Commentary
Lorraine Toussaint: Veteran Actress Talks ‘The Village’ and Brooklyn
NNPA NEWSWIRE — “You know, there’s a point in your career where you take whatever you can get. And then early on in my career, I realized, oh, I don’t want to do that. I actually want to do certain kinds of roles,” says the Trinidadian born actress. “You then begin to be brave enough to begin to say no to certain things. And then there comes a time, when you reach a point in your career where you intuitively choose certain kinds of work. I’m so pleased to be at that point and that I’m still relevant,” she adds.
By Nsenga K. Burton, Ph.D., NNPA Newswire Contributor
Lorraine Toussaint has plans. The SAG award-winner and NAACP Image award nominee that has an acting career that spans more than thirty years, is starring as Patricia on NBC’s mid-season replacement “The Village,” a show about a motley crew of residents living in a building in Brooklyn with interconnected lives. Filling the time slot of NBC’s mega hit “This Is Us,” “The Village” features an ensemble cast made up of a “who’s who” of television stars (Dominic Chianese, Frankie Faison, Moran Atias, Michaela McManus, Jerod Haynes, Grace Van Dien, Warren Christie and Daren Kagasoff) working together to convey the story of a “family” supporting each other as their lives unfold.
Toussaint, whose career began on the stage, worked for many years in television as a guest star on iconic television shows like “Law & Order,” “Crossing Jordan” and “Ugly Betty.” In recent years, Toussaint has moved from the margins to the center of the drama, most notably as inmate Vee on Netflix’s Orange is the New Black, which earned Toussaint a Critic’s Choice TV award. Driven, Toussaint currently stars in season three of AMC’s “Into the Badlands,” and recently wrapped filming of Julie Taymor’s film, The Glorias, where she plays feminist icon and civil rights legend Flo Kennedy.

Toussaint is an actress who has had the opportunity to play a wide variety of roles, from a concerned mother on “Rosewood,” to a futuristic prophetess on “The Badlands” to civil rights activist Amelia Boynton (Robinson) in Ava Duvernay’s film Selma. When discussing how she chooses characters while promoting “The Village” at SCAD’s aTVfest, Toussaint talks about the journey from taking roles you can actually get to actively deciding to be brave and bold in her choices.
“You know, there’s a point in your career where you take whatever you can get. And then, early on in my career, I realized, oh, I don’t want to do that. I actually want to do certain kinds of roles,” says the Trinidadian born actress. “You then begin to be brave enough to begin to say no to certain things. And then there comes a time, when you reach a point in your career where you intuitively choose certain kinds of work. I’m so pleased to be at that point and that I’m still relevant,” she adds.
Toussaint spent the first 12 years of her acting career on stage, honing her craft and getting the proper training to ensure a long career. In addition to training, Toussaint says she figured out that how she chose roles was as important as getting them or just getting a paycheck. “When you’re well past 50, heading to 60, you reflect on your career. I’ve gotten brave again,” says Toussaint. “I don’t care so much about how it looks or what anybody thinks about it anymore. I’m really going by my own inner barometer, my own moral compass, my own creative impulses, and that feels good,” adds the Brooklyn bred thespian.
“The Village,” which takes place in Brooklyn, is a homecoming for Toussaint, who got the call while filming “Into the Badlands,” in Ireland. “You can’t be in Brooklyn and not have Caribbean representation,” Toussaint offers. “I wanted to make sure that Mike Daniels (showrunner) brought that culture into the show which you see in Season One.” Toussaint incorporates her upbringing and Trinidadian culture into the character of Patricia when bringing her to life.
“It’s something about the way in which I was raised and having been self-governed,” Toussaint reflects. “Coming from a country that is self-governed, where I was never a minority, I didn’t grow up knowing myself to be a minority of any kind, as a woman or as a woman of color. I came from these Amazonian black women, and we never measured ourselves against white people because they weren’t a thought,” Toussaint states matter-of-factly when discussing her childhood.
Toussaint brings this perspective into her character whose life is interconnected with the others in the house including a single mother, a veteran, a law school student and a nurse to name a few. Their struggles involve everything from PTSD to immigration to teen pregnancy, but they manage to get through it. Patricia is one half of an older, black couple who are still in love and still helping to guide and support their makeshift family. Patricia and Ron (Faison) work together to ensure the family remains intact.
Toussaint is proud to bring this type of relationship to television – one with older black people loving each other and their neighbors unconditionally. Playing Patricia gives her an opportunity to show the complexity of black women.
“We [Black Women] are so many things and we aren’t often allowed to show all of those qualities on TV,” Toussaint muses. “This show is different. I play a black mama but I am allowed to be vulnerable, sexy, right, wrong and that’s why she’s interesting. She’s familiar yet different.”
Familiarity yet difference is what makes “The Village” special. “It feels easy and relatable,” says Toussaint. When asked what she wants audiences to get from this show, the enduring actress ponders momentarily. “I want audiences to wish they lived in this building or in this community. I want people to realize it actually takes small gestures to reach out to someone where they are in order to create a little village of your own.”
Toussaint is part of a larger village of black actresses with staying power and the ability to move between television and film in a variety of roles. In an industry that can be fickle and brutal, particularly when it comes to women and women of color, Toussaint’s longevity is remarkable. “I always knew I was going to be a long-distance runner in this business,” Toussaint quips. “I’m grateful that I’m still here, love to go to work every day and in the trenches with such creative talent. I’m especially grateful that you guys still want to see me,” says the veteran actress.
“The Village” airs on NBC at 9 p.m. EST. Check local listings for channel information.
This post was written by Nsenga K Burton, Ph.D., founder & editor-in-chief of The Burton Wire. An expert in intersectionality and media industries, Dr. Burton is also a professor of film and television and co-editor of the book, Black Women’s Mental Health: Balancing Strength and Vulnerability. Follow her on Twitter @Ntellectual or @TheBurtonWire.
BlackPressUSA
Latinas Deserve Equal Pay. Unions Help Make It Happen.
By Fred Redmond
Everywhere you look, everything costs too much. Families are stretching every paycheck to cover soaring grocery bills. Too many are struggling to make rent. Child care, health care and gas bills continue to strain household budgets. Working people are doing everything right, yet too many are still falling behind.
For Latina workers, this crisis is compounded by a persistent and unjust pay gap. That’s why we observe Latina Equal Pay Day on Oct. 8 this year. It brings attention to the fact that among full-time, year-round workers, Latinas earned just 60 cents in 2025 for every dollar earned by white men. That wage gap isn’t just a statistic—it means smaller paychecks, fewer opportunities to build wealth, less financial security and harder choices about how to provide for their families.
Latinas deserve equal pay for equal work. Full stop. Anything less hurts working families and weakens our economy. A union contract can help level the playing field.
The evidence is clear. Hispanic workers overall receive a large wage boost from union membership, with a 16.4% wage premium compared with nonunion Latino workers. Latinas in a union earn about $15,288 more per year than Latinas who are not in a union. Most importantly, union contracts also help narrow the gender pay gap: Women working full time in union jobs earn 86.2 cents for every dollar earned by men who are union members—a significantly smaller gap than among nonunion workers.
Negotiated contracts replace arbitrary decisions with clear wage scales, transparent pay systems and enforceable workplace standards. Instead of leaving pay to bias or favoritism, union contracts establish fair standards that workers can enforce.
A report from the Economic Policy Institute finds that strengthening workers’ rights to organize and increasing union density would significantly reduce racial wage gaps while strengthening our economy and our democracy. Communities with higher union membership invest more in public education, are more likely to expand access to health care and provide stronger unemployment protections when people lose their jobs.
Our labor movement has always understood that civil rights and workers’ rights are inseparable. Dr. Martin Luther King Jr. recognized that truth when he stood with striking sanitation workers in Memphis, Tennessee. Today, we carry that legacy forward by fighting for workplaces where every worker is respected, protected and paid fairly.
Latina Equal Pay Day should not simply remind us how far we still have to go. It should remind us that we already know how to make progress. Progress happens when workers organize. It happens when we bargain together. And it happens when we stand in solidarity with one another. That’s why we must elect leaders who will fight to protect workers’ rights, strengthen unions and defend our democracy.
We must recommit ourselves to building an economy where every worker is valued, every paycheck reflects the dignity of work and every Latina receives the equal pay she has long deserved. Because when Latinas are paid fairly, every family can afford to build a better future.
Fred Redmond, the highest-ranking African American labor official in history, is the secretary-treasurer of the AFL-CIO, the nation’s largest labor federation representing 65 unions and nearly 15 million workers.
Black Press
Should You Have to Pay to Hear the Gospel?
ST. LOUIS AMERICAN — Pastor Philip Anthony Mitchell of Atlanta’s 2819 CHURCH and Tim Timberlake of Celebration Church in Jacksonville, Florida, are at the center of a social media debate. The controversy stems from ticket prices for their “Street Preachers” podcast tour, with general admission tickets reportedly costing around $60 and VIP options up to $200.
For generations, the Black church has passed the offering plate to keep the lights on, pay the preacher, help the poor and carry the Gospel beyond its walls. But what happens when the preacher leaves the sanctuary, takes a popular Christian podcast on tour — and charges admission?
That question has placed Pastor Philip Anthony Mitchell, founder and lead pastor of Atlanta’s fast-growing 2819 CHURCH, at the center of a heated social media debate.
Mitchell and Tim Timberlake, senior pastor of Celebration Church in Jacksonville, Florida, host “Street Preachers,” which its official website describes as a “raw, unfiltered podcast” committed to spreading the Gospel.
‘A brood of vipers’
The controversy began after ticket prices for the podcast’s 2026 tour circulated online. General admission tickets reportedly cost about $60 before fees, with premium options, including a VIP meet-and-greet package, priced at $200. Critics questioned whether ministers should charge people to hear the Gospel.
Others defended the pastors, arguing that Christian events require venues, transportation, security, equipment and staff.
Mitchell answered critics from the pulpit last month, calling them “a brood of vipers.” He said the podcast is a separate, personal project and that neither his church nor Timberlake’s is bankrolling it.
“Now we have decided to go on a tour to take the gospel to cities, and because that’s not funded by 2819, and it’s not funded by Celebration Church, Tim and I gotta do that with our own pockets,” Mitchell said. “It’s why there is tickets. We have to pay for venues and security and productions and staff from our own pockets.”
Mitchell called some critics “ignorant” and said they did not know that a child was healed through faith during one of the events.
“And you want to complain about a 60 ticket?” he said. “So hate on!”
Worship service vs. media event
Mitchell maintains that “Street Preachers” is an independently produced podcast tour, not a worship service, and that ticket revenue helps cover production costs.
Yet the presence of pastors, Scripture and Gospel language makes the distinction less clear to some believers.
The official tour website lists all eight 2026 stops as sold out. Promotional material announcing additional dates promised, “Better ticket options. Same Gospel. Same move of God.”
Corporate prayer gathering
The language gets to the heart of the dispute. Some Christians argue that no one should be kept outside because they cannot afford a ticket. Others say the Gospel remains free even when people pay for the venue and experience surrounding its presentation.
The paid podcast tour, however, is not Mitchell’s only large-scale gathering. On Oct. 10, 2819 CHURCH will host “ACCESS — That Powerful Hour of Prayer” at AT&T Stadium in Arlington, Texas. Admission is free.
2819 CHURCH has said 80,000 free tickets were claimed before registration reopened.
The contrast raises another question: What makes one Gospel-centered event a ministry supported by donors and another a production supported by customers?
Unfiltered preaching, youth appeal
Mitchell’s congregation, composed largely of young Black adults, grew from fewer than 200 weekly worshippers in 2023 to about 6,000, according to the church. Some worshippers arrive before sunrise to secure a place inside.
His appeal rests partly in an intense, vulnerable and raw preaching style.
“I’m preaching without watering that down, without filtering out things that we think might be too controversial,” Mitchell told The Associated Press.
That visibility has also brought scrutiny of his theology, associations, travel, security and the businesses surrounding his ministry.
But the controversy reaches beyond Mitchell and Timberlake. Christian music concerts charge admission. Seminaries charge tuition. Religious publishers sell Bibles, books and devotionals. Churches pay musicians, media teams and guest preachers. Money becomes particularly uncomfortable, however, when an event is presented simultaneously as ministry and entertainment.
Ministry vs. entertainment
Supporters should not assume every dollar collected becomes personal profit. Critics, however, question whether lower-cost seats, sponsored tickets or free admission for people who cannot pay should be part of a Gospel-centered event.
The Black church always has required resources for ministry. It also has carried a sacred responsibility to make room for people with little or nothing to give.
The sold-out “Street Preachers” tour shows people are willing to pay to attend. The free ACCESS gathering offers a different model. The challenge is preserving that open door as Christian ministry increasingly adopts the machinery — and economics — of popular entertainment.
The post Should you have to pay to hear the Gospel? appeared first on St. Louis American.
Based on reporting by St. Louis American.
Black Press
NCCU Ramping up for the 89th Ultimate Homecoming Experience
NORTH CAROLINA CENTRAL UNIVERSITY – CAMPUS ECHO — N.C. Central University is preparing for its 89th Ultimate Homecoming Experience, a week-long celebration. Thousands of students, family, friends, and alumni are expected to gather on campus for festivities including the Homecoming Countdown, parade, Miss and Mister NCCU Coronation, concerts, and the football game.
This Saturday N.C. Central University will kick off its 89th Ultimate Homecoming Experience — a week-long celebration bringing thousands of students, family, friends and alumni to campus.
This year’s festivities include the Homecoming Countdown, parade, Miss and Mister NCCU Coronation, concerts and the football game.
The number of visitors to the football game on Saturday, Oct. 10 is expected to reach at least 10,000 — O’Kelly Riddick Stadium’s capacity, with NCCU’s recent enrollment increase of more than 10,000 students.
The Eagles will face William & Mary after playing against the Campbell University’s Fighting Camels on Oct 3.
Students are already expressing excitement for the upcoming festivities.
“I’m excited for homecoming because I can meet alumni and go outside and party with my fellow eagles,” Digital Filmmaking junior Rhese Gardner said. “I’m also really looking forward to the Greek Bowl because there’s a lot going on.”
He added that even though he’s disappointed this semester’s Oil Spill was canceled, he’s still excited for the other events like the parade and concerts.
Here is a list of the week’s on-campus events:
- Oct. 3 – Homecoming Countdown
- Oct. 4 – Gospel Concert
- Oct. 5 – Coronation of Miss and Mister NCCU
- Oct. 6 – 10:40 Break
- Oct. 6 – Homecoming Experience Showcase
- Oct. 7 – Fried Chicken Wednesday
- Oct. 7 – Festival Block Party
- Oct. 7 – Late Night Breakfast
- Oct. 8 – Back to the Nest Young Alumni Mixer
- Oct. 8 – Old School Greek Stroll Off
- Oct. 8 – Hip-Hop Concert
- Oct. 9 – Step Show
- Oct. 10 – Football Game
The post NCCU ramping up for the 89th Ultimate Homecoming Experience first appeared on Campus Echo Online.
Based on reporting by North Carolina Central University – Campus Echo.
Black History
Ghana’s Ministry of Foreign Affairs Publishes Global Circle’s Vatican Reparations Call in Special Edition Alongside Heads of State
GLOBAL CIRCLE FOR REPARATIONS AND HEALING — Ghana’s Ministry of Foreign Affairs has published the Global Circle for Reparations and Healing’s submission, “From Accra to the Vatican,” in a special edition of The Ghanaian Envoy. This marks the first time a sovereign state has incorporated the Reparations Presentment to the Holy See into its official record. The 175-page edition, titled “Creating A New World,” also documents Ghana’s campaign that led to UN Resolution A/RES/80/250, which recognized the trafficking and enslavement of Africans as the gravest crime against humanity.
“From Accra to the Vatican” appears in The Ghanaian Envoy Special Edition on UN Resolution A/RES/80/250 — the first time a sovereign state has carried the Reparations Presentment to the Holy See into its official record
ACCRA, Ghana / CHICAGO, Illinois — October 7, 2026 — The Global Circle for Reparations and Healing today announced that its submission to Ghana’s Ministry of Foreign Affairs, “From Accra to the Vatican: A Call for a Global Plan of Action on Catholic Church Redress”, has been published in the Special Edition of The Ghanaian Envoy, the official newsletter of the Ministry of Foreign Affairs of the Republic of Ghana. The 175-page edition, titled “Creating A New World,” documents the Ghana-led campaign that culminated on March 25, 2026, in United Nations General Assembly Resolution A/RES/80/250, which declared the trafficking of enslaved Africans and the racialized chattel enslavement of Africans the gravest crime against humanity.
The Global Circle’s submission, authored by Co-Convener Kamm Howard, appears in Part V of the edition, “What Repair Must Now Mean,” at page 161. It shares the volume with statements by President John Dramani Mahama of Ghana, President Joseph Nyuma Boakai Sr. of Liberia, President Netumbo Nandi-Ndaitwah of Namibia, President Bassirou Diomaye Diakhar Faye of Senegal, President Carlos Manuel Vila Nova of São Tomé and Príncipe, President Emmanuel Macron of France, Prime Minister Mia Amor Mottley of Barbados, United Nations Secretary-General António Guterres, Foreign Minister Samuel Okudzeto Ablakwa, African Union Commissioner Amma Twum-Amoah, CARICOM Reparations Commission Chair Sir Hilary Beckles, Nobel Laureate Wole Soyinka, Dr. Julius Garvey, and Congressional Black Caucus Executive Director Vincent Evans, among others.
The submission traces the Global Circle’s delivery of the Reparations Presentment to the Holy See in Vatican City on July 18, 2022, the document’s subsequent use by the former Vice President of Costa Rica and the Vice President of Colombia in their engagements with Pope Francis, and the partial response contained in Pope Leo XIV’s May 2026 encyclical Magnifica Humanitas. It argues that while three of the Presentment’s seven demands have entered the Church’s official language in diluted form, four remain wholly unmet: rescission of the papal bulls that authorized African enslavement, the Church’s call upon other offending Western nations to make redress, the establishment of a joint Vatican–African Diaspora–African Papal Commission on Reparations and Healing, and a substantial financial commitment to repair. The submission asks Ghana to adopt the Presentment as the reference instrument for a Vatican track within the Accra Next Steps Commitments and to convene a first meeting of Global African reparationists toward a collective response.
“For four years the Presentment has been a civil society document carried by civil society hands,” said Kamm Howard, Co-Convener of the Global Circle and Commissioner of the National African American Reparations Commission. “Ghana has now placed it in the official record of a sovereign state, in a volume that opens with a President’s address to the General Assembly and closes by asking what repair must mean. That is not a courtesy. It is a signal to every government, every reparations commission, and every African Catholic that the claim against the Holy See belongs on the state agenda, and that the state which broke the deadlock at the United Nations is prepared to see it there.”
The significance of the publication extends beyond the Vatican file. The Presentment was created as a legal claims instrument by Howard in 2014 and first delivered to corporations and institutions in the United States, where it secured significant concessions. Its appearance in a foreign ministry’s official publication, translated and distributed in English, French, Portuguese, Spanish, and Italian, establishes the reparations presentment as a recognized instrument of international reparatory diplomacy, one that other states and descendant communities can adopt without drafting a new framework of their own. The Global Circle has described this catalytic potential as the “N’namba Effect,” after the Evanston, Illinois, reparations initiative – led by N’nanba Robin Rue Simmons – that gave municipalities across the United States the model, permission, and courage to act.
“The Vatican told us in 2022 that it moves in fifteen-year increments,” Howard added. “Ghana has just demonstrated at the United Nations that a determined state can compress that timeline to a single vote. We are asking Ghana to do for the Church what it did for the General Assembly, and we are asking Global Africa to organize behind that ask with one document, one voice, and one set of demands.”
The Global Circle has written to President Mahama and Foreign Minister Ablakwa to express its gratitude and to propose that its Vatican and Interreligious Actors Working Group lead the first meeting on a collective Vatican response under the auspices of the Government of Ghana. The Global Circle has also formally advised the Congressional Black Caucus of the publication in connection with its pending request that the Caucus recognize the Presentment as the foundational document for reparations engagement with the Roman Catholic Church and join the Government of Ghana in this global call to action.
###
About the Global Circle for Reparations and Healing
The Global Circle for Reparations and Healing was convened in 2022 to help build united global reparations front across Africa and its worldwide diaspora. In July 2022 the Global Circle delivered the Reparations Presentment to the Holy See in Vatican City. It co-organized Accra Summit I in August 2022 with the Government of Ghana and the Africa Transitional Justice Legacy Fund, and led the organization of Accra Summit II: Centering Healing Across Global Africa in March 2025 in partnership with the African Union. The Reparations Presentment to the Holy See is available in English, French, Italian, Portuguese, and Spanish at gcrh.org.
Media Contact
Global Circle for Reparations and Healing
Kamm Howard, Co-Convenor
[email protected] 773 520 0369
gcrh.org
Black Press
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Black Press
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