a story. A myth about a ‘Golden Age.’ A permanent emergency that makes cruelty seem necessary. That’s not an accident, it’s a strategy, and it works on the same terrain as culture: image, spectacle, emotion,” says Aya De León, the show’s playwright.
“Every piece on this runway translates what is happening under fascism into a feeling,” explains Erica Furlong, the FVF creative director. “One designer’s trench coat is covered in pockets stamped ‘TRUTH,’ ‘MEMORY,’ ‘HOPE,’ ‘VOTE,’ ‘FUTURE,’ because that’s literally what gets seized first, pocket by pocket, under fascist decline. Fashion can hold grief and hope in the same silhouette, and that tension is exactly what this moment needs.”
At its best, fashion is about creativity, diversity, innovation, experimentation and the free exchange of ideas. Fascism, by contrast, demands conformity and control, while suppressing dissent.
FVF was created, organizers say, because democracy should always be in style.
Featured designers include Erica Varize, Rickie Lee, Tianna Charity, Julie Wong, and Maria Flores. The evening features a script by lead playwright Aya De León, musical performances by Mindeullae Project and DJ Emancipation, and other special guests.
FvF is designed to travel. Following the Oakland premiere, FvF will extend its reach through a documentary short, a curriculum on contemporary fascism in the U.S., and a full replication playbook — design templates, script, and curriculum — so organizers in other cities can stage their own version of the show.
Get more details at www.fashionvfascism.org.
Black Press
OP-ED: How Does Your State Rank for Pre-K?
BLACKPRESSUSA NEWSWIRE — “Other states should take note: Georgia proves that state-funded preschool with well-qualified teachers, pay parity with K-12, small classes, and strong continuous improvement systems can be scaled as a universal program,” said NIEER director Steve Barnett. “With new initiatives to support quality, Georgia can expect increased enrollment, but leaders should also actively promote increased enrollment.”
Georgia’s state-funded pre-k program for 4-year-olds was recently recognized as the largest state-funded preschool program in the nation to meet all 10 quality benchmarks, and the first universal program to do so. Georgia’s recognition is the top finding in the National Institute for Early Education Research’s new 2025 State of Preschool Yearbook. The yearbook provides an annual snapshot of state-funded preschool across the country. Forty-four states and the District of Columbia fund preschool programs.
Only five additional states meet all 10 of NIEER’s research-based benchmarks for quality —Alabama, Hawaii, Michigan, Mississippi, and Rhode Island—in this year’s report. None of those programs have the reach of Georgia Pre-K. NIEER’s benchmarks measure essential preschool quality indicators, including teacher qualifications, class sizes, early learning standards, and program assessments.
“Other states should take note: Georgia proves that state-funded preschool with well-qualified teachers, pay parity with K-12, small classes, and strong continuous improvement systems can be scaled as a universal program,” said NIEER director Steve Barnett. “With new initiatives to support quality, Georgia can expect increased enrollment, but leaders should also actively promote increased enrollment.”
Nationally, state support for preschool education hit record highs in enrollment and funding in 2024-2025. The pace of growth slowed, however, compared to the prior year, and many states continue to lag behind pre-pandemic enrollment levels. Preschool enrollment increased by 44,000 children nationally, reaching almost 1.8 million, including 37% of U.S. four-year-olds and 9% of three-year-olds. California, Colorado, Michigan, Minnesota, and Missouri contributed the most to increased enrollment, adding more than 52,000 new seats.
States spent nearly $14.4 billion on preschool in 2024-2025. Including federal and local dollars, total spending was almost $17.7 billion. Three states each spent more than $1 billion last year: California ($4.1 billion), New Jersey ($1.2 billion), and New York ($1 billion). Together, these three states account for 45% of all state preschool spending. Texas adds almost another $1 billion.
Spending increased by $434 million, or 3%, adjusted for inflation. Twenty-eight states increased preschool funding, including Michigan and New Jersey, which each added more than $100 million. “Not only does preschool access vary by which state a child happens to live in, but so does the quality of that preschool experience,” said Allison Friedman-Krauss, lead author of the report. “Only high-quality early care and education programs support children’s development enough to result in lasting academic and other gains that ultimately deliver savings for taxpayers.”
A record six states met all 10 of NIEER’s recommended quality standards, with Alabama doing so for the 20th consecutive year. Georgia joined this list this year after improving its teacher-to-child ratio from 1:11 to 1:10 and lowering maximum class sizes to 20. Several states met 9 of 10 benchmarks, including New Mexico, which is working toward universal access for both three- and four-year-olds. Once New Mexico requires all lead teachers to have a bachelor’s degree in early childhood education, it will be on par with Georgia in terms of both quality and quantity.
Not all states moved forward. Twenty states enrolled fewer preschoolers in 2024-2025 than the prior year, with enrollment dropping by more than 1,000 children in Arizona, Florida, New York, Ohio, Oklahoma, and Wisconsin. Seventeen states spent less on preschool than the prior year, adjusted for inflation, with Arizona, North Carolina, Oregon, and Texas seeing the largest percentage declines. Additional information about the State of Preschool Yearbook, including individual state profiles and maps, graphs, and state rankings, can be found at www.nieer.org.
Black Press
Port of Oakland, Army Corps Sign Historic Harbor Design Agreement
OAKLAND POST — Oakland Port Commission President Stephanie Dominguez Walton called the agreement a historic milestone that will support thousands of jobs. “Today marks a historic occasion for the Port as we sign the inaugural Design Agreement for the Turning Basin Widening Project, which will keep Oakland competitive,” said Walton.
A $642 million project designed to accommodate larger cargo ships and strengthen the Port of Oakland’s position as a major Pacific trade gateway moved a significant step closer to construction on Aug. 27.
The U.S. Army Corps of Engineers (USACE) San Francisco District and the Port of Oakland commemorated the signing of the inaugural Design Agreement for the Oakland Harbor Turning Basins Widening Projectduring a ceremony aboard the USS Potomac, the presidential yacht once used by President Franklin D. Roosevelt.
The project will widen the Port’s Inner and Outer Harbor turning basins, allowing today’s increasingly larger and longer vessels more space to safely maneuver and turn around. The current basins are narrow, creating delays and operational inefficiencies.
Oakland Port Commission President Stephanie Dominguez Walton called the agreement a historic milestone that will support thousands of jobs.
“Today marks a historic occasion for the Port as we sign the inaugural Design Agreement for the Turning Basin Widening Project, which will keep Oakland competitive,” said Walton.
The agreement advances the project into its preconstruction engineering and design phase following years of planning and collaboration.
Lt. Col. Virginia Brickner, commander of the USACE San Francisco District, said the signing represented tangible progress toward construction.
“We are moving forward. We are showing progress,” Brickner said.
Major General Jason Kelly, USACE Deputy Commanding General for Civil and Emergency Operations, said dredging is critical for maritime dominance, supply chains, and economic competitiveness.
“Dredging sustains our national economic infrastructure,” he said. “The future demands more, the taxpayer deserves more, and together we’re going to deliver.”
For U.S. Representative Congresswoman Lateefah Simon (D-CA-12), the Port project will support jobs beyond its completion. “This will impact workers and businesses, and every shipping container represents multiple jobs.”
Oakland Mayor Barbara Lee described Oakland as a gateway to international markets and spoke on earlier efforts to deepen Oakland’s shipping channel to 50 feet. While serving in the California Legislature, Lee helped bring together labor, business, environmental advocates and Port officials to resolve disputes surrounding dredging and environmental protections.
“We want the Port to remain competitive economically,” Lee said, excited about both protecting the environment and generating sustainable jobs in the region. “We want to make sure that we create good-paying union jobs, and that the Port continues to not just survive, but thrive.”
Port of Oakland Executive Director Kristi McKenney said economic growth is dependent on investments in the Oakland Harbor’s infrastructure.
“This investment and staying competitive will fuel our economy for years to come,” said McKenney.
The Port of Oakland, with its partners, supports more than 98,000 regional jobs and $174 billion in annual economic activity. The Port oversees the Oakland Seaport, the Oakland San Francisco Bay Airport (OAK), and nearly 20 miles of waterfront, including Jack London Square.
Black Press
Democratic Clubs Interview Candidates for Oakland School Board
OAKLAND POST — For the first time, the interviews were jointly sponsored by the John George Democratic Club, Wellstone Democratic Renewal Club, Oakland East Bay Democratic Club, Black Women Organized for Political Action (BWOPA), Niagara Democratic Club, Block by Block Organizing Network and Oakland African American Chamber of Commerce.
Local Democratic clubs and community organizations interviewed candidates running for Oakland school board in the November elections, including incumbents Jennifer Brouhard in District 2, Mike Hutchinson in District 4 and Valarie Bachelor in District 6.
For the first time, the interviews were jointly sponsored by the John George Democratic Club, Wellstone Democratic Renewal Club, Oakland East Bay Democratic Club, Black Women Organized for Political Action (BWOPA), Niagara Democratic Club, Block by Block Organizing Network and Oakland African American Chamber of Commerce.
The Democratic clubs interviewed only registered Democrats.
John George and Wellstone endorsed Brouhard and Bachelor. Neither endorsed Hutchinson.
In District 4, Wellstone ranked Sylvia Pfeiffer Williams first and Kathryn Camp second. John George ranked Camp first and Williams second.
Hutchinson, an Oakland native and Oakland public schools graduate, highlighted his record.
“I was in board leadership and chaired the Budget and Finance Committee,” he said. “We passed balanced budgets and paid off the state loan early, which allowed us to finally leave state receivership after 22 years.”
Hutchinson said the district faces a financial crisis requiring changes in board leadership and district policies.
“We need a different majority so we can get back on track, end school closures, and manage our resources better,” he said.
Williams taught adult education in Oakland for 18 years.
Williams said her philosophy “comes from the disability justice world, to center the needs of the most vulnerable. When we center the needs of the most vulnerable, we create environments, systems, and learning experiences in which everyone can thrive.”
Williams framed potential school closures as an equity issue.
“Are we thinking about closing schools up in the hills?” she asked. “Or are we thinking about closing schools where communities are in crisis right now?”
Camp, a Bay Area native and Oakland resident of 25 years, has a son in second grade.
“Our kids are only getting one shot at a great education, and I’m running to bring pragmatic, student-centered leadership that restores trust, builds responsibility, and delivers results for every child,” she said.
On her website, Camp pledged accountability and transparency. “As a proud OUSD parent, I know our schools need more than promises – they need fiscal responsibility, equity, and meaningful action guided by long-term strategy,” she said.
“That means protecting classrooms, supporting teachers, using resources wisely, and making decisions that reflect clear priorities and real accountability,” said Camp. “It also means bringing people together and providing the kind of steady leadership that can navigate complex systems, ask hard questions, and stay grounded in what matters most: student outcomes, thriving schools, and a district that works for the communities it serves.”
Wellstone’s Education Committee said it opposed Hutchinson because he frequently challenged the board majority and superintendent.
“He also claims that the teachers’ contract is illegal that a grand jury should be called. He is not endorsed by the teachers’ union; he has been disruptive and non-collaborative at meetings,” and he has been absent 26% of the time, the committee said.
“He claims that the teachers’ contract is illegal and that a grand jury should be called,” the committee said. “He takes individual credit for accomplishments, including paying the state loan, when in fact these changes came from the work of the entire board, or were the result of following through on policy.”
Next week: District 6 school board candidates.
Black History
Nuna Phillips-McKee Celebrates 100 Years: ‘A Century of Faith, Family and God’s Amazing Grace!’
OAKLAND POST — Nuna’s life has been one of Christian service. A longtime member of Wings of Love Maranatha Ministries, now Incredible Church, she serves as director of Community Services and is actively involved in the church’s Food Ministries.
Nuna Phillips-McKee will reach an extraordinary milestone on Sept. 24 —her 100th
birthday, marking a century filled with faith, family, service, laughter and the amazing grace of God.
Born Sept. 14, 1926, in Oakland, Nuna has witnessed a world of change during her lifetime, yet the values that have guided her remain constant: a deep faith in God, devotion to family, a strong work ethic and a heart for serving others.
She enjoyed a distinguished career as a civil servant for more than 40 years, demonstrating the dedication, dependability and strength that have characterized so much of her life.
Nuna’s life has been one of Christian service. A longtime member of Wings of Love Maranatha Ministries, now Incredible Church, she serves as director of Community Services and is actively involved in the church’s Food Ministries.
Through the years, she has continued to help meet the needs of others—not merely with food, but with kindness, compassion and a genuine desire to serve. Her ministry reflects a simple principle by which she lives: when God blesses you, you bless others.
Nuna is the proud mother of one son, whose memory she carries in her heart, and the beloved grandmother of three grandchildren, as well as six great-grandchildren and one great-great-grandchild.
At 100, she has the rare blessing of seeing several generations of her family carrying forward a legacy that began long ago.
She remains the loving, intelligent, witty, and, when the occasion calls for it, delightfully sassy Nuna that her family and friends know so well. Her contagious laugh, quick wit and youthful spirit have endeared her to generations of relatives, church members and friends.
Nuna was born into the large and loving Phillips family of seven sisters and one brother, with bonds that formed in childhood and have remained precious throughout the decades. Their shared love, faith, and family traditions have continued to be a source of joy, strength and countless treasured memories.
As family and friends gather for this special occasion, they will celebrate far more than a number. They will celebrate 100 years of prayers prayed and answered; 100 years of lessons learned and wisdom shared; 100 years of family, faith, laughter and love; 100 years of serving God and serving others.
Most of all, they will celebrate a life that stands as a testimony to God’s faithfulness through every season.
Nuna’s century-long journey can be summed up in the words chosen to commemorate this remarkable occasion: “100 years of God’s amazing grace.”
Black Press
D.A. Ursula Jones Dickson: Terminix to Pay $3.15 Million Over Illegal Disposal of Pesticides, Customer Records
OAKLAND POST — District attorney investigators examining Terminix facilities throughout California between 2021 and 2024 found hundreds of pesticides and other hazardous-waste items that had allegedly been disposed of unlawfully, according to Jones Dickson’s office.
Alameda County District Attorney Ursula Jones Dickson announced a $3.15 million settlement with Terminix International Inc. and Rentokil North America Inc. over allegations that the pest control companies illegally disposed of pesticides and hazardous waste and mishandled confidential customer records.
The settlement was reached by Jones Dickson, 28 other California district attorneys and the Los Angeles city attorney. The companies are collectively identified as Terminix in the settlement.
District attorney investigators examining Terminix facilities throughout California between 2021 and 2024 found hundreds of pesticides and other hazardous-waste items that had allegedly been disposed of unlawfully, according to Jones Dickson’s office.
The investigation also found instances in which Terminix allegedly failed to properly manage and dispose of private customer records, violating California laws intended to protect confidential consumer information.
Terminix cooperated with prosecutors after being notified of the alleged violations, the district attorney’s office said. As part of the settlement, the company agreed to strengthen its policies and procedures governing the handling and disposal of pesticides, hazardous materials and customer records.
The new requirements are intended to prevent prohibited waste from being placed in ordinary trash receptacles or sent to facilities not authorized to receive it. Terminix must also improve safeguards for confidential customer information before records are discarded.
Terminix operates five Alameda County locations under the Terminix and Western Exterminator Company names. The facilities are located in Hayward, Pleasanton and Union City.
Alameda County will receive $160,000 from the statewide settlement for civil penalties and reimbursement of investigative costs.
The agreement resolves the prosecutors’ claims against the companies and requires Terminix to maintain stronger waste-management and privacy protections at its California operations.
Jones Dickson announced the settlement Sept. 4.
-
Black History6 days agoLatest Massacre in Haiti Reveals Cruelty U.S. Deportations
-
Black History1 week agoBooked and Unbound: The Legacy of Black Women’s Literary Circles
-
Black History6 days agoHenry O. Flipper: A Trailblazer at West Point and Beyond
-
Black Press6 days agoAsm. Smallwood-Cuevas’s Bill Repealing ‘Racist’ CalWORKs ‘Man-in-the-House’ Rule Clears Legislature
-
Black History6 days agoOP-ED: If AI Is the New Language of Power, Then NAN Wants Black Communities Fluent
-
Black Press6 days agoCalifornia Legislature Sends Historic Native American Apology Bill to Gov. Newsom’s Desk

