Black History
2019 New Orleans Jazz & Heritage Festival – A Melting Pot of the Finest Music
NNPA NEWSWIRE — The 2019 New Orleans Jazz & Heritage Festival kicked off its 50th year anniversary with a bang. The annual two-weekend fest featured world-renown musicians, tempting food concession stands, a friendly crowd of music fans and a positive vibe that was even warmer than the sun.
By Dwight Brown, NNPA Newswire Film Critic
The 2019 New Orleans Jazz & Heritage Festival kicked off its 50th year anniversary with a bang. The annual two-weekend fest featured world-renown musicians, tempting food concession stands, a friendly crowd of music fans and a positive vibe that was even warmer than the sun.
Jazz Fest dates back to 1970, when Mahalia Jackson and Duke Ellington graced the stages for famed producer/impresario George Wein. Over the years that spirit has developed into a festival that embraces indigenous music, jazz, blues, soul, funk, Dixieland and Zydeco, rock, pop, country, Latin music, folk and other genres.
As you walk around the Fair Grounds where the fest takes place, on lush lawns or soft sand, you encounter various stages and gigantic white musical tents (jazz, blues, gospel). There’s a wide variety of food booths (ever hear of Alligator Pie?), arts and crafts tents and cultural centers too.
This year, the list of vibrant acts included artists like these:
Ziggy Marley: Legendary singer Bob Marley had 12 children. The most famous is Ziggy Marley, who heads the band Ziggy Marley and the Melody Makers. His career has spanned 15 years and his latest album “Rebellion Rises,” which continues his father’s legacy of social awareness, formed the basis of his energetic performance on The Congo Square Stage, which is usually reserved for African Heritage music. Dancing to a reggae beat and swaying in unison with his backup singers, Ziggy’s optimistic vibe lit the crowd up. One of the biggest treats for his sundrenched fans was his classic, “True to Myself.” Bob had a once-in-a-lifetime voice. Ziggy has a verve all his own and he passes on his father’s spirit of peace and love.
Tom Jones: He’s been around since the ‘60s, currently appears on The Voice UK and Tom Jones’ set was on Gentilly Stage, second largest at NOJHF. Stripped down to just a guitar, a bass and drums, Jones’ band captured a strong beat as his baritone voice bellowed through the air. He performed like he was a young rocker in his prime, and not like a 79-year-old man. Screaming “Maybe there ain’t no heaven. Maybe there ain’t no hell,” the lyrics from his hit song “Burning Hell,” Jones held the audience in the palm of his hand. He was in fine voice, oblivious to the ravages of time and displaying enough British swagger to start a street fight. As his concert continued, with something old and something new, the crowd was amazed that this is the man who rose to fame in 1965 with “What’s New Pussycat.” That’s 55 years ago and counting!
Mavis Staples: As Mavis Staples approaches 80 years of age, she’s turned back the clock by working with younger producers (Ben Harper), exploring music that takes her out of her comfort zone of R&B, Blues, Soul and Gospel, and incorporating those sounds into whatever music she tackles. Innovation came to mind when she launched into The Talking Heads “Slippery People.” Backed by a top-notch band, she infused a funky gospel spirit into her arrangement: “What’s the matter with him? He’s alright. How do you know? The lord won’t mind. Don’t play no games, he’s alright
Love from the bottom to the top.” Emphasizing the syncopation, swirling around on stage, throwing her hands in the air, shuffling her shoulders and occasionally letting out her famous earthy growl, she slayed the crowd. It was a song that the Staple Singers had covered in the mid ‘80s, and Mavis, like she always does, made it her own. The crowd inside the Jazz Tent was so large it spilled outside. They all knew they were watching an icon create a moment that was going to be memorable for years to come. Staples was equally strong with the socially conscious Buffalo Springfield hit “For What It’s Worth.”
Chris Stapleton: Stapleton used to be known for writing hit songs for country music stars like Miranda Lambert, Kenny Chesney and Blake Shelton. That changed one night in 2015 on a broadcast of the Country Music Awards when he dueted with Justin Timberlake. They sang harmony together on “Tennessee Whiskey,” and Stapleton flaunted a supple, elastic voice that was far more flexible and soulful than that of most country western singers. As he took his place on Acura, the biggest stage at NOJHF, the audience had grown deep into the thousands and the Grammy-winner didn’t disappoint. Catchy songs like “Traveler” and “Broken Halos” played to country music fans. His performance of “Millionaire” was more reminiscent of a southern/soul/rock style, the kind that rock legends like Delaney & Bonnie or Leon Russell coined back in the 70s when they blended genres. With his gravelly voice, Stapleton led the listeners through his stable of songs, ending the night with the aforementioned “Tennessee Whiskey,” a sweet song even Patti LaBelle covers in her concerts.
Gary Clark Jr.: Out on a tour that will last at least until September, Clark did his usual opening song, “Bright Lights.” It’s the perfect song to use to begin a set, as he sings to the audience, “You gonna know my name by the end of the night.” This gifted lead guitarist is often mentioned in the same breath with Jimi Hendrix, Eric Clapton and Prince. He’s not as enigmatic as the Jimi, as melodious as Eric nor as dynamic on stage as Prince, but he lets his strumming do the talking. A modern, wide-brimmed hat along with his signature red Fender Stratocaster solidifies his brand. Classic songs like “When My Train Pulls In” and “Gotta Get Into Something” pushed the crowd into a fervor.
Rita Coolidge: Known as the first person to sing the song “Superstar,” and later credited for co-writing it, Rita Coolidge stepped on to the stage dressed in a white blouse and pants with white sneakers. Her set list started with the feminist song “Basic Lady:” “Basic lady doesn’t need a diamond ring…” She sashayed around the stage with great confidence as her country-sounding band played on. Her voice was not as rich and smooth as it has been (the 2005 jazz album “And So Is Love” features her smoothest vocals), but her star power was making up for it. Fans liked her most popular hits the best: “Higher and Higher” and “We’re All Alone.”
Gladys Knight: She’s got more hits than most, a stronger voice than many and her fans know the words to her songs as well as she. So, when Gladys Knight asked the crowd to sing along with her, she got a backup chorus that was in tune and well-rehearsed. Strutting around in a black jumpsuit with a white blouse, Knight commanded her band and crooned. After several residencies in Vegas, this show woman knows exactly how to make an audience happy. With a great sense of urgency, she sang: “I’ve got to use my imagination. To think of good reasons. To keep on keepin’ on (keep on keepin’ on)…” The Pips were missed but ably replaced by a gigantic crowd of well-wishers. “The Best Thing That Ever Happened to Me” was just one in a string of tunes to come that had the audience remembering how Gladys Knight has been such a unique talent for five decades.
Los Lobos: This rock band from East Los Angeles defies categories. Hints of Tex-Mex, zydeco, R&B, blues and other genres are the sounds that make their music distinctive. Their brand of brown-eyed soul has made them a vibrant presence on the music scene since the 1970s. Different members have come and gone over the years, but their affable vibe has remained the same. The band’s name means “The Wolves,” so when they broke into one of their most famous songs, “Will the Wolf Survive?” the audience was particularly happy. Also, of great interest was their rendition of “La Bamba:” the group’s leader, David Hidalgo, sang it, just like he did for the movie of the same name. Actor Lou Diamond Phillips played the lead character Richie Valens in that film, but when it was time to sing, he was miming to Hidalgo’s savory vocals.
These were but a few of the magical roster that had attracted artists from everywhere, who were performing all kinds of music: Diana Ross, Taj Mahal and the Phantom Blues Band, The Doobie Brothers, Santana, Gregory Porter, Katy Perry, Al Green and Bonnie Raitt were all a part of the festivities along with many others.
The 2019 New Orleans Jazz & Heritage Festival was a big gumbo of music that gave NOLA audiences lots to savor.
Visit NNPA Newswire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.
Black History
IN MEMORIAM: The Rev. Leon “Sonny” Clark, Longtime Orange County Pastor and Community Leader, Dies at 72
Rev. Leon William “Sonny” Clark, the longtime pastor of New Spirit Baptist Church in Santa Ana and a prominent faith and community leader in Orange County, passed away on September 9 at the age of 72. Born in Bennettsville, South Carolina, Clark was a U.S. Navy veteran who dedicated his life to service. He served various Southern California churches before leading New Spirit Baptist Church for over 22 years, extending his work into counseling, mentoring, and civic engagement, and supporting the African American community. To learn more about his life and contributions, read more.
Rev. Leon William “Sonny” Clark, longtime pastor of New Spirit Baptist Church in Santa Ana and a respected faith and community leader in Orange County, died Sept. 9. He was 72.
Born Oct. 2, 1953, in Bennettsville, South Carolina, Clark was a U.S. Navy veteran who later built a life of service centered on family, faith, ministry, and community.
Clark began his formal ministry at Metropolitan Baptist Church in Altadena in 1978. After acknowledging his call to ministry in 1980, he preached his first sermon and went on to serve churches throughout Southern California, including Second Baptist Church in Riverside, Mount Vernon Baptist Church in Rubidoux, Antioch Missionary Baptist Church in Pomona, and Friendship Baptist Church in Yorba Linda.
In November 2003, Clark was called to lead New Spirit Baptist Church in Santa Ana, where he served as pastor for more than 22 years. His work extended beyond the pulpit through counseling, mentoring, civic engagement, and efforts to strengthen Orange County’s African American community.
Clark served on the Orange County Heritage Council and supported efforts to preserve and celebrate African American history and culture. He helped organize the Orange County Black History Parade and Unity Festival, served on the Interfaith Committee and the Orange County Transit Authority, and served as president of the Orange County Ministers Conference.
In 2024, the City of Santa Ana recognized Clark for his contributions to the community. He also received the Orange County Southern Baptist Association Hall of Faith Award and was previously honored as Pastor of the Year by the Orange County Heritage Council.
Clark is survived by his wife, Andrea Joyles Clark; six children, Shawn Williams, Le Ondra Clark Harvey, Kyla Coward, Joshua Clark, Marissa Clark and Ashley Clark; grandchildren and great-grandchildren; siblings; extended family; and the New Spirit Baptist Church congregation.
A wake will be held Thursday, Oct. 1, from 4 to 8 p.m. at New Spirit Baptist Church, 701 S. Sullivan St. in Santa Ana, with a remembrance service from 5 to 6:30 p.m.
A Celebration of Life will be held Friday, Oct. 2, at Friendship Baptist Church, 17145 Bastanchury Road in Yorba Linda. Viewing begins at noon, followed by the service at 1 p.m.
Burial will take place Monday, Oct. 5, at 10:15 a.m. at Riverside National Cemetery.
Clark often shared a guiding principle that shaped his ministry: “Start where you are. Use what you have. Do what you can.”
Black History
Remembering Chauncey Bailey as Student Journalists Face Threats to Truth-Telling
Nearly two decades ago, Oakland Post reporter and editor-in-chief Chauncey Bailey was tragically murdered for investigating a crooked business. His assassination shocked the journalism world and is remembered as student journalists today face increasing threats and censorship. A former classmate of Bailey and chair of the Student Press Law Center notes a significant rise in calls from students seeking legal advice amid a hostile environment. This situation highlights the importance of protecting young journalists and their pursuit of truth. Read more to learn about Bailey’s legacy and current challenges facing student press.
It is nearly 20 years since Chauncey Bailey, a crusading journalist, was murdered
on an Oakland street corner, gunned down to prevent him from writing stories about a
crooked business.
I hope people remember Bailey, a reporter and editor-in-chief for the
Oakland Post, the city’s Black newspaper. He had already written several articles about
the problems of a business called Your Muslim Bakery and was working on another
when the bakery’s owner ordered an employee to kill Bailey.
His murder shocked the journalism world that found the idea of an American
reporter killed for doing his job unfathomable. For me, the shock and sadness were also
personal.
I knew Bailey. In the mid-1970s we were classmates in the Michelle Clark Memorial
Foundation program, the precursor to the Institute for Journalism Education Summer
Program. A program, backed by the Ford Foundation, that provided intensive training
for fledgling minority journalism students and then placed them in jobs at newspapers
and television stations.
I’m reminded of Bailey and that program when I visit the East Bay at the end of
September to discuss the future of student journalism. To me, the visit will not only
evoke memories of Bailey. It will also be an opportunity to hone strategies to protect and
support student journalists who are under attack today, maybe not in the way that took away Chauncey Bailey, but an attack, nonetheless.
Spurred by the hostility toward the free press emanating out of Washington, high
school and college journalists are facing a barrage of censorship and harassment from
school administrators and local officials.
The 24-hour hotline staffed by the Student Press Law Center (SPLC), the non-profit I chair, has seen a 35% increase in calls from student journalists seeking legal advice on censorship, libel and copyright issues during the past two years, as well as a tripling in the number of complaints of harassment, including threats of firing, of faculty advisors.
I am not suggesting today’s national climate is as dangerous as the murderous
intentions of Yusef Bey IV, the man who ordered Bailey’s assassination. But the
harassment of student journalists does kill something else. It can destroy the desire of
student journalists to continue their growth to become professional news gatherers and
producers – something the country will always need.
It is that professional maturation that I’m reminded of when I think back on Chauncey
Bailey.
Truth be told, when we were classmates back in 1974 Bailey was the class clown,
known more for his sardonic wit than his writing or reporting talent. I have vivid
memories of Bailey sitting at his desk in the back of the room regaling us with sarcastic
comments. Sure, he was funny.
And he didn’t exhibit the level of reporting skills of our other classmates such as Milton Coleman who went on to be the Deputy Managing Editor of the Washington Post or Alexis Scott who for years has run the Atlanta Daily World.
After a series of reporting jobs in Hartford, Connecticut, Detroit, Michigan, and Oakland, Bailey had risen in talent and skill to helm this very newspaper. A tip from a source led Bailey to look into the possibility that Bey was running Your Muslim Bakery into bankruptcy. Word that Bailey was working on that story filtered back to Bey who ordered the journalist killed.
On August 2, 2007, Bailey was shot three times at point-blank range as he walked to work.
So, when I think of my trip to the East Bay my thoughts go to journalism’s past
represented by Chauncey Bailey’s sacrifice and what the staff and the board of SPLC
can do to secure the current and future work of student journalists.
Steven A. Holmes is a former Pulitzer Prize-winning journalist. His novel “Black Messiahs” was published in May this year.
Black History
In Wake of Death on Doorstep, Williams Chapel Baptist Church Calls for Better Care, Funding for Unhoused
An unhoused individual was found deceased on the steps of Williams Chapel Baptist Church in East Oakland at approximately 6:30 a.m. Monday. The church, located at 1410 10th Ave., extended condolences to the individual’s family, noting the tragedy reflects a broader crisis. Williams Chapel Baptist Church provides shelter and referral services, working with West Side Missionary Baptist Church. They call for increased funding and collaboration to expand services for unhoused individuals. Read more to learn about the church’s efforts and the call for solutions.
Church extends condolences to individual’s family and loved ones
At approximately 6:30 a.m. Monday, an unhoused individual was found deceased on the steps of Williams Chapel Baptist Church, located at 1410 10th Ave. on the corner of 10th and International in East Oakland.
The individual appears to have come to the church seeking safety and may have needed medical support. We extend our deepest condolences and prayers to the individual’s family and loved ones.
This tragedy reflects a broader crisis affecting unhoused individuals and families throughout the Bay Area. Too many people are living without reliable shelter or timely access to medical care, mental health support, and other essential services. Limited funding and insufficient resources continue to leave vulnerable people without the help they need.
Williams Chapel Baptist Church, a member of the Interfaith Council of Alameda County, works alongside West Side Missionary Baptist Church to provide safe-haven overnight parking, tiny-home emergency shelter, and wraparound referral services to the unhoused.
With funding, both East and West Oakland sites can increase to full capacity and extend to other congregations, creating more safe places for people living on the streets to seek shelter, support, and connection to services.
We invite government agencies, nonprofit organizations, interfaith communities, businesses, and neighbors to join us in this work. By working together with compassion and purpose, we can develop meaningful solutions and help more people experiencing homelessness receive care, stability, and dignity.
Black History
Caribbean Nations Produce Action Plan Calling for UK Reparations Over Slavery
Caribbean nations are developing an action plan with legal options to press the United Kingdom for negotiations regarding slavery reparations. Officials at a recent conference indicated that regional leaders hope for targeted talks at upcoming Commonwealth and UN summits. However, if diplomatic efforts are resisted, the Caribbean nations are prepared to pursue international court action. A spokesperson for the British government recently reiterated its long-held position against paying reparations. Read more about the unified strategy being pursued.
Caribbean nations are producing an “action plan” with legal options to push the United Kingdom (UK) into negotiating a decades-long slavery reparations deal, according to officials at a reparations conference.
Leaders in the region are hoping the UK would agree to targeted and constructive negotiation talks at upcoming Commonwealth and UN summits, but they are ready to take the matter to international courts if Britain continues to resist diplomatic options, according to the Guardian.
Earlier this month, a spokesperson reiterated the British government’s long‑held position that “the UK does not and will not pay reparations”.
Ralph Gonsalves, the former prime minister of St. Vincent and the Grenadines, said the Caricom Regional Conference on Reparations, which was hosted last week by Barbados with the Caricom Reparations Commission (CRC), was key for agreeing to a unified strategy to bring Britain to the negotiating table. Gonsalves is now an elder and adviser for the Repair Campaign, a social movement for reparatory justice.
He said that slavery happened over centuries and reparations had to be realistic and set over decades. “We need a concrete, multigenerational plan,” he said.
On the legal options available to the Caribbean, Gonsalves challenged arguments that Britain did not violate historical laws during transatlantic slavery, adding that the UK’s signature on contemporary UN conventions had established a binding legal obligation for reparative justice.
“The fact is that the consequences of slavery fall squarely under the Committee on the Elimination of Racial Discrimination, which obliges states to help address the consequences of native genocide and slavery,” Gonsalves said.
Black History
Doulas Are Helping Black California Moms Navigate Pregnancy–Even as High Mortality Rates Persist
In California, Black women experience the highest pregnancy-related mortality rate — about four times greater than other women, according to statistics. From 2021 to 2023, the leading causes of pregnancy-related deaths included cardiovascular disease, COVID-19, hemorrhage, sepsis, amniotic fluid embolism, and pulmonary embolism.
After losing twins, Long Beach resident Cassandra Carter approached the birth of her daughter, Nyomi, last November with anxiety. She wanted support for herself and her husband, Adewole, that extended beyond routine medical care.
“Getting pregnant as a Black woman, I wanted a team around me that made me feel safe,” she said. “I know all about the mishaps that Black women experience.”
Carter, a therapist and self-described hippie, hired Yvette Perry, a doula and co-founder of Divine Birthing Services LLC in Lancaster. Perry helped Cassandra craft a detailed birth plan.
“I was worried about postpartum depression. Mrs. Yvette knows a lot about how postpartum affects men as well,” Carter explained.
Perry was present the day Nyomi was born. She held the baby when Carter or her husband needed a moment and even set up candles in the birthing suite.
“Whatever I needed for my comfort, she was there,” Carter said of Perry. “She was there as an advocate and voice. I had a really serene birthing experience because I had someone extra who wasn’t tied to me as my family.”
Perry, a doula for nearly six years, said preexisting conditions, poor communication and dismissive hospital care heighten health risks for Black mothers.
“Sometimes, Black mommies are not being heard. They don’t know they have rights. They don’t know they can say, ‘no,’” Perry explained. “Doulas empower them. We are there to educate them.”
Perry’s concerns reflect a broader public health crisis. According to the Centers for Disease Control and Prevention’s 2024 maternal mortality report, non-Hispanic Black women in the U.S. died from pregnancy-related causes at a rate of 44.8 deaths per 100,000 live births.
In California, Black women experience the highest pregnancy-related mortality rate — about four times greater than other women, according to statistics. From 2021 to 2023, the leading causes of pregnancy-related deaths included cardiovascular disease, COVID-19, hemorrhage, sepsis, amniotic fluid embolism, and pulmonary embolism.
The Centering Black Mothers in California report found that structural racism — including barriers to high-quality health care, and chronic stress— disproportionately harms Black women.
In a statement to California Black Media (CBM), the California Department of Public Health (CDPH) said maternal mortality disparities stem from multiple factors. The department said addressing structural racism, listening to Black women’s experiences and reducing provider bias are key to closing the gap.
California began covering doula care as a Medi-Cal benefit in 2023, providing eligible patients with support during pregnancy, childbirth and the postpartum period, according to CDPH.
Whitney Dotson of Inglewood wanted an expert on pregnancy, labor, and delivery to guide her and her husband, Anthony, through the birth of their son, Anthony III. So, she hired Perry for doula support.
“It’s always more comfortable when you can have a second opinion,” she said. “Knowing she was better versed in what the options were, made me more comfortable.”
Dotson, 39, had a healthy pregnancy but faced recommendations common for expectant mothers over 35. Her doctor advised inducing labor at 39 weeks, but she hoped to carry to full term.
“I wasn’t comfortable with that,” she admitted.
Perry provided Dotson with information about induction guidelines and alternatives, helping her understand her options and communicate her preferences.
Then, Dotson returned to her doctor.
“I said, ‘I don’t want to — and this is why,’” she recalled. “He agreed and pushed the induction date back a week.”
Perry also advised Anthony on how he could support his wife during and after the pregnancy and during Anthony III’s birth. She also reminded Dotson to change birthing positions — from her back to her hands and knees.
Before Saveneh Martinez became a doula with Fierce Advocates in Contra Costa County, she was a new mom, uneducated on aspects of birth, which led to her first child, Colton, being placed in a Neonatal Intensive Care Unit.
“I didn’t know my choices,” she said.
Martinez called it “lifesaving” for expecting moms to have a doula.
“It should be a medical right,” she said.
California Perinatal Quality Care Collaborative (CPQCC) Senior Associate Medical Director Kimberly D. Gregory said research suggests that doulas decrease the pre-term birth rate and the likelihood of a C-section.
“Having a doula is a proactive thing to do,” she said.
Efforts are being made across the state to reduce maternal deaths.
CDPH’s Title V Action Plan aims to reduce pregnancy-related deaths among Black birthing mothers from 49.7 to 42.3 per 100,000 live births by 2030 through improvements in patient-centered care, expanding community-based perinatal teams, and addressing the social factors that contribute to poor maternal health outcomes.
CDPH’s Black Infant Health (BIH) Program and Perinatal Equity Initiative (PEI) have already begun to make headway.
“BIH’s prenatal group model improves key intermediate outcomes for participants, including increased social support and empowerment, better stress management, reduced depressive symptoms and gains in health knowledge and behaviors such as safe sleep practices and reduced smoking,” the CDPH told CBM.
“PEI’s early implementation results show progress across several participant-reported areas, such as improved birth experiences, breastfeeding initiation, and coparenting skills among fathers and partners,” the CDPH statement continued.
Gregory said the California Pregnancy Associated Review Committee examines maternal deaths and develops guidelines to help hospitals improve care. One of its main recommendations focuses on how hospitals respond to hemorrhaging, a leading cause of pregnancy-related deaths.
Gregory said CMQCC also created standard clinic care practices for cardiovascular disease and sepsis, two more drivers of maternal mortality, but widespread implementation across the state is pending.
She noted that although there are 800 maternal deaths a year in the U.S., there are also 3.6 million births.
“Most people will do well,” she said. “But you should know about complications like preterm birth. You should know about complications like diabetes, preeclampsia and postpartum depression.”
Martinez said doulas help to make birthing the transformative experience that it is, instead of a routine clinical transaction.
“Being able to feel heard, seen, safe, respected, and just being able to create spaces for them to be held as well,” she said.
Supported by the California Health Care Foundation (CHCF), which works to ensure that people have access to the care they need, when they need it, at a price they can afford. Visit www.chcf.org to learn more.
Art
Peter Magubane: a Camera Against Apartheid
THE POSITIVE COMMUNITY — Peter Magubane, a pioneering South African photographer, dedicated his life to documenting the realities of apartheid. Born in 1932, Magubane began his career at Drum magazine in 1954, initially as a driver before becoming a photographer.
Peter Magubane was more than a photographer. He was a witness, storyteller, historian and courageous chronicler of one of the most turbulent periods in South African history. Born on January 18, 1932, in Vrededorp, Johannesburg, and raised in Sophiatown, Magubane discovered photography as a young boy after receiving a Kodak Brownie camera. That simple camera would eventually become his instrument for documenting the lives, struggles and determination of Black South Africans. He died on January 1, 2024, at the age of 91, leaving behind one of the most important photographic archives of South Africa’s apartheid era.
Magubane’s professional journey began at Drum magazine in 1954. He initially worked as a driver and messenger, but his ambition was to become a photographer. Under the mentorship of Drum’s legendary chief photographer Jürgen Schadeberg, Magubane developed his skills and began photographing major political and social events. His first significant assignment involved covering the 1955 African National Congress convention. From that point forward, photography became his way of documenting a country undergoing enormous change.
The South Africa that Magubane photographed was governed by apartheid, a system that legally enforced racial segregation and discrimination. For Black South Africans, everyday life was shaped by restrictions on where they could live, work and travel. Magubane did not limit himself to photographing politicians or famous leaders. He photographed ordinary people—children, workers, families and communities—giving the outside world a visual record of what apartheid meant in everyday life.
One of the defining moments of Magubane’s career came in 1960, when he photographed the aftermath of the Sharpeville Massacre. His photographs helped bring international attention to the violence surrounding resistance to apartheid. He also photographed the 1956 women’s anti-pass march, the Rivonia Trial involving Nelson Mandela and other activists, and numerous other events that became part of South Africa’s historical record.
Magubane paid an enormous personal price for his work. In 1969, he was arrested while photographing protesters outside Pretoria Central Prison. He was subsequently held in solitary confinement for 586 days. After his release, the apartheid government placed him under a banning order that severely restricted his ability to work and move freely. Yet the restrictions did not convince him to abandon photography. Instead, they demonstrated just how powerful the authorities believed his photographs could be.
In 1976, Magubane documented the Soweto Uprising, when thousands of Black students protested against the apartheid government’s education policies. His photographs captured young people confronting police violence and became some of the most internationally recognized images of the uprising. Despite the danger, Magubane continued photographing what was happening around him. His work transformed individual moments of protest into permanent historical evidence that could not easily be erased.
His creativity was matched by his determination to get the picture. Because authorities restricted photographers and attempted to prevent journalists from documenting certain events, Magubane sometimes concealed his camera in unusual places, including a hollowed-out Bible, bread and other objects. These methods allowed him to continue working when openly carrying a camera could attract police attention. His photographs demonstrated that documentary photography sometimes requires not only technical ability but extraordinary courage and resourcefulness.
After Nelson Mandela was released from prison in 1990, Magubane entered another important chapter of his career. He became Mandela’s official photographer and documented the transition toward democracy, including significant moments surrounding South Africa’s first democratic election and the Truth and Reconciliation Commission. The photographer who had spent decades documenting resistance now had the opportunity to photograph a country moving toward a new political era.
Magubane’s legacy extends far beyond the individual photographs he made. He published numerous books, exhibited internationally and received major honors, including an honorary Doctor of Literature from the University of Cape Town in 2010. His photographs remain part of the historical record because they show not only the brutality of apartheid but also the humanity, resilience and determination of the people who lived through it.
Peter Magubane ultimately demonstrated the extraordinary power of photography. He understood that a photograph can preserve a moment long after the people who witnessed it are gone. His camera recorded injustice, resistance, suffering, courage and eventually freedom. For photographers today, his life offers an enduring lesson: photography is not simply about making beautiful pictures—it can also be about seeing clearly, standing close to history and making sure that important stories are never forgotten. Magubane’s photographs gave South Africa a visual memory, and his life’s work reminds every photographer that sometimes the most important picture is the one that history needs someone brave enough to make.
Based on reporting by The Positive Community.
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